James Voorhies
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James Voorhies
0
Phil Collins,  the meaning of style , 2011. 16mm film transferred to HD digital video; color, sound, 4 min. 50 sec. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York

Phil Collins, the meaning of style, 2011. 16mm film transferred to HD digital video; color, sound, 4 min. 50 sec. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York

Installation view, Carpenter Center for the Visual Arts, 2016. Phil Collins, the meaning of style , 2011

Installation view, Carpenter Center for the Visual Arts, 2016. Phil Collins, the meaning of style, 2011

Open Seminar: Phil Collins in Context (Part 1) . Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016

Open Seminar: Phil Collins in Context (Part 1). Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016

Open Seminar: Phil Collins in Context (Part 1) . Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016. Phil Collins, the louder you scream, the faster we go , 2005

Open Seminar: Phil Collins in Context (Part 1). Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016. Phil Collins, the louder you scream, the faster we go, 2005

Phil Collins, the louder you scream, the faster we go , 2005 (still). Video, color, sound, 10 min

Phil Collins, the louder you scream, the faster we go, 2005 (still). Video, color, sound, 10 min

Phil Collins, they shoot horses , 2004 (still). Two-channel synchronized video projection, color, sound, 420 min.

Phil Collins, they shoot horses, 2004 (still). Two-channel synchronized video projection, color, sound, 420 min.

Open Seminar: Phil Collins in Context (Part 1) . Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016

Open Seminar: Phil Collins in Context (Part 1). Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016

Phil Collins,  the world won’t listen , 2004–07. Synchronized three-channel video installation, color, sound, 56 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York

Phil Collins, the world won’t listen, 2004–07. Synchronized three-channel video installation, color, sound, 56 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York

Open Seminar: Phil Collins in Context (Part 1) . Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016

Open Seminar: Phil Collins in Context (Part 1). Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016

“Class Pick.” Students in Harvard University course VES 105 identify publications in CRC/bookshop relevant to study of work by Phil Collins

“Class Pick.” Students in Harvard University course VES 105 identify publications in CRC/bookshop relevant to study of work by Phil Collins

Phil Collins. This Unfortunate Thing Between Us , 2011. Performance in two parts broadcast live on German public television, each 60 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York

Phil Collins. This Unfortunate Thing Between Us, 2011. Performance in two parts broadcast live on German public television, each 60 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York

Intermission for screening, Phil Collins, This Unfortunate Thing Between Us, 2011. Carpenter Center Lecture Hall, Mar 31, 2016

Intermission for screening, Phil Collins, This Unfortunate Thing Between Us, 2011. Carpenter Center Lecture Hall, Mar 31, 2016

Screening, Phil Collins, This Unfortunate Thing Between Us , 2011. Carpenter Center Lecture Hall,  Mar 31, 2016

Screening, Phil Collins, This Unfortunate Thing Between Us, 2011. Carpenter Center Lecture Hall,  Mar 31, 2016

Bookmark publication series produced with quotes pulled from readings in the Harvard University course VES 105, taught by James Voorhies

Bookmark publication series produced with quotes pulled from readings in the Harvard University course VES 105, taught by James Voorhies

Phil Collins, Tomorrow Is Always Too Long , 2014 (still). HD digital video, Hi8 and VHS, olor, sound; 82 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York

Phil Collins, Tomorrow Is Always Too Long, 2014 (still). HD digital video, Hi8 and VHS, olor, sound; 82 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York

Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016

Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016

Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016

Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016

Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016

Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016

Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016

Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016

Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016

Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016

Phil Collins, Harvard University course VES  105, taught by James Voorhies, Carpenter Center for the Visual Arts, Level 4, Apr 4–8, 2016

Phil Collins, Harvard University course VES  105, taught by James Voorhies, Carpenter Center for the Visual Arts, Level 4, Apr 4–8, 2016

Phil Collins, I Fought The Law, L.A. Protests , 2000 (still). Courtesy Shady Lane Productions

Phil Collins, I Fought The Law, L.A. Protests, 2000 (still). Courtesy Shady Lane Productions

Phil Collins, Sert Practitioner Residency, Radio Broadcast, WHRB 93.5 FM, Apr 4–8, 2016

Phil Collins, Sert Practitioner Residency, Radio Broadcast, WHRB 93.5 FM, Apr 4–8, 2016

Phil Collins, Sert Practitioner Residency, Radio Broadcast, WHRB 93.5 FM, Apr 4–8, 2016

Phil Collins, Sert Practitioner Residency, Radio Broadcast, WHRB 93.5 FM, Apr 4–8, 2016

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016. Phil Collins, marxism today (prologue) , 2010 (still)

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016. Phil Collins, marxism today (prologue), 2010 (still)

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016. Phil Collins, marxism today (prologue) , 2010 (still)

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016. Phil Collins, marxism today (prologue), 2010 (still)

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016. Phil Collins, how to make a refugee , 1999

Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016. Phil Collins, how to make a refugee, 1999

Phil Collins, how to make a refugee , 1999 (still) . Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York

Phil Collins, how to make a refugee, 1999 (still). Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York

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Phil Collins,  the meaning of style , 2011. 16mm film transferred to HD digital video; color, sound, 4 min. 50 sec. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York
Installation view, Carpenter Center for the Visual Arts, 2016. Phil Collins, the meaning of style , 2011
Open Seminar: Phil Collins in Context (Part 1) . Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016
Open Seminar: Phil Collins in Context (Part 1) . Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016. Phil Collins, the louder you scream, the faster we go , 2005
Phil Collins, the louder you scream, the faster we go , 2005 (still). Video, color, sound, 10 min
Phil Collins, they shoot horses , 2004 (still). Two-channel synchronized video projection, color, sound, 420 min.
Open Seminar: Phil Collins in Context (Part 1) . Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016
Phil Collins,  the world won’t listen , 2004–07. Synchronized three-channel video installation, color, sound, 56 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York
Open Seminar: Phil Collins in Context (Part 1) . Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016
“Class Pick.” Students in Harvard University course VES 105 identify publications in CRC/bookshop relevant to study of work by Phil Collins
Phil Collins. This Unfortunate Thing Between Us , 2011. Performance in two parts broadcast live on German public television, each 60 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York
Intermission for screening, Phil Collins, This Unfortunate Thing Between Us, 2011. Carpenter Center Lecture Hall, Mar 31, 2016
Screening, Phil Collins, This Unfortunate Thing Between Us , 2011. Carpenter Center Lecture Hall,  Mar 31, 2016
Bookmark publication series produced with quotes pulled from readings in the Harvard University course VES 105, taught by James Voorhies
Phil Collins, Tomorrow Is Always Too Long , 2014 (still). HD digital video, Hi8 and VHS, olor, sound; 82 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York
Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016
Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016
Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016
Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016
Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016
Phil Collins, Harvard University course VES  105, taught by James Voorhies, Carpenter Center for the Visual Arts, Level 4, Apr 4–8, 2016
Phil Collins, I Fought The Law, L.A. Protests , 2000 (still). Courtesy Shady Lane Productions
Phil Collins, Sert Practitioner Residency, Radio Broadcast, WHRB 93.5 FM, Apr 4–8, 2016
Phil Collins, Sert Practitioner Residency, Radio Broadcast, WHRB 93.5 FM, Apr 4–8, 2016
Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016
Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016
Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016
Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016
Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016
Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016. Phil Collins, marxism today (prologue) , 2010 (still)
Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016
Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016. Phil Collins, marxism today (prologue) , 2010 (still)
Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016. Phil Collins, how to make a refugee , 1999
Phil Collins, how to make a refugee , 1999 (still) . Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York