Installation view with Francesco Botticini (1446–1497), Portrait of a Young Man, ca. 15th century. Oil on panel; Alex Israel, Self Portrait, 2012. Acrylic and Bondo on fiberglass

Installation view with Nam June Paik (1932–2006), Lucy, 1992. Aluminum frame, neon, oil paint, electrical wires, five TV sets, LaserDiscs, circuit boards, keyboards, typewriter, plastic, metal and electrical elements. Collection of Cathy Vedovi; Alex Israel, Self Portrait, 2012. Acrylic and Bondo on fiberglass; Pedro Reyes, Sin titulo (capula), 2005, vinyl cords over stainless steel structure; Kota Ezawa, Lennon, Sontag and Beuys, 2004. Single-channel video with sound, 2:10 min.; Farley Aguilar, Boy with Flag, 2018. Oil, charcoal and graphite on canvas; Andy Warhol (1928–1987), Red Book (Prefix ‘F014’), 1969. Photographs (Polacolor Type 108) in red booklet

Installation view with archival photostat of The Bass exterior, ca. 1989; Nam June Paik (1932–2006), Lucy, 1992. Aluminum frame, neon, oil paint, electrical wires, five TV sets, LaserDiscs, circuit boards, keyboards, typewriter, plastic, metal and electrical elements. Collection of Cathy Vedovi

Installation view with Nam June Paik (1932–2006), Lucy, 1992. Aluminum frame, neon, oil paint, electrical wires, five TV sets, LaserDiscs, circuit boards, keyboards, typewriter, plastic, metal and electrical elements. Collection of Cathy Vedovi; Kota Ezawa, Lennon, Sontag and Beuys, 2004. Single-channel video with sound, 2:10 min.; Farley Aguilar, Boy with Flag, 2018. Oil, charcoal and graphite on canvas; Pedro Reyes, Sin titulo (capula), 2005. Vinyl cords over stainless steel structure; Hyacinthe Rigaud and Workshop, (1659–1743), Hans William Bentinck, Earl of Portland, K.G. (1649–1709), ca. 1698. Oil on canvas

Installation view with Pedro Reyes, Sin titulo (capula), 2005. Vinyl cords over stainless steel structure; Hyacinthe Rigaud and Workshop, (1659–1743), Hans William Bentinck, Earl of Portland, K.G. (1649–1709), ca. 1698. Oil on canvas; Berenice Abbott (1898–1991), Newsstand, East 32nd Street and Third Avenue, Manhattan, November 19, 1935, and East Side Portrait, 1938. Gelatin silver prints; Andy Warhol (1928–1987), Red Book (Prefix ‘F014’), 1969. Photographs (Polacolor Type 108) in red booklet

Installation view with Workshop of Anthony van Dyck (1599–1641), Francis Howard, Duchess of Lenox and Richmond, ca.1577–1639. Oil on canvas; Pascale Marthine Tayou, Poupée Pascale (Hong Kong), 2018. Crystal and mixed media; Farley Aguilar, Boy with Flag, 2018. Oil, charcoal and graphite on canvas; Nan Goldin, Yogo Putting on Powder, Second Trip, Bangkok, 1992, chromogenic print

Installation view with Danh Võ, We the People (detail), 2010–12. Copper; Hyacinthe Rigaud and Workshop, (1659–1743), Hans William Bentinck, Earl of Portland, K.G. (1649–1709), ca. 1698. Oil on canvas; Nate Lowman, Untitled (Map), 2022. Oil, acrylic, alkyd, latex, dirt and nylon thread on canvas; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges

Installation view with Genieve Figgis, Equal Rights, 2021. Acrylic on panel; Kathleen Gilje, Het Pelsken, Restored, 2001. Oil on wood; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges

Installation view with Danh Võ, We the People (detail), 2010–12. Copper; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges; Nate Lowman, Untitled (Map), 2022. Oil, acrylic, alkyd, latex, dirt and nylon thread on canvas

Installation view with Tony Oursler, Control/Focus, 1997. Video projector, two cloth dolls, wood shelf and media player with USB drive; Nate Lowman, Untitled (Map), 2022. Oil, acrylic, alkyd, latex, dirt and nylon thread on canvas; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges; Workshop of Anthony van Dyck (1599–1641), Francis Howard, Duchess of Lenox and Richmond, ca.1577–1639. Oil on canvas; Pascale Marthine Tayou, Poupée Pascale (Hong Kong), 2018. Crystal and mixed media

Installation view with Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame; Nate Lowman, Untitled (Map), 2022. Oil, acrylic, alkyd, latex, dirt and nylon thread on canvas; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges; Zanele Muholi, Phumula, Paris, France, 2019. Gelatin silver print

Installation view with Nam June Paik (1932–2006), TV Cello, 2003. Single-channel video (color, sound), LCD monitors, CRT monitor, acrylic paint, Plexiglas, metal, wood, rubber cables, solid-state media player, remote, power converter, adapter, power amplifier and speakers; Peter Moore, Charlotte Moorman and Nam June Paik performing John Cage’s 26′1.1499″ for A String Player (“Human Cello”), Channel 13 TV studio, May 27, 1971, 1971, and Charlotte Moorman wearing Nam June Paik's “TV Bra for Living Sculpture,” 1969. Gelatin silver prints. Archival photostat of The Bass interior, ca. 1960s; Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame; Kathleen Gilje, Untitled (Doug and Sutton), 2004, oil on linen

Installation view with Francesca DiMattio, Chandelabra II,2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame; Kathleen Gilje, Untitled (Doug and Sutton), 2004. Oil on linen; Jan Weenix (1642–1719), Lady Playing the Viola, ca. 1713–19. Oil on canvas

Installation view with Jan Weenix (1642–1719), Lady Playing the Viola, ca. 1713–19. Oil on canvas

Installation view with Nam June Paik (1932–2006), TV Cello, 2003. Single-channel video (color, sound), LCD monitors, CRT monitor, acrylic paint, Plexiglas, metal, wood, rubber cables, solid-state media player, remote, power converter, adapter, power amplifier and speakers; Peter Moore, Charlotte Moorman and Nam June Paik performing John Cage’s 26′1.1499″ for A String Player (“Human Cello”), Channel 13 TV studio, May 27, 1971, 1971, and Charlotte Moorman wearing Nam June Paik's “TV Bra for Living Sculpture,” 1969. Gelatin silver prints. Archival photostat of The Bass interior, ca. 1960s

Installation view with Ellen Harvey, The Nudist Museum, 2010. Oil on gesso-board panels, vintage frames, paper printouts; Nam June Paik (1932–2006), TV Cello, 2003. Single-channel video (color, sound), LCD monitors, CRT monitor, acrylic paint, Plexiglas, metal, wood, rubber cables, solid-state media player, remote, power converter, adapter, power amplifier and speakers; Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame

Installation view with Ellen Harvey, The Nudist Museum, 2010. Oil on gesso-board panels, vintage frames, paper printouts; Nam June Paik (1932–2006), TV Cello, 2003. Single-channel video (color, sound), LCD monitors, CRT monitor, acrylic paint, Plexiglas, metal, wood, rubber cables, solid-state media player, remote, power converter, adapter, power amplifier and speakers

Installation view with Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame; Zanele Muholi, Phumula, Paris, France, 2019. Gelatin silver print; Ellen Harvey, The Nudist Museum, 2010. Oil on gesso-board panels, vintage frames, paper printouts

Installation view with Danh Võ, We the People (detail), 2010–12, copper; Zanele Muholi, Phumula, Paris, France, 2019. Gelatin silver print

Installation view with archival photostat of The Bass exterior, ca. 1989, with vintage seating from Miami Beach Cinematheque.