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  <url>
    <loc>https://jamesvoorhies.com/experience-it-photography</loc>
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    <lastmod>2024-09-15</lastmod>
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      <image:title>Experience It</image:title>
      <image:caption>Simon Fujiwara, Joanne, 2016. Mixed media installation with video projection, 13:34 min. Installation view, The Photographers’ Gallery, London. Courtesy of the artist and Esther Schipper</image:caption>
    </image:image>
    <image:image>
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      <image:title>Experience It</image:title>
      <image:caption>Simon Fujiwara, Joanne, 2016. Mixed media installation with video projection, 13:34 min. Installation view, The Photographers’ Gallery, London. Courtesy of the artist and Esther Schipper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1573518052355-IFO13JT13MB50MLW9UA4/S.+Fujiwara.jpg</image:loc>
      <image:title>Experience It</image:title>
      <image:caption>Simon Fujiwara in conversation with James Voorhies, October 29, 2018. The Lab, San Francisco, CA</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522716980431-AZ4CPH8E67YNKAEWLFK0/Hayes-01Hayes_Ricerche_three.jpg</image:loc>
      <image:title>Experience It</image:title>
      <image:caption>Sharon Hayes, Ricerche: three, 2013. Single channel HD video, 38 min.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1520212850343-YOHIDP9K7R3J8ZQWJYOT/Hayes-boc-web.png</image:loc>
      <image:title>Experience It</image:title>
      <image:caption>Sharon Hayes: There’s so much I want to say to you, 2012. Installation view, Whitney Museum of American Art, New York. Photo: Sheldan C. Collins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522719446386-7ESIOQINKWJCR55OKG10/IMG_9500.jpeg</image:loc>
      <image:title>Experience It</image:title>
      <image:caption>Sharon Hayes in conversation with James Voorhies, March 5, 2018. The Lab, San Francisco, CA</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522717012265-2B8BP783ZKO622VKVJDQ/Hayes-_MG_6735.jpg</image:loc>
      <image:title>Experience It</image:title>
      <image:caption>Sharon Hayes in conversation with James Voorhies, March 5, 2018. The Lab, San Francisco, CA</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1533919604968-8WL3YVNZ1DNZ3JDXNRXQ/Shahryar+Nashat+Install+04.jpeg</image:loc>
      <image:title>Experience It</image:title>
      <image:caption>Shahryar Nashat, Image Is an Orphan, 2018. Installation view, David Kordansky Gallery. Courtesy of the artist and David Kordansky Gallery, Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1573518050765-90Y9XDNV5RD3LA6T0Z7Q/S.+Nashat.jpg</image:loc>
      <image:title>Experience It</image:title>
      <image:caption>Shahryar Nashat in conversation with James Voorhies, September 10, 2018. The Lab, San Francisco, CA</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522716990928-GEW6VM6VIL17S1NHSI28/Rafman-008.SM-JON+RAFMAN+-06-2016-PH.GJ.vanROOIJ.jpg</image:loc>
      <image:title>Experience It</image:title>
      <image:caption>Jon Rafman, I have ten thousand compound eyes and each is named suffering, 2016. Installation view. Stedelijk Museum, Amsterdam. Photo: GJ van Rooij</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1520212851863-R3L5U30H5ZR9F4JDJDXH/Rafman-boc-web1.png</image:loc>
      <image:title>Experience It</image:title>
      <image:caption>Jon Rafman, I have ten thousand compound eyes and each is named suffering, 2016. Installation view, Stedelijk Museum, Amsterdam. Photo: GJ van Rooij</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522717020914-02EUW76FU4FWVYJUISXZ/Rafman-180326_THELAB_ExperienceIt_JonRafman_RDH__071.jpg</image:loc>
      <image:title>Experience It</image:title>
      <image:caption>Jon Rafman in conversation with James Voorhies, March 26, 2018. The Lab, San Francisco, CA</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1520995188192-XKJBDJLV9MNTWRSDF4YN/Syms-boc-web.png</image:loc>
      <image:title>Experience It</image:title>
      <image:caption>Martine Syms: Vertical Elevated Oblique, September 17–November 1, 2015. Installation view. Bridget Donahue, New York. Photo: Marc Brems Tatti</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522717026578-SIPZPIJNXBEPLQHWG0SI/Symns-46_SYMS_Projects106-MoMA.jpg</image:loc>
      <image:title>Experience It</image:title>
      <image:caption>Martine Syms, Incense, Sweaters, and Ice, 2017. Installation view, MoMA, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522717166353-Z5804JQ7B4CBU1NJXFSW/Voorhies+and+Syms_MG_6541.jpg</image:loc>
      <image:title>Experience It</image:title>
      <image:caption>Martine Syms in conversation with James Voorhies, February 26, 2018. The Lab, San Francisco, CA</image:caption>
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    <image:image>
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      <image:title>Experience It</image:title>
      <image:caption>Martin Syms in conversation with James Voorhies, February 6, 2018. The Lab, San Francisco, CA</image:caption>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/seventh-dream-of-teenage-heaven-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662855030046-S2HN9FGU5Y5FK9D4NKN1/Mark+Leckey+Spin+low+res.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Mark Leckey, Fiorucci Made Me Hardcore, 1999, DVD with sound, 15 minutes. Courtesy of the artist and Gavin Brown’s Enterprise, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662855030046-S2HN9FGU5Y5FK9D4NKN1/Mark+Leckey+Spin+low+res.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Mark Leckey, Fiorucci Made Me Hardcore, 1999, DVD with sound, 15 minutes. Courtesy of the artist and Gavin Brown’s Enterprise, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1520218587922-VG25BQ99C2M5QX2RMSBH/I%27M+A+VICTIM+3+%28scan%29.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Pipilotti Rist, I’m a Victim Of This Song, 1995, video (still). Courtesy the artist, Electronic Arts Intermix and Hauser &amp; Wirth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1520218175819-R0WFFI01P3C30ALM7HGV/i_d_likecard_still.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Guy Ben-Nur, I'd give it to you but I borrowed it, 2007, single channel video with color and sound, 12 minutes. Courtesy of POSTMASTERS GALLERY, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662851653616-MLPQNI6SQNK6WPQ8NEZM/100206-DSC_0433-fullsize.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Cassandra Troyan, The Aftermath, 2011, photographic documentation, dimensions variable. Courtesy of the artist; photography by Ed Luna.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1520218254690-FZG672ACPKWNHT0ZTCJR/1984_06_25.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Gerard Byrne, Images or Shadows of Divine Things, 2005–ongoing, selenium-toned silver gelatin print and vinyl text, 10 photographs 8 x 10 inches each. Courtesy of the artist and Green On Red Gallery, Dublin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1520218500073-E74SRHD8FAHK4D7CS8V3/touchup-DSC_0150.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Dennis McNulty, The Crash, with FACETIME, 2011, suspended ceiling elements, tiles and ratchet straps; dimensions variable; and poster, 33 x 40 inches. Courtesy of the artist and Green On Red Gallery, Dublin; commissioned by Bureau for Open Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662851663812-1GRS4IUFQAZR92VOLRNE/North+%26+High.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Joachim Brohm, North and High, from the series Ohio, 1983–1984, c-print, 20 x 24 inches. Courtesy of Galerie Michael Wiesehöfer, Cologne.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662851677339-TQ5V0L3JTO28R3X2310V/touchup-DSC_0416.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Lara Kohl, Once Upon a Time, Yesterday, 2005, chest freezer, ice sculpture of Sleeping Beauty’s castle and songs written by the artist and recorded by Hide the Knives, 41 x 33 x 22 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662851795073-UWMLV0T77001VE0XEUXH/knife_heartbeats01.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Johannes Nyholm, Andreas Nilsson, Bo Melin, The Knife: Heartbeats, 2002, digital video, 3:55 minutes. Courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662851827429-LBFU24M9ZOTETUAETFRD/touchup-DSC_0413.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Peter Dayton, Stella #22 “Lost World,” 2008 (detail), 96 x 36 inches, oil, acrylic, resin and paper decal on birch plywood. Courtesy of the artist and James Salomon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-29</lastmod>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/jack-pierson-the-miami-years</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
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      <image:title>Projects - Jack Pierson: The Miami Years</image:title>
      <image:caption>Installation view, Jack Pierson: The Miami Years, 2025.</image:caption>
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      <image:title>Projects - Jack Pierson: The Miami Years</image:title>
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      <image:title>Projects - Jack Pierson: The Miami Years</image:title>
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      <image:title>Projects - Jack Pierson: The Miami Years</image:title>
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      <image:title>Projects - Jack Pierson: The Miami Years</image:title>
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      <image:title>Projects - Jack Pierson: The Miami Years</image:title>
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      <image:title>Projects - Jack Pierson: The Miami Years</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759932167151-IIUMZF4WY4QJ3U7PKU5R/Installation+view+of+Jack+Pierson+curated+by+James+Voorhies+at+The+Bass+Museum+-+29.jpeg</image:loc>
      <image:title>Projects - Jack Pierson: The Miami Years</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759932146525-5MXEZPWAJIDSL4M4AYID/Installation+view+of+Jack+Pierson+curated+by+James+Voorhies+at+The+Bass+Museum+-+15.jpeg</image:loc>
      <image:title>Projects - Jack Pierson: The Miami Years</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759932142509-GBL1671EY0IAI9REMPUD/Installation+view+of+Jack+Pierson+curated+by+James+Voorhies+at+The+Bass+Museum+-+11.jpeg</image:loc>
      <image:title>Projects - Jack Pierson: The Miami Years</image:title>
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      <image:title>Projects - Jack Pierson: The Miami Years</image:title>
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      <image:title>Projects - Jack Pierson: The Miami Years</image:title>
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      <image:title>Projects - Jack Pierson: The Miami Years</image:title>
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  <url>
    <loc>https://jamesvoorhies.com/projects/faire-foyer-sarah-crowner-in-dialogue-with-etel-adnan</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930585953-WIC0POKLI53ZYQH3BHP2/Etel+Adnan+and+Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+installation+full.JPG</image:loc>
      <image:title>Projects - Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
      <image:caption>Installation view, Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930577910-9O3XZBL3NG7UTI2WST2D/Etel+Adnan+and+Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+installation+3.JPG</image:loc>
      <image:title>Projects - Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930579476-6QZJNQ57D7MVNZAJIZ8R/Etel+Adnan+and+Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+installation+2.JPG</image:loc>
      <image:title>Projects - Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930591178-L1Q6IDQKWOSDW1PEAV74/Etel+Adnan+and+Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+installation+of+photographs.JPG</image:loc>
      <image:title>Projects - Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930592618-X3NRV6WOB562A9SU9XXD/Etel+Adnan+at+The+Bass+Museum+curated+by+James+Voorhies+-+photograph.JPG</image:loc>
      <image:title>Projects - Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930588340-VL47YUVFMQXOX5YJQXC4/Etel+Adnan+and+Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+installation+1+.JPG</image:loc>
      <image:title>Projects - Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930583329-O59LRW6QVLT9KR9FBUYJ/Etel+Adnan+and+Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+installation+4.JPG</image:loc>
      <image:title>Projects - Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759931353344-WY9R58LIS5NTKP0TFZKK/IMG_6300.jpeg</image:loc>
      <image:title>Projects - Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930575432-7XU0UM3YAAZ7URJGFUZP/Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+sculpture.jpeg</image:loc>
      <image:title>Projects - Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/relational-landscapes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638842500-SYYK22EECHQSVBIPC0N0/1.+Spritz3000+Relational+Landscapes+Install+3.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638842880-K7Q8USNUMT4SMGQUX9ZP/2.+Wilhelm-Neusser-at-Spritz3000-installation-8.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Wilhelm Neusser, Heat, 2023. Oil on linen, 30 × 24 in. (31 × 25 in. framed)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638844682-R45XTGJPI2U0JIIUTCXC/3.+Spritz3000+Relational+Landscapes+Install+1.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638845190-XMPMMDQUHMMIAAGCRT5N/4.+Spritz3000+Relational+Landscapes+Install+2.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638847512-MUZMCKTQ0EOKOGNV4R5E/5.+Wilhelm-Neusser-at-Spritz3000-installation-6+%281%29.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Wilhelm Neusser, Grass, Greener, Other Side, 2024. Oil on linen, 20 × 16 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638847591-JATQLE55HB5B9Y16R9T4/6.+Spritz3000+Relational+Landscapes+Install+4.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638849225-3QWQS40P2XS8TEXT2EZ4/7.+Colin-Brant--Kreidefelsen--2025-at-Spritz3000.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Colin Brant, Kreidefelsen, 2025. Oil on canvas, 60 × 50 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638849945-0MFQLKI4LO7JONC33AF3/8.+Spritz3000+Relational+Landscapes+Install.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638851076-0OFJL0VALMVLLHGEJKJC/9.+Spritz3000+Relational+Landscapes+Install+5.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Josephine Halvorson, Ground Register: Spiral / North, 2019. Gouache and site material on panel, 42 × 32 in.; Ground Register: First Frost, 2018. Gouache, screen print, and site material on panels, 42 × 32 in.; Ghost, 2017. Oil on linen, 23 × 15 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638851914-X22T32VT9R66EESKOLTG/10.+Spritz3000+Relational+Landscapes+Install.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638852799-E0K6AYN9GMC9M9M53UUN/11.+Simone+Forti+at+Spritz3000-installation+1.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Simone Forti, Weeding: Steve and Lisa’s Garden 1, 2019. Digital video, 18 min., uneditioned; Saw Horse and Plank, 1961/2022. Unpainted pine, 120 × 9 × 5 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638853689-CIJMYDIMVTZUKDO5TBDD/12.+Simone-Forti-at-Spritz3000-installation-3.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Simone Forti, Tree Drawing: I Stand Where a Bear Stood Recently, Clawing This Tree, 2010. Pen, pencil, marker on paper, 14 1/2 × 11 1/2 × 1 3/4 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638854337-I86G5LLU9TN2VW0HEZ6G/13.+Spritz3000+Relational+Landscapes+Install.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638855687-BODI7OXTM3MEBF1CP5W7/14.+Carrie-Yamaoka-at-Spritz3000-installation-10.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Carrie Yamaoka, Stump, 2023. Digital print on synthetic chiffon, 54 × 36 in., Edition 1 of 7 + 2 AP</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638856408-VT1QPIJ6ML7SI2R4FXJ1/15.+Spritz3000+Relational+Landscapes+Install+6.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638857284-2FXHYHYCNTI0ESNSBDUS/16.+Carrie-Yamaoka-at-Spritz3000-installation-7.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>10 by 8 (flake.verso), 2024. Reflective polyester film, urethane resin and mixed media on wood panel, 10 × 8 × 7/8 in.; 10 by 8 (wall #5), 2024. Reflective polyester film, acrylic, urethane resin and mixed media on wood panel, 10 × 8 × 7/8 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638857491-TU31ANIW7Y2HJ96Z2BZQ/17.+Carrie-Yamaoka.+Archipelagoes+%282019%29+panel+8.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Carrie Yamaoka, Archipelagoes (2019), 2019, panel 8. Archival pigment print, 20 × 16 in., Edition 2 of 3</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638860031-3XBZ8RDZ917UBH9I4Z0F/18.+Spritz3000+Relational+Landscapes+Install+7.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638859871-YDQGYIV9NX7U5KNPUC8U/19.+John-Yang--Innisfree-Garden--Millbrook--New-York--1986--523-20-at-Spritz3000.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>John Yang, Innisfree Garden, Millbrook, New York, 1986. Gelatin silver print, 8 × 10 in., photographer’s credit stamp on print recto and notes in pencil in photographer’s hand</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638861831-1GPO80PIJF0BAKIZQDZW/20.+Spritz3000+Relational+Landscapes+Install+9.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638862112-JRPU025MYUW7MWVGRVP6/21.+Spritz3000+Relational+Landscapes+Install.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638863017-JJXHBUEINA7QIJSWAB10/22.+Sky-Hopinka--Everything-to-be-obliterated--2023-at-Spritz3000.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Sky Hopinka, Everything to be obliterated, 2023. Inkjet with hand-scratched text and UV laminate, framed, 40 × 40 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638863816-T71FYD8NTWJZEYIMTZVI/23.+Spritz3000+Relational+Landscapes+Install.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638865215-ZDIJX7Z7QD0ME30RZLYP/24.+Spritz3000+Relational+Landscapes+Install.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1774638865648-VKM5F39Q35LXQQPN3Q73/25.+Spritz3000-in-Catskill-NY-for-website-homepage+%281%29.jpeg</image:loc>
      <image:title>Projects - Relational Landscapes</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/the-queer-urgency-of-a-field-of-bloom-and-hum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1747866004200-NQ648BV04QV4QBKW1WJ8/James-Voorhies-article-for-frieze-on-The-Queer-Urgency-of-a-field-of-bloom-and-hum-by-james-voorhies.png</image:loc>
      <image:title>Projects - The Queer Urgency of “a field of bloom and hum“</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/rachel-feinstein-the-miami-years-article</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1747863852929-2AOQH388YB5XAV9L74YO/James-Voorhies-book-cover-of-OSMOS-Magazine.png</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/it-doesnt-have-to-be-like-that-on-the-critical-in-anne-duk-hee-jordan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1747865467062-H5TBHGE3R3OU7HHD1AL3/James-Voorhies-article-of-it-doesnt-have-to-be-like-that.png</image:loc>
      <image:title>Projects - It doesn’t have to be like that: On the critical in Anne Duk Hee Jordan</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/anne-duk-hee-jordan-the-end-is-where-we-start-from</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1747864774429-I7KUTG1JV4Z1MXGBUFW0/James-Voorhies-article-I-will-always-weather-with-you-ann-dukhee-jordan.png</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: The End Is Where We Start From</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/against-reason-tony-smith-architecture-and-other-modernisms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/fba1a637-6ed3-4dd3-8c4a-215a97a4e4ef/James-Voorhies-book-cover-of-Tony-Smith-Architecture-Against-Reason.png</image:loc>
      <image:title>Projects - Against Reason: Tony Smith, Architecture, and Other Modernisms</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/tony-smith-architecture-catalogue-raisonn-volume-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/9c98ba4c-df55-4eed-a1f6-9d569b86b7f8/James-Voorhies-book-cover-of-Tony-Smith-Architecture-Catalog-raisonee.png</image:loc>
      <image:title>Projects - Tony Smith Architecture Catalogue Raisonné</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/lahorde-heureux-sous-son-ombre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732626993644-EXCH0LGMJ40B17UK3JHG/2024-11-La-Horde-The-Bass-Museum-Photo_By_Zaire_Aranguren-056-HR.jpg</image:loc>
      <image:title>Projects - (LA)HORDE: Heureux sous son ombre</image:title>
      <image:caption>Installation view, (LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes. Courtesy of New Galerie, Paris. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1726414182029-6SYTNZB5YPNOPNE015RM/%28LA%29HORDE%2C+The+Bass%2C+Voorhies+2.png</image:loc>
      <image:title>Projects - (LA)HORDE: Heureux sous son ombre</image:title>
      <image:caption>(LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes (still). Courtesy of New Galerie, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732626990080-1DC9ZKS2OHHH7IT0I7ZT/2024-11-La-Horde-The-Bass-Museum-Photo_By_Zaire_Aranguren-040-HR.jpg</image:loc>
      <image:title>Projects - (LA)HORDE: Heureux sous son ombre</image:title>
      <image:caption>Installation view, (LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes. Courtesy of New Galerie, Paris. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732627037834-OL2DY0Z1PX85Z68P8WSR/%28LA%29HORDE+-+Bondy+-+2017+-+still+2+-+Courtesy+of+%28LA%29HORDE+and+New+Galerie%2C+Paris.png</image:loc>
      <image:title>Projects - (LA)HORDE: Heureux sous son ombre</image:title>
      <image:caption>(LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes (still). Courtesy of New Galerie, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732627043368-VINIOVDL59Y2QEFOV9RN/%28LA%29HORDE+-+Bondy+-+2017+-+still+4+-+Courtesy+of+%28LA%29HORDE+and+New+Galerie%2C+Paris.png</image:loc>
      <image:title>Projects - (LA)HORDE: Heureux sous son ombre</image:title>
      <image:caption>(LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes. (still). Courtesy of New Galerie, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732626991921-6MFBPK702GHXGQRMOSN3/2024-11-La-Horde-The-Bass-Museum-Photo_By_Zaire_Aranguren-HR-065.jpg</image:loc>
      <image:title>Projects - (LA)HORDE: Heureux sous son ombre</image:title>
      <image:caption>Installation view, (LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes. Courtesy of New Galerie, Paris. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732626987834-ZHQV6HWAEAVT5CTU0ZJV/2024-11-La-Horde-The-Bass-Museum-Photo_By_Zaire_Aranguren-073-HR.jpg</image:loc>
      <image:title>Projects - (LA)HORDE: Heureux sous son ombre</image:title>
      <image:caption>Installation view, (LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes. Courtesy of New Galerie, Paris. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732626988750-RQ4PV2NZ8XN7PIE667T2/2024-11-La-Horde-The-Bass-Museum-Photo_By_Zaire_Aranguren-012-HR.jpg</image:loc>
      <image:title>Projects - (LA)HORDE: Heureux sous son ombre</image:title>
      <image:caption>Installation view, (LA)HORDE, HEUREUX SOUS SON OMBRE, 2024. Fence panel and LED lights. 72 x 144 inches. Courtesy of New Galerie, Paris. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719360489591-ULVJIOCHKVGCL4G0PYXS/%28LA%29HORDE+-+Bondy+-+still+1.jpg</image:loc>
      <image:title>Projects - (LA)HORDE: Heureux sous son ombre</image:title>
      <image:caption>(LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes (still). Courtesy of New Galerie, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732626990323-AYZBHM06Y27AGB9DQQK7/2024-11-La-Horde-The-Bass-Museum-Photo_By_Zaire_Aranguren-007-HR.jpg</image:loc>
      <image:title>Projects - (LA)HORDE: Heureux sous son ombre</image:title>
      <image:caption>(LA)HORDE: Heureux sous son ombre. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/rachel-feinstein-the-miami-years</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603797050-PE8EBUWPTM7V3CC3B13A/1+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years, with Old Cutler, 2024. Charcoal on prepared paper, dimensions variable. Courtesy of the artist and Gagosian. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603796824-SLF4BN81GTAJ0CTTRC42/2+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719360939592-1D4OZTFNAE0VBEKCYT1P/3+Sce%CC%80nes+de+Jardins.png</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Rachel Feinstein, Scènes de Jardins, 2018. Oil and enamel on mirror, 48 × 106 in. Collection of Heidi Steiger</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603797978-VYJ0K8NRBAALXK2HR56D/3+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603798148-4WFRVHQ71I9OPW8AQZ4U/4+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years, with Feathers, 2018, from the series Secrets. Hand-applied resin over foam with wooden base, 77 x 37 1/2 x 29 1/2 in. Courtesy of the artist and Gagosian. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603799065-1B2FUMGXNVTN04ZGUQNG/5+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years, Rachel and John’s Wedding, Parrot Jungle, 1998. 8 mm film transferred to digital video, 6:35 minutes. Courtesy of the artist. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603799380-FMXECW31BPSN2UN184U7/6+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years. Courtesy of the artist. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719360944570-YUCFM6JXDGCT7ZS04T77/7+Forest+Flat.jpeg</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Rachel Feinstein, Forest Flat, 1999. Wood, enamel and blue photo paper, 72 × 78 × 30 in. Mima &amp; César Reyes Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719360936573-PIQ51UYLW78JHP3QTAVD/1+Mirrored+Ball.jpeg</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Rachel Feinstein, Mirrored Ball, 1998. Plaster, mirror, paint, 36 × 30 × 12 in. Holzer Family Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719360936331-RPRUL11XNAEZN9C8RGFQ/2+Jazz+Brunch.jpeg</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Rachel Feinstein, Jazz Brunch, 1998. Enamel on wood, 96 × 48 × 25 1/2 in. Collection of RISD Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603800077-WKDX16QAMSK16PGGAP3I/7+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years. Courtesy of the artist. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719360939608-L3K1VLAGSUV6N0ONFJM8/4+Model.jpeg</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Rachel Feinstein, Model, 2000. Mirrors, wood, plaster and enamel, 90 3/4 × 40 1/2 × 52 in. Courtesy of the artist and Gagosian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603800335-8IYGYVH8MHTG07PP4JF8/8+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years. Courtesy of the artist. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719360946063-508I9YLH06FXQOBBIOKS/9+Hawaiian+Wedding.jpeg</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Rachel Feinstein, Hawaiian Wedding, 1999. Plaster, enamel, plastic beads, felt and velvet, 72 × 36 × 42 in. Collection of the Rubell Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603800993-LOI7ZCWG916APSXPHIZO/9+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years, with Panorama of Miami, 2024 (detail). Enamel on mirror, 5 panels, 60 × 72 × 2 in. each panel. Commissioned by The Bass. Courtesy of the artist and Gagosian. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1726412508243-L2A5SIYGG6K78Q2N4WQ6/Feinstein%2C+Panorama+of+Miami+%28detail%29.png</image:loc>
      <image:title>Projects - Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Rachel Feinstein, Panorama of Miami, 2024 (detail). Enamel on mirror, 5 panels, 60 × 72 × 2 in. each panel. Commissioned by The Bass. Courtesy of the artist and Gagosian</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/performing-perspectives-a-collection-in-dialogue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957312777-5A2I68SN8PA310K85BC9/Performing+Perspectives+curated+by+James+Voorhies++IMG_8890.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Francesco Botticini (1446–1497), Portrait of a Young Man, ca. 15th century. Oil on panel; Alex Israel, Self Portrait, 2012. Acrylic and Bondo on fiberglass</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957328784-QQSH33M5XGE3MMQEXTNQ/Performing+Perspectives+curated+by+James+Voorhies+IMG_8927.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Nam June Paik (1932–2006), Lucy, 1992. Aluminum frame, neon, oil paint, electrical wires, five TV sets, LaserDiscs, circuit boards, keyboards, typewriter, plastic, metal and electrical elements. Collection of Cathy Vedovi; Alex Israel, Self Portrait, 2012. Acrylic and Bondo on fiberglass; Pedro Reyes, Sin titulo (capula), 2005, vinyl cords over stainless steel structure; Kota Ezawa, Lennon, Sontag and Beuys, 2004. Single-channel video with sound, 2:10 min.; Farley Aguilar, Boy with Flag, 2018. Oil, charcoal and graphite on canvas; Andy Warhol (1928–1987), Red Book (Prefix ‘F014’), 1969. Photographs (Polacolor Type 108) in red booklet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957330708-M5ZSSIVJXG5C3N6L7USX/Performing+Perspectives+curated+by+James+Voorhies+IMG_8931.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with archival photostat of The Bass exterior, ca. 1989; Nam June Paik (1932–2006), Lucy, 1992. Aluminum frame, neon, oil paint, electrical wires, five TV sets, LaserDiscs, circuit boards, keyboards, typewriter, plastic, metal and electrical elements. Collection of Cathy Vedovi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957327953-POXB4TEL9OBY1EXK1ALY/Performing+Perspectives+curated+by+James+Voorhies+IMG_8922.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Nam June Paik (1932–2006), Lucy, 1992. Aluminum frame, neon, oil paint, electrical wires, five TV sets, LaserDiscs, circuit boards, keyboards, typewriter, plastic, metal and electrical elements. Collection of Cathy Vedovi; Kota Ezawa, Lennon, Sontag and Beuys, 2004. Single-channel video with sound, 2:10 min.; Farley Aguilar, Boy with Flag, 2018. Oil, charcoal and graphite on canvas; Pedro Reyes, Sin titulo (capula), 2005. Vinyl cords over stainless steel structure; Hyacinthe Rigaud and Workshop, (1659–1743), Hans William Bentinck, Earl of Portland, K.G. (1649–1709), ca. 1698. Oil on canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957316616-XYHRQNDIFWALMQB5QQPP/Performing+Perspectives+curated+by+James+Voorhies++IMG_8893.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Pedro Reyes, Sin titulo (capula), 2005. Vinyl cords over stainless steel structure; Hyacinthe Rigaud and Workshop, (1659–1743), Hans William Bentinck, Earl of Portland, K.G. (1649–1709), ca. 1698. Oil on canvas; Berenice Abbott (1898–1991), Newsstand, East 32nd Street and Third Avenue, Manhattan, November 19, 1935, and East Side Portrait, 1938. Gelatin silver prints; Andy Warhol (1928–1987), Red Book (Prefix ‘F014’), 1969. Photographs (Polacolor Type 108) in red booklet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957330679-NNZJUYBG1ZV8V004JAU8/Performing+Perspectives+curated+by+James+Voorhies+IMG_8932.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Workshop of Anthony van Dyck (1599–1641), Francis Howard, Duchess of Lenox and Richmond, ca.1577–1639. Oil on canvas; Pascale Marthine Tayou, Poupée Pascale (Hong Kong), 2018. Crystal and mixed media; Farley Aguilar, Boy with Flag, 2018. Oil, charcoal and graphite on canvas; Nan Goldin, Yogo Putting on Powder, Second Trip, Bangkok, 1992, chromogenic print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957312525-VBZ8E2OKFQWUQ5IDMZ53/Performing+Perspectives+curated+by+James+Voorhies++IMG_8886.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Danh Võ, We the People (detail), 2010–12. Copper; Hyacinthe Rigaud and Workshop, (1659–1743), Hans William Bentinck, Earl of Portland, K.G. (1649–1709), ca. 1698. Oil on canvas; Nate Lowman, Untitled (Map), 2022. Oil, acrylic, alkyd, latex, dirt and nylon thread on canvas; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957316164-WXH3MUIOO4QOO0X9L2AY/Performing+Perspectives+curated+by+James+Voorhies++IMG_8895.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Genieve Figgis, Equal Rights, 2021. Acrylic on panel; Kathleen Gilje, Het Pelsken, Restored, 2001. Oil on wood; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957308138-41ZAEH56Q12766J2ZL5Q/Performing+Perspectives+curated+by+James+Voorhies++IMG_8877.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Danh Võ, We the People (detail), 2010–12. Copper; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges; Nate Lowman, Untitled (Map), 2022. Oil, acrylic, alkyd, latex, dirt and nylon thread on canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957324920-KM02KWB3VFP5BUMQQ4R3/Performing+Perspectives+curated+by+James+Voorhies+IMG_8911.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Tony Oursler, Control/Focus, 1997. Video projector, two cloth dolls, wood shelf and media player with USB drive; Nate Lowman, Untitled (Map), 2022. Oil, acrylic, alkyd, latex, dirt and nylon thread on canvas; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges; Workshop of Anthony van Dyck (1599–1641), Francis Howard, Duchess of Lenox and Richmond, ca.1577–1639. Oil on canvas; Pascale Marthine Tayou, Poupée Pascale (Hong Kong), 2018. Crystal and mixed media</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957320126-QGRZDARWKQ59O0KG02WX/Performing+Perspectives+curated+by+James+Voorhies+IMG_8881.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame; Nate Lowman, Untitled (Map), 2022. Oil, acrylic, alkyd, latex, dirt and nylon thread on canvas; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges; Zanele Muholi, Phumula, Paris, France, 2019. Gelatin silver print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957324440-UYSWQ3OJ3E8SIMR8KF30/Performing+Perspectives+curated+by+James+Voorhies+IMG_8910.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Nam June Paik (1932–2006), TV Cello, 2003. Single-channel video (color, sound), LCD monitors, CRT monitor, acrylic paint, Plexiglas, metal, wood, rubber cables, solid-state media player, remote, power converter, adapter, power amplifier and speakers; Peter Moore, Charlotte Moorman and Nam June Paik performing John Cage’s 26′1.1499″ for A String Player (“Human Cello”), Channel 13 TV studio, May 27, 1971, 1971, and Charlotte Moorman wearing Nam June Paik's “TV Bra for Living Sculpture,” 1969. Gelatin silver prints. Archival photostat of The Bass interior, ca. 1960s; Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame; Kathleen Gilje, Untitled (Doug and Sutton), 2004, oil on linen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957332049-K35HONRTZT201LDFQEW7/Performing+Perspectives+curated+by+James+Voorhies.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Francesca DiMattio, Chandelabra II,2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame; Kathleen Gilje, Untitled (Doug and Sutton), 2004. Oil on linen; Jan Weenix (1642–1719), Lady Playing the Viola, ca. 1713–19. Oil on canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957323208-A69F290ICGK7HTR11C6E/Performing+Perspectives+curated+by+James+Voorhies+IMG_8884.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Jan Weenix (1642–1719), Lady Playing the Viola, ca. 1713–19. Oil on canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957308133-PAUIB2BQUVRADZYYIWDP/Performing+Perspectives+curated+by+James+Voorhies++IMG_8885.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Nam June Paik (1932–2006), TV Cello, 2003. Single-channel video (color, sound), LCD monitors, CRT monitor, acrylic paint, Plexiglas, metal, wood, rubber cables, solid-state media player, remote, power converter, adapter, power amplifier and speakers; Peter Moore, Charlotte Moorman and Nam June Paik performing John Cage’s 26′1.1499″ for A String Player (“Human Cello”), Channel 13 TV studio, May 27, 1971, 1971, and Charlotte Moorman wearing Nam June Paik's “TV Bra for Living Sculpture,” 1969. Gelatin silver prints. Archival photostat of The Bass interior, ca. 1960s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957325864-DS1I4URWT2IN2WWVKQLY/Performing+Perspectives+curated+by+James+Voorhies+IMG_8912.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Ellen Harvey, The Nudist Museum, 2010. Oil on gesso-board panels, vintage frames, paper printouts; Nam June Paik (1932–2006), TV Cello, 2003. Single-channel video (color, sound), LCD monitors, CRT monitor, acrylic paint, Plexiglas, metal, wood, rubber cables, solid-state media player, remote, power converter, adapter, power amplifier and speakers; Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957323477-A9HGHFOKCXPCPIF455J6/Performing+Perspectives+curated+by+James+Voorhies+IMG_8909.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Ellen Harvey, The Nudist Museum, 2010. Oil on gesso-board panels, vintage frames, paper printouts; Nam June Paik (1932–2006), TV Cello, 2003. Single-channel video (color, sound), LCD monitors, CRT monitor, acrylic paint, Plexiglas, metal, wood, rubber cables, solid-state media player, remote, power converter, adapter, power amplifier and speakers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957327002-ZNPUY7B72NY8PB08UHZR/Performing+Perspectives+curated+by+James+Voorhies+IMG_8913.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame; Zanele Muholi, Phumula, Paris, France, 2019. Gelatin silver print; Ellen Harvey, The Nudist Museum, 2010. Oil on gesso-board panels, vintage frames, paper printouts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957320102-9XBD3BKDUS1TC2U45SJE/Performing+Perspectives+curated+by+James+Voorhies+IMG_8882.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Danh Võ, We the People (detail), 2010–12, copper; Zanele Muholi, Phumula, Paris, France, 2019. Gelatin silver print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957329153-HIJZHB8AMQUT9WV5OK48/Performing+Perspectives+curated+by+James+Voorhies+IMG_8930.jpeg</image:loc>
      <image:title>Projects - Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with archival photostat of The Bass exterior, ca. 1989, with vintage seating from Miami Beach Cinematheque.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/ulla-von-brandenburg-in-dialogue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724961883686-KE7FAU3UMXTDJZDG2QJE/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8974.jpeg</image:loc>
      <image:title>Projects - Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Installation view, Ulla von Brandenburg: In Dialogue, with Etel Adnan, Untitled, 2023. Ceramic mural, 14 × 21 ft. Collection of The Bass, purchased through the John and Johanna Bass Acquisition Fund; and Ulla von Brandenburg, Things Are Thoughts, Day and Night, 2024. Two textile paintings, cut-out and painted cotton, both 19 × 17 ft. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724961880355-H389R4STSN8RWBWM43TK/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8957.jpeg</image:loc>
      <image:title>Projects - Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, drawings from the series Things Are Thoughts, 2024. Each Japanese ink on paper; Model 1–3, 2023. Wood and oil paint, with three films from the series La fenetre s’ouvre comme une orange (The window opens like an orange), 2022. Super 16 mm film transferred to HD video, color, silent, 12:23 min. All courtesy of the artist and Pilar Corrias, London; Etel Adnan, Untitled, 2023. Ceramic mural, 14 × 21 ft. Collection of The Bass, purchased through the John and Johanna Bass Acquisition Fund</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724961880971-92OQMF8BG46MCRMPZTJ3/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8963.jpeg</image:loc>
      <image:title>Projects - Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, Model 1–3, 2023. Each wood and oil paint; three films from the series La fenetre s’ouvre comme une orange (The window opens like an orange), 2022. Super 16 mm film transferred to HD video, color, silent, 12:23 min. Courtesy of the artist and Pilar Corrias, London. Etel Adnan, Untitled, 2020. Crayon on paper, sketch for a ceramic mural, catalogue raisonné number D98. Courtesy of the estate of the artist and Sfeir-Semler Gallery Beirut/Hamburg; Etel Adnan, Untitled, 2023. Ceramic mural, 14 × 21 ft. Collection of The Bass, purchased through the John and Johanna Bass Acquisition Fund</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724961881379-DFGX800VLQ06O1OP55IW/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8965.jpeg</image:loc>
      <image:title>Projects - Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, drawings from the series Things Are Thoughts, 2024. Each Japanese ink on paper, courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719361222654-YJ1UN0QUFVC160MMJ0TE/BRAN+2024024+Things+are+Thoughts+7+%28margin%29.jpg</image:loc>
      <image:title>Projects - Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, Things Are Thoughts 7, 2024. Japanese ink on paper. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724961882387-E4ZQ1GSGLT7OZSG1ZV51/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8966.jpeg</image:loc>
      <image:title>Projects - Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, three films from the series La fenetre s’ouvre comme une orange (The window opens like an orange), 2022. Super 16 mm film transferred to HD video, color, silent, 12:23 min. All courtesy of the artist and Pilar Corrias, London; Etel Adnan, Untitled, 2020. Crayon on paper, sketch for a ceramic mural, catalogue raisonné number D98. Courtesy of the estate of the artist and Sfeir-Semler Gallery Beirut/Hamburg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719835613590-O9YBGJVXRW84TGSZK9TU/Ulla+von+Brandenburg%2C+Model+III%2C+2024.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>Projects - Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Etel Adnan, Model 3, 2023. Wood and oil paint. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719835105812-ZZNAVARW6FV813L2THAH/Ulla+von+Brandenburg+-+La+fene%CC%82tre+s%E2%80%99ouvre+comme+une+orange+%28danse+abstraction%29+%28The+window+opens+like+an+orange+%5Bdance+abstraction%5D%29%2C+film+still%2C+2022.+Courtesy+of+the+artist.png</image:loc>
      <image:title>Projects - Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, La fenêtre s’ouvre comme une orange (danse abstraction), 2022. Super 16 mm film transferred to HD video, color, silent, 12:23 min. Produced with the support of XNL / Fondazione di Piacenza e Vigevano. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719837168915-HNG6LRU59FCYPR1WYSHS/Adnan%2B2.jpg</image:loc>
      <image:title>Projects - Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Etel Adnan, Untitled, 2020. Crayon on paper, sketch for a ceramic mural, catalogue raisonné number D98. Courtesy of the estate of the artist and Sfeir-Semler Gallery Beirut/Hamburg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724961879707-JIGS5A7KKAOZVTT40BAJ/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8955.jpeg</image:loc>
      <image:title>Projects - Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Installation view, Ulla von Brandenburg: In Dialogue, with Etel Adnan, Untitled, 2023. Ceramic mural, 14 × 21 ft. Collection of The Bass, purchased through the John and Johanna Bass Acquisition Fund; and Ulla von Brandenburg, Things Are Thoughts, Day and Night, 2024. Two textile paintings, cut-out and painted cotton, both 19 × 17 ft. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724962081505-JCZNILKX3J23NUGRUTDV/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8982.jpeg</image:loc>
      <image:title>Projects - Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, Things Are Thoughts, Day and Night, 2024. Textile paintings, cut-out and painted cotton, each 19 × 17 ft. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724962081539-PT40XBV3WJS3UEY5K41V/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8985.jpeg</image:loc>
      <image:title>Projects - Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, Things Are Thoughts, Night and Night, 2024. Textile paintings, cut-out and painted cotton, each 19 × 17 ft. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724962084223-LK2QQE3NSF7HOSJ8TQ6J/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8986.jpeg</image:loc>
      <image:title>Projects - Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, Things Are Thoughts, Day, 2024. Textile paintings, cut-out and painted cotton, each 19 × 17 ft. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/against-reason-tony-smith-sculpture-and-other-modernisms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716915293780-KUEM9T9OPJLR7BKAURLE/James-Voorhies-book-cover-of-Tony-Smith-Against-Reason-Sculpture.png</image:loc>
      <image:title>Projects - Against Reason: Tony Smith, Sculpture, and Other Modernisms</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/98f04736-b6d5-406c-8e5a-1587ed3420c0/Tony-Smith-Sculpture-Catalogue-Raisonne--Volume-1.png</image:loc>
      <image:title>Projects - Against Reason: Tony Smith, Sculpture, and Other Modernisms - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/publication-tony-smith-catalogue-raisonne</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/db0eeff6-9898-4bea-9b9b-d8f2af9d5ab5/James-Voorhies-book-cover-of-Tony-Smith-Catalo.png</image:loc>
      <image:title>Projects - Tony Smith Sculpture Catalogue Raisonné</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/98f04736-b6d5-406c-8e5a-1587ed3420c0/Tony-Smith-Sculpture-Catalogue-Raisonne--Volume-1.png</image:loc>
      <image:title>Projects - Tony Smith Sculpture Catalogue Raisonné - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/hernan-bas-the-conceptualists-book</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/cd7a7407-6da3-42f6-9740-c41713fa4c26/James-Voorhies-book-cover-of-Hernan-Bas--The-Conceptualists.png</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/hernan-bas-paintings-of-life-and-the-lives-of-others</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/cd7a7407-6da3-42f6-9740-c41713fa4c26/James-Voorhies-book-cover-of-Hernan-Bas--The-Conceptualists.png</image:loc>
      <image:title>Projects - Hernan Bas: Paintings of Life and the Lives of Others</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/hernan-bas-the-conceptualists</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905369035-SU0XR6JLP9FFAAIPTLT9/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+2.JPG</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905407802-CHYJ9WB9GTGDRZZMFLKQ/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+13.JPG</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698697107126-I3JPLTJW2VA0KM5LUCCD/Conceptual+artist+%2313.jpg</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Conceptual artist #13 (founder and sole member of the BUZZ OFF INITIATIVE, he spends his nights mailing everyone in his zip code a single dead fly), 2022. Acrylic on linen, 6 × 5 ft. Courtesy of Lu Cai. Photo: Silvia Ros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905450877-YXGXVJQ9TL0HMDHSPRDL/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+14.JPG</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698704239271-4CZL6R8TBNSR4N155B2O/HBA_A061045_393075_HD.jpg</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Conceptual artist #2 (the ice sculptor: he exclusively carves objects which hold ice), 2021. Acrylic on linen, 6 x 5 ft. Courtesy of Maurice &amp; Paul Marciano / Maurice &amp; Paul Marciano Art Foundation. Photo: Silvia Ros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905485170-GPQK9BMF9C5HI7W7GOLF/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+1..JPG</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905509616-BOCOUN2L4NRWXLNHCFIH/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+3.JPG</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698697108167-D5V34T2B3LMBLWRO1HFR/Conceptual+artist+%2315.jpg</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Conceptual artist #15 (performance based, along with a troop of hired actors he takes residence in “fixer upper” homes and feigns nefarious occult activity to stir up the neighbors), 2022. Acrylic on linen, 6 × 5 ft. Private Collection. Photo: Silvia Ros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905547041-C8F1YUNG7O14L7SC1OSM/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+5.JPG</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905578334-S7L0DDD3U5AQAO8J3BSW/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+6.JPG</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698697108709-91UNZ4ZO3Y17TYKCZU7O/Conceptual+artist+%2319.jpg</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Conceptual artist #19 (a child of the 80’s, he places his Polaroid self-portraits in a familiar spot whenever he’s feeling lost), 2023, Acrylic on linen, 6 × 5 ft. Courtesy of Lindemann Collection, Miami Beach. Photo: Silvia Ros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905602357-45U5VR8PN632QC6JP0WR/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+8.JPG</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905641090-IDNQPZI9BKXJYVBFLLLI/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+9.JPG</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698697110337-0CSOUVLYLD9M07LDHTHF/Conceptual+artist+%2320.jpg</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Conceptual artist #20 (performance based; acting as his own receiver, he’s been seeking a signal from the airwaves for over a decade), 2023. Acrylic on linen, 6 × 5 ft. Courtesy of Maurice &amp; Paul Marciano / Maurice &amp; Paul Marciano Art Foundation. Photo: Silvia Ros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698697110765-RETIJTC3UPU3A8MVW4Y9/Conceptual+artist+%2327.jpg</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Conceptual artist #27 (his 'snow devils' tinted with stage blood leave a conspicuous silhouette long after they're covered), 2023. Acrylic and oil stick on linen, 7 × 6 ft. Private Collection. Photo: Silvia Ros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905675575-D51B84E971BEAS6MIKKW/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+11.JPG</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905732726-2EKT0T2UI0BDPPX75UFH/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+10.JPG</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905794658-505FBG1S3VRSP872JXHN/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+12.JPG</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905830163-1PI6148HWN3PQL7UDF9C/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+7.JPG</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905857730-O0SSH74IQQ61QCBNOIV6/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+4.JPG</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698697112518-1KYDM8P8G6UBP40TC7I7/Conceptual+artist+%2332.jpg</image:loc>
      <image:title>Projects - Hernan Bas: The Conceptualists</image:title>
      <image:caption>Conceptual Artist #32 (A conceptual purist, his work requires a willing ear to evidence the ideas he conjures at the Absinthe Bar), 2023. Acrylic and water-based oils on linen, 9 × 14 ft. Courtesy Ostillo Art Foundation, Austin, Texas. Photo: Silvia Ros</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/anne-duk-hee-jordan-i-will-always-weather-with-you</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921507071-CHALKMK5PTWLC92O540A/1_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-08305-LR.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921509777-OZCRP3XVVZ2MXZBLWZU6/2_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-08308-LR.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1701039661537-EKO1ID26V0ZFIH4U02VZ/image_5.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Anne Duk Hee Jordan, I will always weather with you, 2023. 3-channel color video, 4-channel sound, 17:20 minutes (still). Video scenography by Simone Serlenga and overlapping. Visual research by Pauline Doutreluingne. Sound composition by Perera Elsewhere. Sound mix by Giovanni Conti. Commissioned by The Bass. Courtesy of the artist and alexander levy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921486764-E5TA2BHLUJQMX5XB2SLT/3_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-LR-08503.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921501996-37YMNLSN9YN5AK4AAEP9/4_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-08338-LR.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921494751-A3S44X6KA95EHFGQLYOB/5_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-LR-08320.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1701039663197-KAXLPP743T0726R0DCM2/4.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Anne Duk Hee Jordan, I will always weather with you, 2023. 3-channel color video, 4-channel sound, 17:20 minutes (still)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921486895-0H60U3WVYAZFGGKRYN8W/6_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-LR-08480.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921513026-RTC9JTEOWOKVBDKYNBA3/7_2023-12-3-The_Bass_Museum-Hernan_Bas-Art_Basel-Photo-by-Zaire-Aranguren-00360-LR.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921497229-6VZ1D8WL21K4GCJ2U4IU/8_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-08350-LR.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1701039659188-X56X20CMW2SLSWTRPLFW/2.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Anne Duk Hee Jordan, I will always weather with you, 2023. 3-channel color video, 4-channel sound, 17:20 minutes (still)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921490514-EHSYATPPQ4TQASQF7VGG/9_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-LR-08406.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921504558-9XPGDP640DZYQJYVE3L9/11_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-4-LR.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1701039659367-ABDD6FNZ4N4N5JIUBYE2/3.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Anne Duk Hee Jordan, I will always weather with you, 2023. 3-channel color video, 4-channel sound, 17:20 minutes (still)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921490413-0H0YE15FSHZS8TRLITZJ/10_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-LR-08416.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921498515-W5SIKLETZFUWC73FEWMX/12_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-08510-LR.jpg</image:loc>
      <image:title>Projects - Anne Duk Hee Jordan: I will always weather with you</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/etal-adnan-painting-into-space</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909321553-7GVICLPUPIAPR27ED739/Adnan+1.JPG</image:loc>
      <image:title>Projects - Etal Adnan: Painting into Space</image:title>
      <image:caption>Etel Adnan, Untitled, 2023. Ceramic mural, 165 tiles, 16 × 16 in. each; 173 × 260 in. overall. Conceived in conjunction with artist’s sketch, 2020. Collection of The Bass, purchased through the John and Johanna Bass Acquisition Fund</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909427390-U8TLLHBEXLQJURZ6530N/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-02.JPG</image:loc>
      <image:title>Projects - Etal Adnan: Painting into Space</image:title>
      <image:caption>Installation view, Etel Adnan: Painting into Space</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1703784500029-G9W4U17STMA8O4V9WUNG/Adnan%2B2.jpg</image:loc>
      <image:title>Projects - Etal Adnan: Painting into Space</image:title>
      <image:caption>Etel Adnan, Untitled, 2020. Crayon on paper, 8 × 12 in. Sketch for a ceramic mural, catalogue raisonné number D98. Courtesy of the estate of the artist and Sfeir-Semler Gallery Beirut/Hamburg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909426785-AYVECKPM0QVDKYMJK8Q6/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-03.JPG</image:loc>
      <image:title>Projects - Etal Adnan: Painting into Space</image:title>
      <image:caption>Installation view, Etel Adnan: Painting into Space</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909429601-GA2QJIHZ7K8YTGLE95T3/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-04.JPG</image:loc>
      <image:title>Projects - Etal Adnan: Painting into Space</image:title>
      <image:caption>Etel Adnan, Untitled, 2015. Oil on canvas, 16 1/8 × 13 in. Collection of Mr. and Mrs. John L. Townsend, III</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909430101-FKG0JTYJ12FOSYETE52N/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-05.JPG</image:loc>
      <image:title>Projects - Etal Adnan: Painting into Space</image:title>
      <image:caption>Etel Adnan, Untitled, 2017. Oil on canvas, 21 5/8 × 18 1/8 in. Collection of Mr. and Mrs. John L. Townsend, III; Untitled, 1965–70. Oil on canvas, 15 × 14 in. Collection of Oscar and Carole Seikaly</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909432657-M8K20C5STC4R6IVTJ9VG/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-06.JPG</image:loc>
      <image:title>Projects - Etal Adnan: Painting into Space</image:title>
      <image:caption>Etel Adnan, Untitled, 1965–70. Oil on canvas, 15 × 14 in. Collection of Oscar and Carole Seikaly; Untitled, 2014. Oil on canvas, 9 1/2 × 12 in. Collection of Mr. and Mrs. John L. Townsend, III</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909432398-FS2NNOBYITZJBIDQZJMJ/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-07.JPG</image:loc>
      <image:title>Projects - Etal Adnan: Painting into Space</image:title>
      <image:caption>Untitled, 2014. Oil on canvas, 11 3/4 × 9 5/8 in. Collection of A.W. McNulty; Untitled, 1989. Oil on canvas, 15 7/8 × 19 7/8 in. Collection of Beth Rudin DeWoody</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909438011-98FNL1BLJ2XQ8R50YE8N/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-08.JPG</image:loc>
      <image:title>Projects - Etal Adnan: Painting into Space</image:title>
      <image:caption>Etel Adnan, Untitled, 2010. Oil on canvas, 9 1/2 × 12 in; Untitled, 2013. Oil on canvas, 9 1/2 × 12 in. Collection of Mr. and Mrs. John L. Townsend, III; Accompanied by a quote by Simone Fattal from her essay “On Perception: Etel Adnan’s Visual Art"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909438753-PG3VWVAR0DA3OSU2OT7V/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-09.JPG</image:loc>
      <image:title>Projects - Etal Adnan: Painting into Space</image:title>
      <image:caption>Installation view, Etel Adnan: Painting into Space</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1703784536961-Z1MDIZ6T66VE9KS1IM26/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-12.JPG</image:loc>
      <image:title>Projects - Etal Adnan: Painting into Space</image:title>
      <image:caption>Etel Adnan, Al Hajj, 2013. Leporello: ink, watercolor and pencil on paper. 20 folded pages: 7 × 12 in. each; max. extension: 94 ½ in. Collection of Oscar and Carole Seikaly</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909440685-NTJE9VROVKLW5RERTGBO/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-10.JPG</image:loc>
      <image:title>Projects - Etal Adnan: Painting into Space</image:title>
      <image:caption>Installation view, Etel Adnan: Painting into Space</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/social-assembly</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706967146399-YFVLXS8PQ68CELDAJDYW/1.JPG</image:loc>
      <image:title>Projects - Social Assembly: Welcome to the Museum</image:title>
      <image:caption>Left, Haegue Yang, Coordinates of Speculative Solidarity, 2019. Digital color print on self-adhesive vinyl film; with Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame, 120 × 96 × 96 in.; and Emmett Moore, Exploded View: Coconut, 2023. Aluminum, corrugated steel, Dade County pine, expanded polystyrene (EPS) foam, concrete, upholstery and hardware. Top: Mark Handforth, Untitled (Silver Branch), 2016. Aluminum and streetlamp, lava rock, and travertine, 47 ¼ × 122 × 31 ½ in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878894281-K6N7U9MZ90SXVW3D5168/2.JPG</image:loc>
      <image:title>Projects - Social Assembly: Welcome to the Museum</image:title>
      <image:caption>Haegue Yang, Coordinates of Speculative Solidarity, 2019. Digital color print on self-adhesive vinyl film; with Emmett Moore, Exploded View: Coconut, 2023. Aluminum, corrugated steel, Dade County pine, expanded polystyrene (EPS) foam, concrete, upholstery and hardware</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878899855-VVARR5V4ZGHMCR1TPYJ3/3.JPG</image:loc>
      <image:title>Projects - Social Assembly: Welcome to the Museum</image:title>
      <image:caption>Haegue Yang, Coordinates of Speculative Solidarity, 2019. Digital color print on self-adhesive vinyl film; with Emmett Moore, Exploded View: Coconut, 2023. Aluminum, corrugated steel, Dade County pine, expanded polystyrene (EPS) foam, concrete, upholstery and hardware. Back: Cerith Wyn Evans, Philosophy in the Boudoir—To Libertines’ by the Marquis de Sade (1795), 2004. Chandelier (Barovier and Toso), flat-screen monitor, Morse code unit and computer; and assume vivid astro focus (avaf), Chandelier (Venice), 2016. Digitally printed carpet, 66 × 46 ½ in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878900433-RBANDL3E1LAU2GHK8SGR/4.JPG</image:loc>
      <image:title>Projects - Social Assembly: Welcome to the Museum</image:title>
      <image:caption>Installation view, Social Assembly: Welcome to the Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878905367-E8IMQ5GFX9Y4ONS0LTDG/5.JPG</image:loc>
      <image:title>Projects - Social Assembly: Welcome to the Museum</image:title>
      <image:caption>Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame, 120 × 96 × 96 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878906645-L88OEMJOC697U2DF5U8Q/6.JPG</image:loc>
      <image:title>Projects - Social Assembly: Welcome to the Museum</image:title>
      <image:caption>Installation view, Social Assembly: Welcome to the Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878910511-JOZGUHURIEYPGWPTHV6E/7.JPG</image:loc>
      <image:title>Projects - Social Assembly: Welcome to the Museum</image:title>
      <image:caption>Installation view, Social Assembly: Welcome to the Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878914228-IGNC2QCMUYIH36Q4QGPD/8.JPG</image:loc>
      <image:title>Projects - Social Assembly: Welcome to the Museum</image:title>
      <image:caption>Installation view, Social Assembly: Welcome to the Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878915062-221AOSQI5TVR3BGGQNRJ/9.JPG</image:loc>
      <image:title>Projects - Social Assembly: Welcome to the Museum</image:title>
      <image:caption>Installation view, Social Assembly: Welcome to the Museum</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/book-nam-june-paik-the-miami-years</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/31cedfe5-6014-49ce-a1e7-1d11ac4a9bca/James-Voorhies-book-cover-of-Nam-June-Paik-The-Miami-Years.png</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/nam-june-paik-the-miami-years</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698524014544-WMHV4VBOXGBC89R7IADD/image-asset.jpeg</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Brian Smith, Nam June Paik, in Miami FL, 1990</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511941489-RADQB9AGPQKX3ZNEP4ZB/IMG_3418.JPG</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Nam June Paik: The Miami Years, The Bass, Miami Beach, FL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511947940-2HSJXE9GQ3HSK495VYH0/IMG_3421.JPG</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Installation view, introduction to Paik’s TV Cello, 2003 with photographs of Charlotte Moorman and Paik taken by Peter Moore in the late 1960s and early 70s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511942468-ZJL48L9EHVX81VL8D9LA/IMG_3420.JPG</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Installation view, Nam June Paik and Jud Yalkut, TV Cello Premiere, 1971, 16 mm film (on video), color, silent, 7:25 min. Courtesy of Electronic Arts Intermix (EAI), New York; Nam June Paik, TV Cello, 2003, single-channel video (color, sound), LCD monitors, CRT monitor, acrylic paint, Plexiglas, metal, wood, rubber cables, solid-state media player, remote, power converter, adapter, power amplifier and speakers. Collection of The Bass, purchased through the John and Johanna Bass Acquisition Fund.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511926961-NYBJCZVQSUBFP590C3TV/IMG_3289.JPG</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Nam June Paik, Lucy, 1992. Aluminum frame, neon, oil paint, electrical wires, five TV sets, LaserDiscs, circuit boards, keyboards, typewriter, plastic, metal and electrical elements, 63 × 61 × 30 1/4 in. Collection of Cathy Vedovi; with Paik’s series of newspaper interventions from the late 1990s and early 2000s and a large-scale photograph by Brian Smith, Nam June Paik, in Miami Beach, FL, 1990</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511960317-IXFEHH1MAXJRO7NMUOJS/IMG_3441.JPG</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Background, TV Miami and TV Wing, 1990. Video footage from the original artworks. Three channels of analog standard definition NTSC video from LaserDisc presented in 4K UHD. Courtesy of Nam June Paik. Estate and Miami-Dade County Art in Public Places Trust, Public Art Collection; center, Paik’s Lucy, 1992 with Bakelite Robot, 2002</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511927291-OZ4V2Q1HZ3EBI5M5ZF7S/IMG_3288.JPG</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Nam June Paik, Bakelite Robot, 2002. Single-channel video installation with five 5.6 in. LCD monitors and two 4 in. LCD monitors, electric lights and oil marker, 50 × 54 5/8 × 7 1/2 in. Courtesy of Nam June Paik Estate, with Nam June Paik, Miami International Airport annotated construction blueprint for TV Wing, 1990. Miami-Dade County Art in Public Places Trust, Public Art Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511948518-DM3RXZRYNFW6VTN73VVL/IMG_3424.JPG</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Installation view, Nam June Paik, Internet Dweller, 1994. Vintage TV sets with light fixtures 52 × 50 × 24 in. in the foreground. Courtesy of Art Bridges</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511954274-IU87PMKH6JGMMUS58O89/IMG_3430.JPG</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Background photostat, Nam June Paik, TV Miami, 1990. Miami International Airport installation, color photograph. Miami-Dade County Art in Public Places Trust, Public Art Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511929751-XVJPNRDPH46WVU0GB4CM/IMG_3308.JPG</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Installation view, archival materials related to Paik’s TV Miami and TV Wing, commissioned by Miami-Dade County Art in Public Places Trust in 1985. Right, video footage from the original artworks, 1990. Three channels of analog standard definition NTSC video from LaserDisc presented in 4K UHD. Courtesy of Nam June Paik. Estate and Miami-Dade County Art in Public Places Trust, Public Art Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511930931-4H0DBQSM3401SSI27ZCI/IMG_3318.JPG</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Archival materials, photographs of Paik and friends in Miami Beach, in the late 1990s and early 2000s. Courtesy of Jon Huffman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511953926-WSC0RQBBMNRG5N3QWAOX/IMG_3425.JPG</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Archival materials, Miami-Dade County Art in Public Places Trust, Public Art Collection; Dade County Aviation Department; and Miami-Dade Public Library System, Special Collections &amp; Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511961213-K205MMU5NYT57FJ8JC5X/IMG_3437.JPG</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Archival materials, Miami-Dade County Art in Public Places Trust, Public Art Collection; Dade County Aviation Department; and Miami-Dade Public Library System, Special Collections &amp; Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511920442-6KDU4WXSUDTIU36Q06YX/IMG_2307.jpeg</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>John Hanhardt and James Voorhies, Curating Nam June Paik: The Miami Years, public program, The Bass, Miami Beach, October 7, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511938649-107G9L2FWIGGF2SGGT3H/IMG_3369.JPG</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Amanda Kim, director of Nam June Paik: Moon Is the Oldest TV, 2023. Live video program following screening of film, O Cinema, Miami Beach, October 6, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511934394-WIWKXJS01MI0ERZC0KZO/IMG_3367.jpg</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
      <image:caption>Nam June Paik’s apartment, from 1988 to 2006, Ocean Drive, Miami Beach, FL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511920627-G8Z62KDXBW2HKYG5GBJR/IMG_3098.JPG</image:loc>
      <image:title>Projects - Nam June Paik: The Miami Years</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/executive-director-tony-smith-foundation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1672081683582-7ZG26VSYGTTDXWFIS8I1/James-Voorhies-Leadership-Tony-Smith-Foundation.png</image:loc>
      <image:title>Projects - Editor, Catalogue Raisonné; Executive Director</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/curator-the-bass-museum-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1672081633190-DDRAYBWZ5Y41JJA26FSB/James-Voorhies-Leadership-The-Bass.png</image:loc>
      <image:title>Projects - Chief Curator</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-lending-agency-curating-institution-on-pedagogical-infrastructures-by-james-voorhies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1671908741022-IKRB8XARSI7C4S2FZBB4/James-Voorhies-book-cover-of-Broken-Relations--Infrastructures%2C-Aesthetics%2C-Critique.png</image:loc>
      <image:title>Projects - Lending Agency, Curating Institution: On Pedagogical Infrastructures</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-minimal-differences</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/2e0339ce-2a5d-4fed-83c8-0b7eec64198e/James-Voorhies-book-cover-of-Artforum-november-2022.png</image:loc>
      <image:title>Projects - Minimal Differences</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/publication-postsensual-aesthetics-on-the-logic-of-the-curatorial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1667414022414-06VGR39A7TIF0TGV22YS/James-Voorhies-book-cover-of-postsensual-aesthetics.png</image:loc>
      <image:title>Projects - Postsensual Aesthetics: On the Logic of the Curatorial</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/8eaba44d-292e-4357-aff7-9ec45e13364b/James-Voorhies-book-cover-of-postsensual-aesthetics-toc.png</image:loc>
      <image:title>Projects - Postsensual Aesthetics: On the Logic of the Curatorial - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/matrix-on-the-art-of-tom-burr-torkwase-dyson-and-tony-smith</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661950055154-9OENKD4GSRBHL5WF7PI1/Wadsworth%2C+In+Dialogue+9+copy.jpg</image:loc>
      <image:title>Projects - Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661950053785-L9TS34MWW0Z7J1D6TQ3V/Wadsworth%2C+In+Dialogue+8+copy.jpg</image:loc>
      <image:title>Projects - Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661950039568-OBMSYVVPH2I5LR9YWE88/Wadsworth%2C+In+Dialogue+6+copy.jpg</image:loc>
      <image:title>Projects - Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661950025451-29O4WECM9JYQ49QL7OKY/Wadsworth%2C+In+Dialogue+1+copy.jpg</image:loc>
      <image:title>Projects - Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661950045297-ET4ZGN0YCRMJ6JSRJH98/Wadsworth%2C+In+Dialogue+2+copy.jpg</image:loc>
      <image:title>Projects - Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661957330408-Q4N5QNECZK7BFVYYIE11/image-asset.jpeg</image:loc>
      <image:title>Projects - Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
      <image:caption>Tom Burr, Sam-I-Am, 2019. Plywood, paint, hinges, mirror, photographs and printed material, steel push pins, in MATRIX 182 / Hinged Figures, Wadsworth Atheneum, June 6–September 18, 2019. Courtesy Wadsworth Atheneum, Hartford, Connecticut</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661957387291-FOKY689YGDSP8IZWVVI7/Torkwase-Dyson.jpg</image:loc>
      <image:title>Projects - Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
      <image:caption>Torkwase Dyson, 1994 (Rate of Transformation #Scale), 2018. Acrylic, graphite, string, steel and wood, dimensions variable, with I Can Feel You Now (Accumulation/Distribution), 2018, acrylic, string and steel on canvas, 10 x 12 ft., and Up South 3 (Water Table) and Up South 3 (Water Table), each 2018. Acrylic on canvas, 60 in. diameter, in Scaler, Suzanne Lemberg Usdan Gallery, Bennington College, Bennington, Vermont, September 18–December 15, 2018. Courtesy of Usdan Gallery, Bennington College, Vermont</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/chair-california-college-of-the-arts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1672081722143-ESO39F71AKA8RU56O3Y0/James-Voorhies-Leadership-CCA.png</image:loc>
      <image:title>Projects - Chair, Graduate Program in Curatorial Practice; Dean, Fine Arts; Tenured Professor</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/set-v19-graphic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951685740-5AV14Z8M9YYRPPUIK6PR/na-kimset-crb-8.jpg</image:loc>
      <image:title>Projects - Na Kim: SET v.19: graphic</image:title>
    </image:image>
    <image:image>
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      <image:title>Projects - Na Kim: SET v.19: graphic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951674581-BNJDF163XMI9MTC0DGIX/na-kimset-crb-2.jpg</image:loc>
      <image:title>Projects - Na Kim: SET v.19: graphic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951677231-ZTC26L7QTUS88RWGA3SG/na-kimset-crb-3.jpg</image:loc>
      <image:title>Projects - Na Kim: SET v.19: graphic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951679179-BRGDX1LCR0WOYZE5VFDZ/na-kimset-crb-4.jpg</image:loc>
      <image:title>Projects - Na Kim: SET v.19: graphic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951682196-4Y6UP8RV58DVU1CMI19D/na-kimset-crb-6.jpg</image:loc>
      <image:title>Projects - Na Kim: SET v.19: graphic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951683256-FXBHW3PYZA0YB4PWDS9D/na-kimset-crb-7.jpg</image:loc>
      <image:title>Projects - Na Kim: SET v.19: graphic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951674734-GZK912C1WSW1AUCLL6O3/na-kimset-crb-1.jpg</image:loc>
      <image:title>Projects - Na Kim: SET v.19: graphic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951679623-LQHLIRIDXQCIJYHKMEIX/na-kimset-crb-5.jpg</image:loc>
      <image:title>Projects - Na Kim: SET v.19: graphic</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951688646-XJ8L0IS7WXHCL4NJV35B/na-kimset-crb-10.jpg</image:loc>
      <image:title>Projects - Na Kim: SET v.19: graphic</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-amy-yoes-and-the-exhibition-machine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/f2c28d7b-6acd-4053-abc6-72bbc5c92ad3/James-Voorhies-book-cover-of-Amy-Yoes.png</image:loc>
      <image:title>Projects - Amy Yoes and the Exhibition Machine</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-arguments-generously-arranged</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/a15facdf-1483-4629-91d6-c3c9bf36671f/James-Voorhies-book-cover-of-the-museum-is-not-enough.png</image:loc>
      <image:title>Projects - Arguments, Generously Arranged: Wilfried Kuehn and James Voorhies</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-i-call-this-work-research</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/74560d60-4a54-4e96-8b08-c6e8aba24375/James-Voorhies-book-cover-of-parallax.png</image:loc>
      <image:title>Projects - I Call This Work Research</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/teaching-the-logic-of-the-curatorial-topics-in-contemporary-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1671924299623-ONZZG5TNN52WL0IVCSRK/James-Voorhies-course-The-Logic-of-the-Curatorial--Topics-in-Contemporary-Art.png</image:loc>
      <image:title>Projects - Graduate Seminar - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/beyond-objecthood-the-exhibition-as-a-critical-form-since-1968-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1656703887452-B8S3LQW105N2G0MTN7BG/James-Voorhies-book-cover-of-beyond-objecthood.png</image:loc>
      <image:title>Projects - Beyond Objecthood: The Exhibition as a Critical Form since 1968</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-a-report-from-tensta-konsthall-or-the-generous-edge-of-an-institution</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/3da799a5-c588-482e-9a8a-0406756888c2/James-Voorhies-book-cover-of-art-agenda.png</image:loc>
      <image:title>Projects - A Report from Tensta konsthall, or “the generous edge” of an institution</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/course-binding-agents</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1671924232499-CXN3VYFXYUH1ZJ1QNSWK/James-Voorhies-course-Binding-Agents--Toward-an-Aesthetic-of-the-Postcolonial-in-Contemporary-Exhibition.png</image:loc>
      <image:title>Projects - Graduate Seminar - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/curatorial-research-bureau</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1535734544225-VYYWS8ZMSA7MC1BPQQ2V/CRB+4.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1550770285776-7BAO2G9FB5B4V26D1UEB/General+1.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1550770308469-F6LF5QV9BU287XIF46IN/Graduate+Seminar.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1535734529588-J0930APVEO0LSN8QJUSI/CRB+5.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1550770128200-4ZN56QE2MSVBZ36J9NKS/AfterWord.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1535734571682-SKXBW12PDGK306R0FDR5/CRB+2.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1550770230531-Y5CKBUM93OLGEFCSHUM9/Case+Studies.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1550770271640-AGB3VRTAZZUGP8C05FFF/Global+and+Local.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1550770224792-3IY5Q05SOX0AJO0LM3Q2/CCA+Photography+Class+Visit.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1550770310882-QCWMH568M1W7CY7WKRUT/Open+Seminar.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1550770208923-MDD2K5NWVR1TWBE5MF0O/Case+Studies+2.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1550770165666-FMZV1ZBX7WRWMG1TUQDQ/Call+and+Response.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1535734522553-AAIEL2ZRYF589ZPPHA2T/CRB+6.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1550770323890-2YTRB65IKLDPBEDQG09P/SFAI+Class+Visit.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1535734573764-39D1OD37NPVBMXP42LRT/CRB+1.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1550770296992-7GK2IMXWPJAFBXD83KYE/Grand+Opening.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1535734587450-QQUMMHT7IOQZ8J9S7WBL/CRB+7.jpg</image:loc>
      <image:title>Projects - Curatorial Research Bureau</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/experience-it</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1533919602634-O2M4LV22KQWM43DKTZXG/SimonFujiwara_EDITED.jpg</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Simon Fujiwara, Joanne, 2016. Mixed media installation with video projection, 13:34 min. Installation view, The Photographers’ Gallery, London. Courtesy of the artist and Esther Schipper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1573518052355-IFO13JT13MB50MLW9UA4/S.+Fujiwara.jpg</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Simon Fujiwara in conversation with James Voorhies, October 29, 2018. The Lab, San Francisco, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522716980431-AZ4CPH8E67YNKAEWLFK0/Hayes-01Hayes_Ricerche_three.jpg</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Sharon Hayes, Ricerche: three, 2013. Single channel HD video, 38 min.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1520212850343-YOHIDP9K7R3J8ZQWJYOT/Hayes-boc-web.png</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Sharon Hayes: There’s so much I want to say to you, 2012. Installation view, Whitney Museum of American Art, New York. Photo: Sheldan C. Collins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522719446386-7ESIOQINKWJCR55OKG10/IMG_9500.jpeg</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Sharon Hayes in conversation with James Voorhies, March 5, 2018. The Lab, San Francisco, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522717012265-2B8BP783ZKO622VKVJDQ/Hayes-_MG_6735.jpg</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Sharon Hayes in conversation with James Voorhies, March 5, 2018. The Lab, San Francisco, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1533919604968-8WL3YVNZ1DNZ3JDXNRXQ/Shahryar+Nashat+Install+04.jpeg</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Shahryar Nashat, Image Is an Orphan, 2018. Installation view, David Kordansky Gallery. Courtesy of the artist and David Kordansky Gallery, Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1573518050765-90Y9XDNV5RD3LA6T0Z7Q/S.+Nashat.jpg</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Shahryar Nashat in conversation with James Voorhies, September 10, 2018. The Lab, San Francisco, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522716990928-GEW6VM6VIL17S1NHSI28/Rafman-008.SM-JON+RAFMAN+-06-2016-PH.GJ.vanROOIJ.jpg</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Jon Rafman, I have ten thousand compound eyes and each is named suffering, 2016. Installation view. Stedelijk Museum, Amsterdam. Photo: GJ van Rooij</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1520212851863-R3L5U30H5ZR9F4JDJDXH/Rafman-boc-web1.png</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Jon Rafman, I have ten thousand compound eyes and each is named suffering, 2016. Installation view, Stedelijk Museum, Amsterdam. Photo: GJ van Rooij</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522717020914-02EUW76FU4FWVYJUISXZ/Rafman-180326_THELAB_ExperienceIt_JonRafman_RDH__071.jpg</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Jon Rafman in conversation with James Voorhies, March 26, 2018. The Lab, San Francisco, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1520995188192-XKJBDJLV9MNTWRSDF4YN/Syms-boc-web.png</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Martine Syms: Vertical Elevated Oblique, September 17–November 1, 2015. Installation view. Bridget Donahue, New York. Photo: Marc Brems Tatti</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522717026578-SIPZPIJNXBEPLQHWG0SI/Symns-46_SYMS_Projects106-MoMA.jpg</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Martine Syms, Incense, Sweaters, and Ice, 2017. Installation view, MoMA, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522717166353-Z5804JQ7B4CBU1NJXFSW/Voorhies+and+Syms_MG_6541.jpg</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Martine Syms in conversation with James Voorhies, February 26, 2018. The Lab, San Francisco, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522719034088-LR6VDTBEJLF01HCR76PK/_MG_6500.jpg</image:loc>
      <image:title>Projects - Experience It</image:title>
      <image:caption>Martin Syms in conversation with James Voorhies, February 6, 2018. The Lab, San Francisco, CA</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/publication-what-ever-happened-to-new-institutionalism-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/facc5632-3095-4d8f-983e-23b527975c68/James-Voorhies-book-cover-of-What-Ever-Happened-to-New-Institutionalism.png</image:loc>
      <image:title>Projects - What Ever Happened to New Institutionalism?</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/you-just-have-to-experience-it-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1656704605903-G2CUP6MW3WGZQ1SGGP7T/James-Voorhies-book-cover-of-you-just-have-to-experience-it.png</image:loc>
      <image:title>Projects - You Just Have to Experience It</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/martin-beck-an-organized-system-of-instructions-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661192728500-GO4EXWTCMAABEUNT9OBJ/James-Voorhies-book-cover-of-Martin-Beck--An-Organized-System-of-Instructions.png</image:loc>
      <image:title>Projects - Martin Beck: An Organized System of Instructions</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-institution-building</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662307765818-9YOM3OVBHKG1J43I4VY1/James-Voorhies-article-institution-building-by-James-Voorhies.png</image:loc>
      <image:title>Projects - Institution Building - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661192728500-GO4EXWTCMAABEUNT9OBJ/James-Voorhies-book-cover-of-Martin-Beck--An-Organized-System-of-Instructions.png</image:loc>
      <image:title>Projects - Institution Building</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-functioning-limits</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662307828916-YFEA6AY8JE8HNRR8ZIEH/James-Voorhies-article-functioning-limits-by-James-Voorhies.png</image:loc>
      <image:title>Projects - Functioning Limits - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661192728500-GO4EXWTCMAABEUNT9OBJ/James-Voorhies-book-cover-of-Martin-Beck--An-Organized-System-of-Instructions.png</image:loc>
      <image:title>Projects - Functioning Limits</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-its-all-part-of-the-work-michael-asher-at-munster</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/7823d5e6-c1f9-47d3-95e5-ef185334446c/James-Voorhies-book-cover-of-Skulptur-Projekte-Munster.png</image:loc>
      <image:title>Projects - It’s all part of the work: Michael Asher at Münster</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-ulla-von-brandenburg-sink-down-valley-rise-up-mountain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/9bccf40e-f3ba-4d60-921b-82fe20f386cc/James-Voorhies-book-cover-of-performa-15.png</image:loc>
      <image:title>Projects - Ulla von Brandenburg: Sink Down Valley, Rise Up Mountain</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/director-and-curator-carpenter-center-for-the-visual-arts-at-harvard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/719a8806-713d-478e-9ee8-8e86427713f9/James-Voorhies-Leadership-Harvard.png</image:loc>
      <image:title>Projects - John R. and Barbara Robinson Family Director</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/course-finding-the-public-in-the-contemporary-public</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1671924152254-AK9ZMLKNQWN7615LNLSF/James-Voorhies-course-Finding-the-Public-in-the-Contemporary-Public.png</image:loc>
      <image:title>Projects - Graduate Seminar - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/course-falling-from-the-grip-of-grace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1671923825163-V788F40D2PCGUS6EKH7U/James-Voorhies-course-Falling-from-the-Grip-of-Grace--A-Critical-Reading-of-Contemporary-Art-and-Exhibitions.png</image:loc>
      <image:title>Projects - Undergraduate Seminar - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/jean-marie-straub-and-danile-huillet-three-works</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437522030-LCORU95UI2KN5AJW53AV/01+-+LEAD.jpg</image:loc>
      <image:title>Projects - Jean-Marie Straub and Danièle Huillet: Three Works</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (CRC/bookshop)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437521427-NDXSGLZDDLXT6RPZDKZE/02.jpg</image:loc>
      <image:title>Projects - Jean-Marie Straub and Danièle Huillet: Three Works</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (CRC/bookshop)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437530771-8LAGTWTAFSC0MGRUGWHF/03.jpg</image:loc>
      <image:title>Projects - Jean-Marie Straub and Danièle Huillet: Three Works</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (CRC/bookshop)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437531381-B7J9Z8JMG5RRP3SYY7SI/04.jpg</image:loc>
      <image:title>Projects - Jean-Marie Straub and Danièle Huillet: Three Works</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (CRC/bookshop)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437536129-3JEY3WYPSEJUEJR2ZK6M/05.jpg</image:loc>
      <image:title>Projects - Jean-Marie Straub and Danièle Huillet: Three Works</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (CRC/bookshop)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437546088-2CBPFPH2BFIUX91APTO4/06.jpg</image:loc>
      <image:title>Projects - Jean-Marie Straub and Danièle Huillet: Three Works</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (Display Case)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437551863-49YFI4K3U32A6W86MTY6/07.jpg</image:loc>
      <image:title>Projects - Jean-Marie Straub and Danièle Huillet: Three Works</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (Display Case)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437557242-Q74NRWZ4ULSK03PW62Q2/08.jpg</image:loc>
      <image:title>Projects - Jean-Marie Straub and Danièle Huillet: Three Works</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (Display Case)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-from-relational-aesthetics-to-new-institutionalism-and-now</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662307877849-6X356QRI57XCCMDZRUH8/James-Voorhies-article-from-relational-aesthetics-to-new-institutionalism-by-James-Voorhies.png</image:loc>
      <image:title>Projects - From Relational Aesthetics to New Institutionalism, and Now? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661194362087-KOQ54937P75BVWKZL93X/James-Voorhies-book-cover-of-What-Ever-Happened-to-New-Institutionalism.png</image:loc>
      <image:title>Projects - From Relational Aesthetics to New Institutionalism, and Now?</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-prologue-to-a-beautiful-problem</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662307922591-CXWCGJXRU7EWT5P69P1U/James-Voorhies-article-prologue-to-beautiful-problem-by-James-Voorhies.png</image:loc>
      <image:title>Projects - Prologue: to a beautiful problem - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661194362087-KOQ54937P75BVWKZL93X/James-Voorhies-book-cover-of-What-Ever-Happened-to-New-Institutionalism.png</image:loc>
      <image:title>Projects - Prologue: to a beautiful problem</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/phil-collins-a-learning-site</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599329492-CJ8YP9QM85WD6STDOHQR/1.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Phil Collins, the meaning of style, 2011. 16mm film transferred to HD digital video; color, sound, 4 min. 50 sec. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599328984-QAHCVIVQ3MF518Z1P93J/3.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Installation view, Carpenter Center for the Visual Arts, 2016. Phil Collins, the meaning of style, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599336630-B2TTOK75SNPWO95KFC39/4.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 1). Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599336916-MHNRP3UKJWZPZCUGTZFJ/5.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 1). Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016. Phil Collins, the louder you scream, the faster we go, 2005</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599337550-JC4MPEFOF482W6UTAIH5/6.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Phil Collins, the louder you scream, the faster we go, 2005 (still). Video, color, sound, 10 min</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599339100-NN3F4PPV6EH9CL66WT7Z/7.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Phil Collins, they shoot horses, 2004 (still). Two-channel synchronized video projection, color, sound, 420 min.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599365635-T6388EEYG89SDJRJ5SJA/8.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 1). Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599359567-O8FHKPEB1PUZT7RPGTSF/9.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Phil Collins, the world won’t listen, 2004–07. Synchronized three-channel video installation, color, sound, 56 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599367746-P5XVODVGMADQEDI6LNTE/10.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 1). Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599374447-9EUKO7U1XY27IEH9H0UJ/11.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>“Class Pick.” Students in Harvard University course VES 105 identify publications in CRC/bookshop relevant to study of work by Phil Collins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599371511-ZI8K70F3PXX0RDJRREWH/12.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Phil Collins. This Unfortunate Thing Between Us, 2011. Performance in two parts broadcast live on German public television, each 60 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599381186-07AGXDI8BQRA59ES1FI9/13.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Intermission for screening, Phil Collins, This Unfortunate Thing Between Us, 2011. Carpenter Center Lecture Hall, Mar 31, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599407504-0OOV5E2JZH5X5M0JFA0C/14.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Screening, Phil Collins, This Unfortunate Thing Between Us, 2011. Carpenter Center Lecture Hall,  Mar 31, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599395768-WM7TZ9QWDTG1T4WJAHLJ/15.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Bookmark publication series produced with quotes pulled from readings in the Harvard University course VES 105, taught by James Voorhies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599398427-ZMUJLXFO5XLFPXKXX8SS/16.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Phil Collins, Tomorrow Is Always Too Long, 2014 (still). HD digital video, Hi8 and VHS, olor, sound; 82 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599438983-GPCODHBHQJAG5PI2B3BR/18.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599441348-8VQLCGSOJ4D9UWM44R1W/17.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599471118-CKLZZSPH5P4N7Q3CQAVA/19.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599472593-WCCVI5VA8W7IY4S2LMMX/20.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599509642-NFXQHHDPOQ9GF4TG57EG/21.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599480231-1TBYMS2QIJ19GJY4MYS9/22.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Phil Collins, Harvard University course VES  105, taught by James Voorhies, Carpenter Center for the Visual Arts, Level 4, Apr 4–8, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599486035-5IPR131KOG4K825BHC3L/23.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Phil Collins, I Fought The Law, L.A. Protests, 2000 (still). Courtesy Shady Lane Productions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599493817-0RDXMF8DEER3XMAKT4V9/24.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Phil Collins, Sert Practitioner Residency, Radio Broadcast, WHRB 93.5 FM, Apr 4–8, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599500025-SG6X4E7B3WZVJGUI0BDM/25.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Phil Collins, Sert Practitioner Residency, Radio Broadcast, WHRB 93.5 FM, Apr 4–8, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599508606-Z8OJFCHF0ZBGFEEIDL6T/26.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599515225-A3UO8A04XZQNYA3UZK33/27.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599519427-DZGXQ2UPN0SZEW6DYIAA/28.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599524657-VTXP7MDDFO1CFFSWNVCW/29.jpg</image:loc>
      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016</image:caption>
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      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016</image:caption>
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      <image:title>Projects - Phil Collins: A Learning Site</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016. Phil Collins, marxism today (prologue), 2010 (still)</image:caption>
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      <image:title>Projects - Lorraine O’Grady: Where Margins Become Centers</image:title>
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      <image:title>Projects - Lorraine O’Grady: Where Margins Become Centers</image:title>
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      <image:title>Projects - Lorraine O’Grady: Where Margins Become Centers</image:title>
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    <lastmod>2026-03-27</lastmod>
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      <image:title>Projects - Josiah McElheny: Two Walking Mirrors</image:title>
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      <image:title>Projects - Josiah McElheny: Two Walking Mirrors</image:title>
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      <image:title>Projects - Josiah McElheny: Two Walking Mirrors</image:title>
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      <image:title>Projects - Josiah McElheny: Two Walking Mirrors</image:title>
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      <image:title>Projects - Josiah McElheny: Two Walking Mirrors</image:title>
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      <image:title>Projects - Josiah McElheny: Two Walking Mirrors</image:title>
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    <loc>https://jamesvoorhies.com/projects/kerry-tribe-critical-mass</loc>
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    <lastmod>2026-03-27</lastmod>
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      <image:title>Projects - Kerry Tribe: Critical Mass</image:title>
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      <image:title>Projects - Kerry Tribe: Critical Mass</image:title>
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    <loc>https://jamesvoorhies.com/projects/article-thoughts-on-the-unrequited-promise-of-the-prosthetic-screen</loc>
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    <lastmod>2022-09-03</lastmod>
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      <image:title>Projects - Thoughts on the unrequited promise of the prosthetic screen</image:title>
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    <loc>https://jamesvoorhies.com/projects/article-something-else-something-more-than-exhibition-and-cinema-the-art-of-ct-jasper-1</loc>
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    <lastmod>2022-12-24</lastmod>
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      <image:title>Projects - Something else, something more than exhibition and cinema: the art of C.T. Jasper</image:title>
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    <loc>https://jamesvoorhies.com/projects/summer-summits-notes-from-further-afield</loc>
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    <lastmod>2026-03-27</lastmod>
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      <image:title>Projects - Summer Summits: Notes from further afield</image:title>
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      <image:title>Projects - Summer Summits: Notes from further afield</image:title>
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      <image:title>Projects - Summer Summits: Notes from further afield</image:title>
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      <image:title>Projects - Summer Summits: Notes from further afield</image:title>
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      <image:title>Projects - Summer Summits: Notes from further afield</image:title>
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      <image:title>Projects - Summer Summits: Notes from further afield</image:title>
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      <image:title>Projects - Summer Summits: Notes from further afield</image:title>
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      <image:title>Projects - Summer Summits: Notes from further afield</image:title>
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    <loc>https://jamesvoorhies.com/projects/the-way-we-live-now-modernist-ideologies-at-work</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
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      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>R. H. Quaytman, Anne Tyng Pointing, 2001–11. Oil, silkscreen ink, gesso on wood, 20 × 32 in. Anne Tyng’s Bedroom, 2001. Oil, silkscreen ink, gesso on wood. 24 × 40 in. Courtesy the artist and Miguel Abreu Gallery, New York; Josiah McElheny, Bruno Taut’s Monument to Socialist Spirituality (After Mies van der Rohe), 2009. Handblown and molded glass modules, wood, and hardware, 105 × 75 × 55 in. Courtesy the artist and Andrea Rosen Gallery, New York</image:caption>
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    <image:image>
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      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Thomas Ruff, w.h.s. 04, 2001. Chromogenic print with Diasec, 70 × 94 inches. Courtesy of David Zwirner, New York and London; SUPERSTUDIO, Life, Supersurface (from The Fundamental Acts), 1972 and Ceremony (from The Fundamental Acts), 1973. Color film transferred on digital support, produced by Marchi, 14 min. Courtesy SUPERSTUDIO and pinksummer, Genoa</image:caption>
    </image:image>
    <image:image>
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      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Josiah McElheny, Bruno Taut’s Monument to Socialist Spirituality (After Mies van der Rohe), 2009. Handblown and molded glass modules, wood, and hardware, 105 × 75 × 55 in. Courtesy the artist and Andrea Rosen Gallery, New York; Thomas Ruff, h.t.b.. 05, 2000. Chromogenic print with Diasec, 37 × 43 in, and w.h.s. 04, 2001. Chromogenic print with Diasec, 70 × 94 in. Courtesy of David Zwirner, New York and London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601593593-SZMVF610RNE1O77D392Y/the-way-we-live-now_23723837059_o.jpg</image:loc>
      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>SUPERSTUDIO, Life, Supersurface (from The Fundamental Acts), 1972 and Ceremony (from The Fundamental Acts), 1973, color film transferred on digital support, produced by Marchi, 14 min. Courtesy SUPERSTUDIO and pinksummer, Genoa; Fernanda Fragateiro, (Not) Reading the Last Line, 2011. Book fragments and acrylic. 94 × 4 × 3 in. Private collection, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601646862-ZGLK8NIB6PK6NG1RZOQY/the-way-we-live-now_23795068010_o.jpg</image:loc>
      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Fernanda Fragateiro, (Not) Reading the Last Line, 2001. Book fragments and acrylic. 94 × 4 × 3 in. Private collection, New York; Josiah McElheny, Bruno Taut’s Monument to Socialist Spirituality (After Mies van der Rohe), 2009. Handblown and molded glass modules, wood, and hardware, 105 × 75 × 55 in. Courtesy the artist and Andrea Rosen Gallery, New York; R. H. Quaytman, Anne Tyng Pointing, 2001–11. Oil, silkscreen ink, gesso on wood, 20 × 32 in. Anne Tyng’s Bedroom, 2001. Oil, silkscreen ink, gesso on wood. 24 × 40 in. Courtesy the artist and Miguel Abreu Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601682802-PBXY198SGDCCLJVARHJC/the-way-we-live-now_23795945450_o.jpg</image:loc>
      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Martha Rosler, Vacuuming Pop Art, Escape Fantasy, and Family Portrait with Car from the series Body Beautiful, or Beauty Knows No Pain, c. 1966–72. Vacation Getaway and Balloons from the series House Beautiful: Bringing the War Home, c. 1967–72. Photomontages. Courtesy the artist and Mitchell-Innes &amp; Nash, New York. Brian Zink, Composition series, 2013. Each colored Plexiglas mounted on board, 30 × 30 in. Courtesy Fidelity Investments Corporate Art Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601426427-JPN89SYPFKSNA8LZH5RP/the-way-we-live-now_23463314674_o.jpg</image:loc>
      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Brian Zink, Composition series, 2013. Colored Plexiglas mounted on board, 30 × 30 in. Courtesy Fidelity Investments Corporate Art Collection. Martha Rosler, photomontages from the series House Beautiful: Bringing the War Home, c. 1967–72. Courtesy the artist and Mitchell-Innes &amp; Nash, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601625885-RN8ZMEIQL3S2PJIYIK8S/the-way-we-live-now_23794580730_o.jpg</image:loc>
      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Martha Rosler, How Do We Know What Home Looks Like?, 1993. Color video with sound, 31 min. Courtesy Electronic Arts Intermix (EAI), New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601969812-YCYAIHJDB6SX6LUMZ16U/the-way-we-live-now_24064152986_o.jpg</image:loc>
      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Gerard Byrne, Subject, 2009. Installation view, three-channel video shown on monitors and vinyl wall text. 27 × 32 ft. Commissioned by the Henry Moore Institute, Leeds, England. Courtesy the artist and Green on Red Gallery, Dublin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601944333-MXD3VC69AD6IL2MXRKBE/the-way-we-live-now_24063582636_o.jpg</image:loc>
      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Gerard Byrne, Subject, 2009. Installation view, three-channel video shown on monitors and vinyl wall text. 27 × 32 ft. Commissioned by the Henry Moore Institute, Leeds, England. Courtesy the artist and Green on Red Gallery, Dublin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601828785-41RW47JHO1RNR3OAKLNZ/the-way-we-live-now_23982403142_o.jpg</image:loc>
      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Elizabeth Price, AT THE HOUSE OF MR X, 2007. Video, 20 min. Courtesy the artist and MOT International, London and Brussels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601832543-LOCS7S6ME31MUCV6O1WX/the-way-we-live-now_24006113081_o.jpg</image:loc>
      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Ulla von Brandenburg, Singspiel, 2009. Black-and-white 16 mm film, sound, 14:34 min. Courtesy the artist and Art: Concept, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601559837-5NZQYIXNWR7J5A1VNACX/the-way-we-live-now_23723371689_o.jpg</image:loc>
      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Fernanda Fragateiro, Double Recliner (after MvdR), 2014. Polished stainless steel, 172 × 23 × 25 in. Courtesy the artist. Ulla von Brandenburg, Singspiel, 2009. Black-and-white 16 mm film, sound, 14:34 min. Courtesy the artist and Art: Concept, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601323579-PM4UEGQXRUPF0HMERTTV/the-way-we-live-now_23461612783_o.jpg</image:loc>
      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Cerith Wyn Evans, Untitled (Column), 16, 2009. Wood, fluorescent tubes, and lamp fixtures, 138 × ø 22 in. Courtesy White Cube and Carpenter Center for the Visual Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601759572-6LUM8PBUFTW5LEU49G4B/the-way-we-live-now_23981249402_o.jpg</image:loc>
      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Amy Yoes, Re-Make/Re-Model, 2015. Wood and projections, 144 × 192 × 192 in. Courtesy the artist and Carpenter Center for the Visual Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601389007-HLP1ZBC3BYMJNXBONIJR/the-way-we-live-now_23462503573_o.jpg</image:loc>
      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Amy Yoes, Re-Make/Re-Model, 2015. Wood and projections, 144 × 192 × 192 in. Courtesy the artist and Carpenter Center for the Visual Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601611287-SO83R6EHQ5EN7GRF2SKU/the-way-we-live-now_23792762200_o.jpg</image:loc>
      <image:title>Projects - The Way We Live Now, Modernist Ideologies at Work</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/agency-for-critical-inquiry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522544484658-AJ6ZK6AFUI0AC1MILNFI/23366789972_a775158b7c_k.jpg</image:loc>
      <image:title>Projects - Agency for Critical Inquiry</image:title>
      <image:caption>Coinciding with a presentation of Karel Martens’s work in Display Case, the visiting designer offered an open seminar organized with Harvard University studio faculty, September 8, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1666443831997-T2LGK8G9WKF17L9EH9FX/IMG_4796.jpeg</image:loc>
      <image:title>Projects - Agency for Critical Inquiry</image:title>
      <image:caption>On the occasion of the release of an expanded edition of Blueprint for Counter Education, Harvard University professor Jeffrey Schnapp organized a week-long exhibition, a roundtable discussion, and a book presentation bringing together the authors Maurice Stein and Larry Miller in conversation with Schnapp and designer Adam Michaels, May 10, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522806005509-K6J4AMDVRAD0FGFAH6M8/IMG_4424.JPG</image:loc>
      <image:title>Projects - Agency for Critical Inquiry</image:title>
      <image:caption>Visiting artist Phil Collins worked with student-led Harvard University radio station to make a broadcast project called IFought the Law: _______________, April 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522806010594-FW6FIY3Z3WC9VIV28KRD/L1040129+copy.jpg</image:loc>
      <image:title>Projects - Agency for Critical Inquiry</image:title>
      <image:caption>A conversation between Gloria Sutton and professor Carrie Lambert-Beatty occurred on the occasion of the release of Sutton’s book, The Experience Machine: Stan VanDerBeek’s Movie-Drome and Expanded Cinema (MIT Press), May 12, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522806015737-589IGACCZLQS8Q4KSIYO/L1060735.JPG</image:loc>
      <image:title>Projects - Agency for Critical Inquiry</image:title>
      <image:caption>Don't Erase Till Monday was a program organized by students and faculty of MIT’s Center for Advanced Visual Studies bringing to the public realm the CAVS’s rich historical archive—directed by professors Bik Van der Pol, May 7, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522544762549-J2YSIHE1WJDHK4NZIFB1/23094194616_cb702c8183_k.jpg</image:loc>
      <image:title>Projects - Agency for Critical Inquiry</image:title>
      <image:caption>Damon Krukowski: NOT TO BE PLAYED, a multifaceted exhibition featuring archival materials, a performance, and a vinyl record publication that combined revived an obscure audio recording made by Ezra Pound at Harvard University in 1939, organized in collaboration with Woodberry Poetry Room, October 8–23, 2015</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/luther-price-light-windows</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603429066-2K2ZL07H7FQ6F5VFUW9N/Prcie%2C+Luther+1.jpg</image:loc>
      <image:title>Projects - Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, from the series Light Fractures, 2013–14. Recycled 35mm footage presented on handmade slide projection. Courtesy of the artist, and Callicoon Fine Arts, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603375639-JC7LXR97KPVGIYGKRVJG/L1020780.JPG</image:loc>
      <image:title>Projects - Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, Light Windows, interstitial presentation, January 26–February 1, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603385015-OS9QPJHQBMB3DR851KEV/L1020790.JPG</image:loc>
      <image:title>Projects - Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, Light Windows, interstitial presentation, January 26–February 1, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603475179-SM5CONSY4AF6BD4PW3AM/Price%2C+Luther+3.jpg</image:loc>
      <image:title>Projects - Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, from the series Light Fractures, 2013–14. Recycled 35mm footage presented on handmade slide projection. Courtesy of the artist, and Callicoon Fine Arts, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522604718848-MNOCJ9SORRQGBTNS53WM/4.JPG</image:loc>
      <image:title>Projects - Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, Light Windows, interstitial presentation, January 26–February 1, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603485719-64LNOR7CKZZJ8I1DWJAM/Price%2C+Luther+4.jpg</image:loc>
      <image:title>Projects - Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, from the series Light Fractures, 2013–14. Recycled 35mm footage presented on handmade slide projection. Courtesy of the artist, and Callicoon Fine Arts, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603444254-YOVFNWQJTGR3WBCTRSDN/Price%2C+Luther+2.jpg</image:loc>
      <image:title>Projects - Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, from the series Light Fractures, 2013–14. Recycled 35mm footage presented on handmade slide projection. Courtesy of the artist, and Callicoon Fine Arts, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522604743015-1RBBKHTYMECY27WH46OO/10.JPG</image:loc>
      <image:title>Projects - Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, Light Windows, interstitial presentation, January 26–February 1, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522604748616-5WVQLAMFQZ7HEHT28ENK/11.JPG</image:loc>
      <image:title>Projects - Luther Price: Light Windows</image:title>
      <image:caption>Screening of films by Luther Price at Harvard Film Archive as part of Light Windows, an interstitial presentation, January 26–February 1, 2015</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/professor-bennington-college</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1672081823477-H11MA9XCHARU04ROBSVB/James-Voorhies-Leadership-Bennington.png</image:loc>
      <image:title>Projects - Faculty</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/display-case</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522609736561-FUMHCLWGQE8HOTFFER9B/youth_page_08.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>K-Hole &amp; Box 1824, excerpt from YOUTH MODE: A REPORT ON FREEDOM, 2013, 40-page downloadable digital publication. Courtesy K-Hole &amp; Box 1824</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605324093-VSUUOCB34UM5WK93QLNC/K+Hole+3.JPG</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>K-Hole &amp; Box 1824, YOUTH MODE: A REPORT ON FREEDOM, 2013. 40-page downloadable digital publication. Display Case presentation, September 2–December 21, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605320481-DNP9RU999L7M5KSB8ENJ/K+Hole+1.JPG</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>K-Hole &amp; Box 1824, YOUTH MODE: A REPORT ON FREEDOM, 2013. 40-page downloadable digital publication. Display Case presentation, September 2–December 21, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522609738216-8OR19HUYES5524O77PPX/youth_page_30-copy.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>K-Hole &amp; Box 1824, excerpt from YOUTH MODE: A REPORT ON FREEDOM, 2013. 40-page downloadable digital publication. Courtesy K-Hole &amp; Box 1824</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605311510-9UY3C0GHCTEUXQ5NR6GP/Fowler+004.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Eve Fowler, a spectacle and nothing strange, from a spectacle and nothing strange, 2011–12. Series of screen print posters, 28 x 22 in. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605323365-6D27UVZGC6FYPOZ4PXFI/K+Hole+2.JPG</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>K-Hole &amp; Box 1824, YOUTH MODE: A REPORT ON FREEDOM, 2013. 40-page downloadable digital publication. Display Case presentation, September 2–December 21, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605299226-A1C1J7UKRZJXFIT4650J/Fowler-1-slide.JPG</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Eve Fowler, a spectacle and nothing strange, 2011–12. Series of screen print posters, 28 x 22 in. Display Case presentation, January 6–March 1, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522607502098-BM00WD62DX0FZUPZ6ZXC/012.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Eve Fowler, rub her coke, from a spectacle and nothing strange, 2011–12. Series of screen print posters, 28 x 22 in. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605295882-YMZAX431LDINEPQEASXN/Fowler+3.JPG</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Eve Fowler, a spectacle and nothing strange, 2011–12. Series of screen print posters, 28 x 22 in. Display Case presentation, January 6–March 1, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605298186-FSTSVZ3IUJV3A8XMDCRJ/Fowler+2.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Eve Fowler, a sign of more, from a spectacle and nothing strange, 2011–12. Series of screen print posters, 28 x 22 in. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605251319-O2T2MG1B2WZKB99YY4R1/ALBUM-2-slide.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Eline Mugaas and Elise Storsveen, excerpt from ALBUM, 2008–ongoing. Courtesy of the artists, and Primary Information, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605250353-HBIOKP3XW00K7NW5HAQJ/ALBUM-1-slide.JPG</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Eline Mugaas and Elise Storsveen, ALBUM, 2008–ongoing. Display Case presentation, March 4–April 19, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605249411-5PRU3YRVFS6OCH3G28VG/ALBUM+3.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Eline Mugaas and Elise Storsveen, excerpt from ALBUM, 2008–ongoing. Courtesy of the artists, and Primary Information, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603711740-JSW8CIRA8LX92LUARDFP/karel-martens-monoprints_22726587488_o.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Karel Martens, from the ongoing series of monoprints. Recycled printed matter. Courtesy of Karl Martens and Prem Krishnamurthy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603762858-OIWZH6I94EGSM0FOAYZB/karel-martens-monoprints_22752683809_o.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Karel Martens, Monoprints, ongoing. Recycled printed matter. Display Case presentation, September 1–November 23, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603829396-E4E7C295R3M9GRI0QOFW/karel-martens-monoprints_23130991912_o.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Karel Martens, from the ongoing series Monoprints. Recycled printed matter. Courtesy of Karl Martens and Prem Krishnamurthy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603755291-H025KQCWJSS7G4QDGQEJ/karel-martens-monoprints_22752678859_o.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Karel Martens, Monoprints, ongoing. Recycled printed matter. Display Case presentation, September 1–November 23, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603647659-LABFC9GOO2KCCWAQRKCC/margaret-lee-de-da-doda_23921501080_o.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Margaret Lee, de, da, do...da, 2016. Laser-cut, power-coated steel and polished stainless steel. Display Case presentation, January 6–April 10, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603666441-3Q5I55KUYOFY085MKAK8/margaret-lee-de-da-doda_24109031002_o.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Margaret Lee, de, da, do...da, 2016. Laser-cut, power-coated steel and polished stainless steel. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603672145-OO4U2TJYIC3082YEL6AT/margaret-lee-de-da-doda_24109030072_o.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Margaret Lee, de, da, do...da, 2016. Laser-cut, power-coated steel. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603689045-Z5JJQ39ZY8S8EY834LL9/margaret-lee-de-da-doda_24217087945_o.jpg</image:loc>
      <image:title>Projects - Display Case</image:title>
      <image:caption>Margaret Lee, de, da, do...da, 2016. Laser-cut, power-coated steel and polished stainless steel. Display Case presentation, January 6–April 10, 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/program</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665490128669-00WFAAA0U7MHLDSF41AO/IMG_7392+copy.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 10: Fifty Photographs (Level 3, July 7–September 24, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665490134979-YY6PJQ63Y99WT7X0G2UE/IMG_7422+copy.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 10: Fifty Photographs (Level 3, July 7–September 24, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415847615-CPKTQSKVASPH4NGJ0FQ7/E10.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 10: Fifty Photographs (Level 3, July 7–September 24, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665492798403-7DICEUH3P7KQVZ6JWU55/On+Knowing.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 9: An Organized System of Instructions (Level 0, April 14, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665490120822-SWROFUJGMDEICHL60W1J/IMG_4731+copy.JPG</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 8: A Social Question (Level 1, January 21–31, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665490112300-O0V63KSUYSPO74TP8ZJH/IMG_4710+copy.JPG</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 8: A Social Question (Level 1, January 21–31, 2016) (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415832043-CPUZ784ND53G3LLWQTRP/E8.1+-+LEAD.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 8: A Social Question (Level 1, January 21–31, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415806056-448UPXQJWIAQ5PP6ZLHS/E8.2.JPG</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 8: A Social Question (Level 1, January 21–31, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415810020-ZXH1R9S345P0JIZA696K/E8.3.JPG</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 8: A Social Question (Level 1, January 21–31, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415860860-03A7NVDMNU2XP11TMWFV/E8.4.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 8: A Social Question (Level 1, January 21–31, 2016) (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415800307-JMDMSJ3LGPC6BV3SQMQ2/E7.3.JPG</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 7: The Limit of a Function (Level 3, October 2015–ongoing)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415792139-LAULUFHXE68O9GW814FH/E7.1.JPG</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 7: The Limit of a Function (Level 3, October 2015–ongoing)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415793863-JL9WK8YIASXRIGJ4CDZ2/E7.2.JPG</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 7: The Limit of a Function (Level 3, October 2015–ongoing)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415787898-RXKZ9ST7UJ9Q06QMZHQT/E6.1.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 6: Reality Is Invisible (Level 1 and Level 0, August 24–September 10, 2015)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415793425-8NEK7VR7JO1RYVA3XFCB/E5.3.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 5: Photography and the City (July 22–August 24, 2015) (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415786531-NPLRFG0OT12UR7V5TNEH/E5.1.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 5: Photography and the City (Level 1, July 22–August 24, 2015)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415774068-M6B67Z21CI4OZXRT4AAL/E4.1.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 4: A Report of the Committee (Level 3, February–May 2015)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415777135-AFJ6O9EM02OJ53DJXU5I/E4.2.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 4: A Report of the Committee (Level 3, February–May 2015)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415787165-5R64GA8BC2NXKHA2IE5W/E2.1.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 2: 1963</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415770856-8ZAPRJIQYK76RTDA26K7/E1.4.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 1: Removed and Applied, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415770445-WWCMPHOBR8OCDU977CFJ/E1.3.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 1: Removed and Applied, October 2014, installation in process</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415769948-AFJT5C2G75J4U96VQ1AH/E1.2.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 1: Removed and Applied, October 2014, installation in process</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415769766-TGZMXDUGV0ZTK95UL1KX/E1.1.jpg</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
      <image:caption>Martin Beck: Program, Episode 1: Removed and Applied, October 2014, installation in process</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1525273433181-TMRZOR04L1ZAXQ5LIG8B/BOC-Publication-an-organized-system-of-instructions-cover.png</image:loc>
      <image:title>Projects - Martin Beck: Program</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/simon-fujiwara-three-easy-pieces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665487215920-N77KUXUMWFHBWJ8PM6W9/26030161292_7587ca0977_k.jpg</image:loc>
      <image:title>Projects - Simon Fujiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Studio Pietà (King Kong Komplex), 2013. Mixed media installation with video projection, duration: 20:30 min., dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522545369147-ORG0R15UEH90YFZ3QPMO/25520037813_b7c630b1e2_k.jpg</image:loc>
      <image:title>Projects - Simon Fujiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Studio Pietà (King Kong Komplex), 2013. Mixed media installation with video projection, duration: 20:30 min., dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522545441903-YNHV1I80PN6IQ0ATWESF/25520037203_0c78be16ae_k.jpg</image:loc>
      <image:title>Projects - Simon Fujiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Studio Pietà (King Kong Komplex), 2013. Mixed media installation with video projection, duration: 20:30 min., dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522545505979-E1SWQ3L2USBK3CSIKD68/26056301421_db1152aa70_k.jpg</image:loc>
      <image:title>Projects - Simon Fujiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Studio Pietà (King Kong Komplex), 2013. Mixed media installation with video projection, duration: 20:30 min., dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522545536663-02BPDJQ55JCCPS4NB5WP/26096734886_4c83f6ed8e_k.jpg</image:loc>
      <image:title>Projects - Simon Fujiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Studio Pietà (King Kong Komplex), 2013. Mixed media installation with video projection, duration: 20:30 min., dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522545589325-ICHJDE53SPWY1UO8WIN8/25520036613_994de0352d_o.jpg</image:loc>
      <image:title>Projects - Simon Fujiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara: Three Easy Pieces, October 23–December 21, 2014. Carpenter Center for the Visual Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522545635205-4MEP6D4L2BAUEF7ZEFU4/26096734566_9d251e8173_o.jpg</image:loc>
      <image:title>Projects - Simon Fujiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Rehearsal for a Reunion (with the father of pottery), 2011–13. Mixed media, installation with video projection, duration: 14:18 min, dimensions variable. Commissioned by MOT, Tokyo, 2011. Courtesy of Private Collection, Japan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522545692472-GFHFEFGY3BL1VAK8QGLP/26056304221_36a3552564_k.jpg</image:loc>
      <image:title>Projects - Simon Fujiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Rehearsal for a Reunion (with the father of pottery), 2011–13. Mixed media, installation with video projection, duration: 14:18 min, dimensions variable. Commissioned by MOT, Tokyo, 2011. Courtesy of Private Collection, Japan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522545727807-T21ZF6KXWHTPQLJVNAEF/25520035823_59a471c06f_o.jpg</image:loc>
      <image:title>Projects - Simon Fujiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Rehearsal for a Reunion (with the father of pottery), 2011–13. Mixed media, installation with video projection, duration: 14:18 min, dimensions variable. Commissioned by MOT, Tokyo, 2011. Courtesy of Private Collection, Japan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522545779486-1BYHIRLK03VNT9SYVQN5/26030158462_f54214d9de_o.jpg</image:loc>
      <image:title>Projects - Simon Fujiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Rehearsal for a Reunion (with the father of pottery), 2011–13. Mixed media, installation with video projection, duration: 14:18 min, dimensions variable. Commissioned by MOT, Tokyo, 2011. Courtesy of Private Collection, Japan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522545872799-4KGWPHZTJ2UH8B2OZNIO/25849817970_bd60627b42_o.jpg</image:loc>
      <image:title>Projects - Simon Fujiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Letters from Mexico, 2010–11. Mixed media installation, dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522545923442-MSJTY5FRS9TLGMVJX85I/26096733126_7633728a02_o.jpg</image:loc>
      <image:title>Projects - Simon Fujiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Letters from Mexico, 2010–11. Mixed media installation, dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522545985391-KBJ5FG0QX6EJAGQIIPPY/25849817760_e76de7d90a_k.jpg</image:loc>
      <image:title>Projects - Simon Fujiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Letters from Mexico, 2010–11. Mixed media installation, dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-art-in-the-age-of-libidinal-desire-or-return-critical-to-political-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/c18453be-987e-40ff-a378-77e7d8c7c785/James-Voorhies-book-cover-of-pop-departures.png</image:loc>
      <image:title>Projects - Art in the Age of Libidinal Desire, or Return Critical to Political Art</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/take-it-outside-art-in-public-space</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1671923756148-4KH17GKFNZGXW7IJFXL2/James-Voorhies-course-Take-It-Outside--Art-in-Public-Space.png</image:loc>
      <image:title>Projects - Undergraduate Seminar - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/visual-art-and-culture-remix-i-ii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1671923659143-JK09PFLB9OGRZSM40XVY/James-Voorhies-course-Visual-Art-and-Culture-remix-I-%26-II.png</image:loc>
      <image:title>Projects - Undergraduate Seminar - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/course-falling-from-the-grip-of-grace-critical-texts-in-recent-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1671923529385-NJ9DUHYFCC5XWLJXVPHQ/James-Voorhies-course-Falling-from-the-Grip-of-Grace--Critical-Texts-in-Recent-Art.png</image:loc>
      <image:title>Projects - Undergraduate Seminar - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-simon-fujiwara-new-pompidou</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/734baf2c-2f31-4428-a4a0-1a18cd1801ff/James-Voorhies-book-cover-of-vdrome.png</image:loc>
      <image:title>Projects - Simon Fujiwara: New Pompidou</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/last-year-at-marienbad-redux-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661198678895-3SSF1KRX8JVIBK63SXVV/James-Voorhies-book-cover-of-Last-Year-at-Marienbad-Redux.png</image:loc>
      <image:title>Projects - Last Year at Marienbad redux</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/blast-from-the-past-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661198801447-K4P8DY54GGMKM59WGR8D/James-Voorhies-book-cover-of-blast-from-the-past.png</image:loc>
      <image:title>Projects - Blast from the Past</image:title>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/last-year-at-marienbad-redux</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522542637352-Q4YMYI8XHM3555QV1VJN/KC_VideoArtManual1-low.jpg</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Keren Cytter, Video Art Manual, 2011. HD video, 14;43 min. Courtesy of the artist and Zach Feuer Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522541472821-60HWSVZNZP0Q53O6Q72H/10223837966_fa174a2e39_o.jpg</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Last Year at Marienbad redux with work by Tacita Dean in the background and photographs by David Maljković reflected in The Marienbad Sessions panels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522541651677-V2R9LQBU63RXF64P7CVL/Maljkovic%2C+DM+P-5.jpg</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>David Maljković, Recalling Frames, 2010. Black &amp; white photograph, 42 × 55 inches. Courtesy of the artist and Metro Pictures, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665067239106-HPC5KOB7GM7KGJUIF4WJ/2013.Last_Year_At_Marienbad_Redux-2+copy+2.jpg</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Last Year at Marienbad redux with work by Tacita Dean, Maya Schweizer, David Maljković, and Josh Tonsfeldt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522541772622-N8IK5BO2HULZZL58OKIK/42-36cm-wide..png</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Maya Schweizer, A Memorial, a Synagogue, a Bridge and a Church, 2012. HD video, 12 min. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522542009058-GRLI17TQLRZ416CS2YKW/9919933596_49a43a1430_o.jpg</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Last Year at Marienbad redux with work by Tacita Dean in the foreground, a video by Keren Cytter in the left background, and arrangements by Josh Tonsfeldt and work by Iman Issa on the right</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522542231911-PUSF99AAWNE62LB9GJZL/8451Dean2_NL.png</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Tacita Dean, Washington Cathedral, 2002. 130 found postcards, each 5.5 × 3.5 in. Courtesy of the artist and Marian Goodman Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522543055206-IPY3KEDEAHXQUOBCWBI7/DSC_0867.png</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Josh Tonsfeldt, Marian, 2013. Mixed media. Courtesy of the artist and Simon Preston Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522542363111-L08TFKZ9QX1M08XOOD0Q/2013.Last_Year_At_Marienbad_Redux-22+copy.jpg</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Iman Issa, Triptych #4, 2009. Photographs, text, notebooks, dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665067246196-8O01EUQLXXRW6JHKCWDS/2013.Last_Year_At_Marienbad_Redux-40+copy+2.jpg</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Last Year at Marienbad redux with work by Josh Tonsfeldt and Gordon Matta-Clark’s Fake Estates and Blast from the Past</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665068010490-L6M01L43HSGZXA2Z2GZS/Blast+from+the+past.jpg</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Gordon Matta-Clark, Blast from the Past, 1970–72. Chromogenic print, 12 in. steel ruler, pencil on paper and floor sweepings, dimensions vary with installation. Courtesty of the Estate of Gordon Matta-Clark and David Zwirner, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522543206095-NVZA75LW2J7YHQEBG7ZH/9920081603_7e96c46dc4_o.jpg</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Last Year at Mariendbad redux, The Marienbad Sessions. In this view a video by Allan Sekula &amp; Noël Burch and a sculpture by Ján Mančuška</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522543261935-00NWIPXY05QLJRPBEFUB/Sekula_Reagan-Tape-2.png</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Allan Sekula &amp; Noël Burch, Reagan Tape, 1981. Single-channel video, color, sound, 10:39 min. Courtesy of the artists and Christopher Grimes Gallery, Santa Monica</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522543687824-X59NB8IO667XWFMS315N/JM11-002.2.png</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Ján Mančuška, Against Science, 2011. Mixed media (inverse film, Perspex box, light-box, metal construction) (detail). Courtesy of Andrew Kreps Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524095242501-6ZCUISKFJEEEP6PVXFM4/BOC-Publication-blast-from-the-past-cover.png</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Blast from the Past, 2013. 80 pages, 11 × 6 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524095151302-INB19D4JIH1YLPRJ5Z9M/BOC-Publication-last-year-at-marienbad-redux-cover.png</image:loc>
      <image:title>Projects - Last Year at Marienbad, redux</image:title>
      <image:caption>Last Year at Marienbad redux, 2013. 80 pages, 11 × 6 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/publication-how-am-i-to-sign-myself-on-the-art-of-robert-buck</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/ce18d619-e025-465f-9a5c-27cde6be50b2/James-Voorhies-book-cover-of-How-am-I-to-sign-myself---On-the-Art-of-Robert-Buck.png</image:loc>
      <image:title>Projects - Robert Beck, Robert Buck</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-annelie-strba</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/b25d38b3-82de-4213-befb-ceb4cc261ea8/James-Voorhies-book-cover-of-frieze.png</image:loc>
      <image:title>Projects - Annelies Štrba</image:title>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/i-was-happy-then-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661198910964-OWP5HRP64J0QIPWTZCTU/James-Voorhies-book-cover-of-i-was-happy-then.png</image:loc>
      <image:title>Projects - I was happy then</image:title>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-attraction-and-repulsion-in-what-it-all-means</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/4e034709-b4c3-465f-8f69-7de1364e964f/James-Voorhies-book-cover-of-Texte-zur-Kunst.png</image:loc>
      <image:title>Projects - Attraction and Repulsion in What it All Means</image:title>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/leclisse-redux</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665064296884-Y43B6FWIW5C6AQF6P90N/bureau-for-open-culture-siena-seminar-alienation_8120072551_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522725141034-UUELO5GEGWYIIIGEF81Y/installing-stills-at-bureau-for-open-culture-siena_8120062236_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724744728-H74NYEVQ3JCLQ6UISBHG/bureau-for-open-culture-siena_8099252957_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724879012-E6S291Y9J961B6SZHWJ6/bureau-for-open-culture-siena-seminar-alienation_8120069103_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724936506-DDM61ISL3YWD8G98OR1D/bureau-for-open-culture-siena-seminar-love_8181334830_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724792518-A9HC80SC19C39EOB2PXZ/bureau-for-open-culture-siena-italy_8446171511_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724754492-648EGR0Z45HNEXUZ3ET3/bureau-for-open-culture-siena_8120074681_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522725600861-ANGR7TICMP6EP5AOITKD/view-from-photo-studio-siena-art-institute_8099253499_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522725055624-0V22HTMBQLI0UY322JIB/entrance-to-bureau-for-open-culture-siena_8099262426_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724766602-85NSZCM2R3XT5TG8HC08/bureau-for-open-culture-siena_8120089456_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724781481-TUBOC1SBSU5BJNLE1Z64/bureau-for-open-culture-siena_8181293205_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724771119-C8OGGA45X5J2ENLYAO8A/bureau-for-open-culture-siena_8181220319_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724802672-VYB9F10P2ND5C0TPL3H3/bureau-for-open-culture-siena-italy_8446174415_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724829003-TW498KQUBUG9NVMI6N2S/bureau-for-open-culture-siena-italy_8447251094_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724839912-IUEF59IGU2E98E86YZHT/bureau-for-open-culture-siena-italy_8447259264_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724849693-FQNZPWXH23KFLNPKV9HD/bureau-for-open-culture-siena-italy-public-seminar-economy_8446167799_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724844473-EUOXDQCNW2FU0IICJ17O/bureau-for-open-culture-siena-italy_8447261364_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724855113-96W2VT0301LMWAGZCKOA/bureau-for-open-culture-siena-italy-public-seminar-economy_8447252708_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724866094-JQ2ME1TOYC31MIQ7VSZD/bureau-for-open-culture-siena-seminar-alienation_8120066899_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724867805-DCF0R6PLL03HKJWR410H/bureau-for-open-culture-siena-seminar-alienation_8120067521_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724892393-97IP6KXQAB8L8RYJIEQW/bureau-for-open-culture-siena-seminar-alienation_8120069729_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724903872-V6X6S3GZ30F7F912PODM/bureau-for-open-culture-siena-seminar-alienation_8120078262_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724913928-ASDRC0SFO9R2FB5BJL00/bureau-for-open-culture-siena-seminar-alienation_8120091132_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724923060-H9UTWHYX0EUSQR846YCG/bureau-for-open-culture-siena-seminar-love_8181300165_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724944408-3F47HXTCY8NZX39H52DL/bureau-for-open-culture-siena-seminar-love_8181336654_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724947272-3EU2ZKHQ9DUQ8O70XSZE/bureau-for-open-culture-siena-seminar-love_8181344166_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724958374-Y0V22R9UUFQUB062QZIW/bureau-for-open-culture-siena-seminar-love_8181347186_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724964919-A3GDBDIL8FWWJZR5CHMG/bureau-for-open-culture-siena-seminar-urbanization_8181284731_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724982716-1CAVPM93IWQIOPE6RML1/bureau-for-open-culture-siena-seminar-urbanization_8181294123_o.jpg</image:loc>
      <image:title>Projects - L’ECLISSE, redux</image:title>
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      <image:title>Projects - I Am Searching for Field Character</image:title>
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      <image:title>Projects - I Am Searching for Field Character</image:title>
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      <image:title>Projects - I Am Searching for Field Character</image:title>
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      <image:title>Projects - I Am Searching for Field Character</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522606591784-JRFENTBNKLL88QLUMHHX/i-am-searching-for-field-character-mass-moca-north-adams-ma_7406965900_o.jpg</image:loc>
      <image:title>Projects - I Am Searching for Field Character</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522606591526-3OR1NNPO4KW0NKC20I8C/i-am-searching-for-field-character-mass-moca-north-adams-ma_7406966148_o.jpg</image:loc>
      <image:title>Projects - I Am Searching for Field Character</image:title>
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      <image:title>Projects - I Am Searching for Field Character</image:title>
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      <image:title>Projects - I Am Searching for Field Character</image:title>
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      <image:title>Projects - I Am Searching for Field Character</image:title>
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      <image:title>Projects - I Am Searching for Field Character</image:title>
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      <image:title>Projects - I Am Searching for Field Character</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522606639660-O3K1XUNP83SGN5WJ6R7O/i-am-searching-for-field-character-mass-moca-north-adams-ma_7406977412_o.jpg</image:loc>
      <image:title>Projects - I Am Searching for Field Character</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522606664157-QJFC68KLHYJP4DQ5RR3R/i-am-searching-for-field-character-mass-moca-north-adams-ma_7406982282_o.jpg</image:loc>
      <image:title>Projects - I Am Searching for Field Character</image:title>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/on-symptoms-of-cultural-industry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662898149951-XLRNZRUPQWMU77A96MDQ/Fog2.jpg</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
      <image:caption>Timothy Nazzaro, Untitled, 2010, gelatin silver print, dimensions variable. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603263876-WOMD03ZEQLYOEO8SO6CQ/SOCIBOC.JPG</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
      <image:caption>Opening night performance There is only light: (We do not know what to do with other worlds) by Cassandra Troyan as part of On Symptoms of Cultural Industry, a social and economic portrait of the history of North Adams, MA. Former Sprague employees and their families who participated in the work were in attendance.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603198737-YH5T8TDL91SM1JMHTEGZ/BOC57.JPG</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
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      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603251420-EXUUGS2WY9B251REPLWW/P7182136.JPG</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
      <image:caption>Installation views, On Symptoms of Cultural Industry, MASS MoCA, North Adams, MA.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603211306-NWSQ3A015TMMEYA80L2V/P7172091.JPG</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603239386-PYQIB0Z2AEGPN08CWHOO/P7182128.JPG</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
      <image:caption>Photographs by Timothy Nazzaro.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603212379-YCKZ1OP26G20YT51VVTR/P7172095.JPG</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
      <image:caption>Videos of North Adams by Rachel Sherk.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662898149916-JOMF9DD11V6R8CSEIJHO/Bird%27s-eye_View_of_North_Adams%2C_MA.jpg</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
      <image:caption>Birds-eye, North Adams, MA, vintage postcard.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603225868-4Y7FIUH8MYW8HDEBJV15/P7182120.JPG</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603237902-WA4WG9LP8U510KA8D0HR/P7182122.JPG</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
      <image:caption>Publication designed by Nate Padavick with photographs by Timothy Nazzaro and text by James Voorhies, distributed free as part of exhibition.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603250341-LXJO0MGTT05FN7C441QT/P7182135.JPG</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603262177-GW09K4PPB5F2L3MIYE12/P7182145.JPG</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
      <image:caption>Projection of the performance There is only light: (We do not know what to do with other worlds) by Cassandra Troyan as part of On Symptoms of Cultural Industry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603264397-M918MXRM1NDP1B3A335T/P7182156.JPG</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
      <image:caption>Reproduction of script for the performance There is only light: (We do not know what to do with other worlds) based on an oral history with former employees of Sprague Electric, now MASS MoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662898229390-WWWTTSTX21D3L87ZCQ74/OSCI-sprague-web.jpg</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662898150451-K9M91Y3PSCC8RBE5NY31/Moca3.jpg</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry</image:title>
      <image:caption>Timothy Nazzaro, Untitled, 2011, gelatin silver print, dimensions variable. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661199476512-ERHKF53JFW1HGE9851Y7/James-Voorhies-book-cover-of-On-Symptoms-of-Cultural-Industry.png</image:loc>
      <image:title>Projects - On Symptoms of Cultural Industry - Make it stand out</image:title>
      <image:caption>On Symptoms of Cultural Industry, 2011, 8.25 x 5 inches.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/director-and-curator-columbus-college-of-art-design</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-12</lastmod>
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      <image:title>Projects - Director of Exhibitions</image:title>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/seventh-dream-of-teenage-heaven-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661199697912-YDQ4ZTX0L1THN7NQOSQC/James-Voorhies-book-cover-of-Seventh-Dream-of-Teenage-Heaven.png</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/seventh-dream-of-teenage-heaven</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662855030046-S2HN9FGU5Y5FK9D4NKN1/Mark+Leckey+Spin+low+res.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Mark Leckey, Fiorucci Made Me Hardcore, 1999, DVD with sound, 15 minutes. Courtesy of the artist and Gavin Brown’s Enterprise, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1520218587922-VG25BQ99C2M5QX2RMSBH/I%27M+A+VICTIM+3+%28scan%29.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Pipilotti Rist, I’m a Victim Of This Song, 1995, video (still). Courtesy the artist, Electronic Arts Intermix and Hauser &amp; Wirth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1520218175819-R0WFFI01P3C30ALM7HGV/i_d_likecard_still.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Guy Ben-Nur, I'd give it to you but I borrowed it, 2007, single channel video with color and sound, 12 minutes. Courtesy of POSTMASTERS GALLERY, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662851653616-MLPQNI6SQNK6WPQ8NEZM/100206-DSC_0433-fullsize.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Cassandra Troyan, The Aftermath, 2011, photographic documentation, dimensions variable. Courtesy of the artist; photography by Ed Luna.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1520218254690-FZG672ACPKWNHT0ZTCJR/1984_06_25.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Gerard Byrne, Images or Shadows of Divine Things, 2005–ongoing, selenium-toned silver gelatin print and vinyl text, 10 photographs 8 x 10 inches each. Courtesy of the artist and Green On Red Gallery, Dublin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1520218500073-E74SRHD8FAHK4D7CS8V3/touchup-DSC_0150.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Dennis McNulty, The Crash, with FACETIME, 2011, suspended ceiling elements, tiles and ratchet straps; dimensions variable; and poster, 33 x 40 inches. Courtesy of the artist and Green On Red Gallery, Dublin; commissioned by Bureau for Open Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662851663812-1GRS4IUFQAZR92VOLRNE/North+%26+High.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Joachim Brohm, North and High, from the series Ohio, 1983–1984, c-print, 20 x 24 inches. Courtesy of Galerie Michael Wiesehöfer, Cologne.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662851677339-TQ5V0L3JTO28R3X2310V/touchup-DSC_0416.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Lara Kohl, Once Upon a Time, Yesterday, 2005, chest freezer, ice sculpture of Sleeping Beauty’s castle and songs written by the artist and recorded by Hide the Knives, 41 x 33 x 22 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662851795073-UWMLV0T77001VE0XEUXH/knife_heartbeats01.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Johannes Nyholm, Andreas Nilsson, Bo Melin, The Knife: Heartbeats, 2002, digital video, 3:55 minutes. Courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662851827429-LBFU24M9ZOTETUAETFRD/touchup-DSC_0413.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Peter Dayton, Stella #22 “Lost World,” 2008 (detail), 96 x 36 inches, oil, acrylic, resin and paper decal on birch plywood. Courtesy of the artist and James Salomon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662852937961-88US7XB2RR2CY1MRZE38/DSC_0398.JPG</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Mark Leckey, Fiorucci Made Me Hardcore, 1999, DVD with sound, 15 minutes. Courtesy of the artist and Gavin Brown’s Enterprise, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662852921959-06A99ATC0YUSRL7O88VR/DSC_0134.JPG</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Gerard Byrne, Images or Shadows of Divine Things, 2005–ongoing, selenium-toned silver gelatin print and vinyl text, 10 photographs 8 x 10 inches each. Pipilotti Rist, I’m a Victim Of This Song, 1995, video (still). Lara Kohl, Once Upon a Time, Yesterday, 2005, chest freezer, ice sculpture of Sleeping Beauty’s castle and songs written by the artist and recorded by Hide the Knives, 41 x 33 x 22 inches. Peter Dayton, Noland #12 “Draggin’ Wagon,” 2008, oil, acrylic, resin and paper decal on birch plywood, 96 x 36 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662852947626-X5F0N8PXSLURG0XF46JH/DSC_0603.JPG</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Gerard Byrne, Images or Shadows of Divine Things, 2005–ongoing, selenium-toned silver gelatin print and vinyl text, 10 photographs 8 x 10 inches each.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013057431-DEBBYWNGVHWJ0XGF471P/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407027342_o.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Peter Dayton, Noland #12 “Draggin’ Wagon,” 2008, oil, acrylic, resin and paper decal on birch plywood, 96 x 36 inches. Courtesy of Haro Keledjian. Malcolm Cochran, History Lessons, 2011, poplar, steel, stainless steel, whitewash, 8 x 6 x 10 feet. Courtesy of the artist; commissioned by Bureau for Open Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013062150-BWW8FDU5395SF0BQJCVT/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407029452_o.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Malcolm Cochran, History Lessons, 2011, poplar, steel, stainless steel, whitewash, 8 x 6 x 10 feet. Peter Dayton, Stella #22 “Lost World,” 2008 and Barnett Newman #1, “Onement One,” 2006, both 96 x 36 inches, oil, acrylic, resin and paper decal on birch plywood. Courtesy of the artist and James Salomon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013058510-CW1EMXH06GC8QLTPEEYI/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407027548_o.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Dayton, Stella #22 “Lost World,” 2008, 96 x 36 inches, oil, acrylic, resin and paper decal on birch plywood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013061747-PVL4VNJWRQLVVZJ20PHY/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407029218_o.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Malcolm Cochran, History Lessons, 2011, poplar, steel, stainless steel, whitewash, 8 x 6 x 10 feet. Peter Dayton, Barnett Newman #1, “Onement One,” 2006, 96 x 36 inches, oil, acrylic, resin and paper decal on birch plywood. Guy Ben-Nur, I'd give it to you but I borrowed it, 2007, single channel video with color and sound, 12 minutes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013067567-JQZJTI3YIB7GGOHBZI8A/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407032056_o.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Guy Ben-Nur, I'd give it to you but I borrowed it, 2007, single channel video with color and sound, 12 minutes. Jeffrey Vallance, Juliet’s Balcony, Verona, 2006, mixed media, 24.5 x 8.5 x 8.25 inches. Courtesy of the artist and Tanya Bonakdar Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013059217-I4HIDEZ4AO0XUAD6NHGJ/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407027874_o.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Jeffrey Vallance, Juliet’s Balcony, Verona, 2006, mixed media, 24.5 x 8.5 x 8.25 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013049780-50ZK3JGP0AVLKW7TBGMH/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407023620_o.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Jeffrey Vallance, Juliet’s Balcony, Verona, 2006, mixed media, 24.5 x 8.5 x 8.25 inches. Joachim Brohm, the Ohio series, 1983–1984, c-print, 20 x 24 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013059817-Q7N1GR4X9NTH3V2P312H/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407028070_o.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Joachim Brohm, the Ohio series, 1983–1984, c-print, 20 x 24 inches. Dennis McNulty, The Crash, with FACETIME, 2011, suspended ceiling elements, tiles and ratchet straps; dimensions variable; and poster, 33 x 40 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662852878503-NU9APZ9X60NOZTI4LZTT/dmn_ft_02_600.jpeg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Dennis McNulty, FACETIME, 2011, color laser printed poster. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013049591-4Z1L6WQAKM4PS1FB7XTX/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407023426_o.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Joachim Brohm, the Ohio series, 1983–1984, c-print, 20 x 24 inches. Cassandra Troyan, The Aftermath, 2011, photographic documentation, dimensions variable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662852953045-UBGVMDNXGHMCK12H37VH/DSC_0589.JPG</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Mark Leckey, Fiorucci Made Me Hardcore, 1999, DVD with sound, 15 minutes. Bureau for Open Culture, He Loved Big Brother, 2011, paperback copies of George Orwell’s 1984.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662852963416-EHM5KA7V5HHT9UNVZZLC/touchup-DSC_0112.jpg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Bureau for Open Culture, He Loved Big Brother, 2011, paperback copies of George Orwell’s 1984.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662852928860-ARHD6H1VXJF00WYRFKK5/DSC_0253.jpeg</image:loc>
      <image:title>Projects - Seventh Dream of Teenage Heaven</image:title>
      <image:caption>Seven Dreams, afterparty with a fog of new wave, industrial, pop, screwed jams and a laser light show; live performances by Anna Ranger, DJ Scott Neimet, DJ Seabat and DJ Self Help. Skylab, Columbus, Ohio, January 27, 2011.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/the-new-administration-of-a-fine-arts-education-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661199855730-AZS5CHROI0Z6APVWDGMP/James-Voorhies-book-cover-of-Fine-Arts-Education.png</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/the-new-administration-of-a-fine-arts-education</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522532420957-8SVYAFKM57412QZ7FXX4/MM_Reading_the_Daily_News_IMG_1174.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
      <image:caption>Michael Mercil, Reading the Daily News, or 365 days for Lucio Pozzi, 2008. Physical and time dimensions vary, reader, newspaper, portable audio system. Courtesy the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522532057080-QF8LU07M68TQ3U61LXPH/Mildred%27s+Lane+2.JPG</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
      <image:caption>J. Morgan Puett, Mildred's Lane, Beach Lake, PA, land and social experiments with alternative pedagogical platforms. Courtesy the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522532335386-2UK2LW7O9PXHZR7U7EIM/Rubin+Waffle+Shop.png</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
      <image:caption>Jon Rubin, The Waffle Shop (Talk Show), 2009–13, Pittsburgh, PA, a restaurant/classroom/talk show. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662847381599-9DKPM6CCCT4BT49TRJMO/jon-rubin-columbus-college-of-art--design-columbus-ohio_7407261080_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
      <image:caption>Jon Rubin, presented a talk on October 14, 2010, as part of his contribution to The New Administration of a Fine Arts Education, Columbus College of Art and Design, Columbus, OH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623606462-XQJ6ZSA14U3B2M574G2A/jon-rubin-columbus-college-of-art--design-columbus-ohio_7407273556_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623644017-4AG00MSWYKI4BFOSNE53/matthew-higgs-columbus-college-of-art--design-columbus-ohio_7407051972_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
      <image:caption>Matthew Higgs, presented a talk on November 17, 2010, as part of his contribution to The New Administration of a Fine Arts Education, Columbus College of Art and Design, Columbus, OH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623680482-L3NJ0X18APGHP7MF03SH/matthew-higgs-columbus-college-of-art--design-columbus-ohio_7407069774_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662847474794-5MP69HM36B52HBK8LFRF/matthew-higgs-columbus-college-of-art--design-columbus-ohio_7407083130_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623733728-OIW0VIZVQW24SFU47CYB/michael-mercil-columbus-college-of-art--design-columbus-ohio_7416344718_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
      <image:caption>Michael Mercil, presented a talk on February 2, 2011, as part of his contribution to The New Administration of a Fine Arts Education, Columbus College of Art and Design, Columbus, OH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623737656-Q948UTC21LG5JFWDO7UF/michael-mercil-columbus-college-of-art--design-columbus-ohio_7416347756_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
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    <image:image>
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      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623730727-0MD2BSKTTIB67KOXWOTO/michael-mercil-columbus-college-of-art--design-columbus-ohio_7416342614_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623734874-GQEMRU10DW4HUEZK86QE/michael-mercil-columbus-college-of-art--design-columbus-ohio_7416345506_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662847578860-1I85DLLQPWR66JBC9MX0/michael-mercil-columbus-college-of-art--design-columbus-ohio_7416346218_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623737917-IW2UIJSYBXVEK208ZC9I/morgan-puett-columbus-college-of-art--design-columbus-ohio_7407032916_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
      <image:caption>J. Morgan Puett, presented a talk on January 31, 2011, as part of her contribution to The New Administration of a Fine Arts Education, Columbus College of Art and Design, Columbus, OH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623739296-T0J2QH0COBJD5YGM0UXS/morgan-puett-columbus-college-of-art--design-columbus-ohio_7407033238_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623742851-UUYQLMBZRGWLLHMRUTZB/morgan-puett-columbus-college-of-art--design-columbus-ohio_7407035168_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623742487-B9QVZ3YLC4YE7M2JAE40/morgan-puett-columbus-college-of-art--design-columbus-ohio_7407034840_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623744692-9FEPGYLQIXN9VFEBI9E7/morgan-puett-columbus-college-of-art--design-columbus-ohio_7407036318_o.jpg</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524093693618-C2PM7Q6ISAANL133SF2R/BOC-Publication-Fine-Arts-Education-cover.png</image:loc>
      <image:title>Projects - The New Administration of a Fine Arts Education</image:title>
      <image:caption>The New Administration of a Fine Arts Education, 2011. 60 pages, 8.25 x 5 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/calling-beauty-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661200469871-23I9UWN3B9ZO65JKLP6J/James-Voorhies-book-cover-of-Calling-Beauty.png</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/calling-beauty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662809896901-TCX2E7JUY0TTLIOZ4SHU/Tanagram.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Anna Molska, Tanagram, 2006–07 (still). Video, transferred to DVD, 5:10 min. Courtesy of Foksal Gallery Foundation, Warsaw</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531298054-BWANAV7LJEYQ19MFZRDZ/tanagram+01.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Anna Molska, Tanagram, 2006–07 (still). Video, transferred to DVD, 5:10 min. Courtesy of Foksal Gallery Foundation, Warsaw</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662809940709-NNZD7R0S33AEWRA4YS0F/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407961036_o.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012627271-HMEYD4E8ERP0VQNJK6HG/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407954278_o.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531465336-U26HBUVZA7T8AM6YWLE5/Brinkmann+1.JPG</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Thorsten Brinkmann, Villa Silverbaum, from the series Portraits of a Serialsammler, 2005. 13 c-prints and installation. Courtesy of the artist and Galerie Kunstagenten, Berlin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012625299-J0CL8KHKIQ6SZ7XUS6ED/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407952176_o.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Thorsten Brinkmann, Villa Silverbaum, from the series Portraits of a Serialsammler, 2005. 13 c-prints and installation. Courtesy of the artist and Galerie Kunstagenten, Berlin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012634722-H8VYEMCNHT4SSET3V7JK/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407960754_o.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Thorsten Brinkmann, Villa Silverbaum, from the series Portraits of a Serialsammler, 2005. 13 c-prints and installation. Courtesy of the artist and Galerie Kunstagenten, Berlin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531373162-SL2AMO3JKW4RJPKMR0AI/DogRolls.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Eve Sussman and The Rufus Corporation, Dog Rolls, 2004 (still). Video still from 89 Seconds at Alcazar, 11 min. Courtesy of Eve Sussman and The Rufus Corporation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531719059-H7IP8HFW0HTCYC34UBZ8/Leiderstam+5.JPG</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Matts Leiderstam, Paris 1999-03-15, Returned, Parc des Buttes-Chaumont made after Nicolas Poussin’s Spring or The Earthly Paradise, 1660–1664, Rome, 2000–01. Installation with slide projection and wooden bench. Copy produced with permission of Moderna Museet, Stockholm. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012631064-7WE7XJ3Q855BJXO9ECIY/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407957408_o.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Matts Leiderstam, Paris 1999-03-15, Returned, Parc des Buttes-Chaumont made after Nicolas Poussin’s Spring or The Earthly Paradise, 1660–1664, Rome, 2000–01. Installation with slide projection and wooden bench. Copy produced with permission of Moderna Museet, Stockholm. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012631372-AS5U4Q6SOD81T79FJ50Z/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407957914_o.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Matts Leiderstam, Paris 1999-03-15, Returned, Parc des Buttes-Chaumont made after Nicolas Poussin’s Spring or The Earthly Paradise, 1660–1664, Rome, 2000–01. Installation with slide projection and wooden bench. Copy produced with permission of Moderna Museet, Stockholm. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012629521-SKLEN7S4WAD3MMDSRPQK/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407956316_o.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Darren Waterston, from the Tondo series, 2009. Monotype on Rives BFK Buff, 22 × 15 in., published by Smith Anderson Editions. Courtesy of the artist and Smith Anderson. Beata, 2008. Oil on wood panel, 47 × 36 in. Courtesy of the artist and Haines Gallery, San Francisco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531543388-ZV2PXIOQM50005OTTQTX/dw.Beata.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012629137-86RNXFXC6DFVQYYAG4B1/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407956022_o.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531787142-MHVHQ1NQ6DEENUD4BW6Y/Davey+1.JPG</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Moyra Davey, Photographs from Paris, 2009. 16 c-prints, postage, tape, ink, 11 x 17 in. each. Courtesy of the artist and Murray Guy, New York</image:caption>
    </image:image>
    <image:image>
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      <image:title>Projects - Calling Beauty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662810990802-3WHU6OIETXF6NCXULSKC/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407952680_o.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Ellen Harvey, from the series My Collection Inadequately Documented, 2009. Oil on wood panel, 20 × 20 in. Courtesy of the artist and Meessen De Clercq, Brussels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531851237-PP7HJW2FXRXTSGZ3PMBL/RMBoyGirlBoyOnBoat.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Ryan McGinley, Marcel, Ann, Coley, 2007. C-print, 16 × 20 inches. Courtesy Mr. and Mrs. Charles Newman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012631938-TBFSMD4OJRUQ1EJTQ5HI/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407958178_o.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Ryan McGinley, Fireworks Hysteric, 2007–08. C-print, 40 × 30 inches. Courtesy Mark Fletcher and Tobias Meyer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012632497-HT9JR9VY7S3UTKGUK88C/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407958574_o.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531624473-NKS0GT1P9RB1U5FBHLUF/gerdeman-install1.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Elizabeth Gerdeman, Grandeur: From Cole, Church, Bierstadt and Moran, 2010. Latex paint, site-based mural, 27 × 11 ft. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012628868-9S5RBXU34ELVCXDN1QSP/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407955602_o.jpg</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524093596671-PUO8K4BAU77NF5ZY15AJ/BOC-Publication-Calling-Beauty-cover.png</image:loc>
      <image:title>Projects - Calling Beauty</image:title>
      <image:caption>Calling Beauty, 2010, 96 pages, 8.25 × 5 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/descent-to-revolution-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661200609016-R87HKKKU3YBV972WFX78/James-Voorhies-book-cover-of-Descent-to-Revolution.png</image:loc>
      <image:title>Projects - Descent to Revolution</image:title>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/descent-to-revolution</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662723318556-YUPBRJRYMDPXVEJ93SKD/DSC02922.JPG</image:loc>
      <image:title>Projects - Descent to Revolution</image:title>
      <image:caption>REINIGUNGSGESELLSCHAFT, The Readymade Demonstration, 2009. Outdoor parade re-staging the East German peaceful revolution, October 2009. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522530310876-Y878E2YXLABLO8X9LSNR/ClaireFountaine-WARM.jpg</image:loc>
      <image:title>Projects - Descent to Revolution</image:title>
      <image:caption>Claire Fontaine, WARM WAR, 2009. Neon: 8 × 34 × 4 in., solar panel: 39 × 193 × 20 in. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522530413266-51OZDV6LCOE0D9KEQ3CJ/IMG_0440.JPG</image:loc>
      <image:title>Projects - Descent to Revolution</image:title>
      <image:caption>Red76, Surplus Seminar, Columbus, Ohio; A/AA (anywhere/anyplace academy), 2009. Courtesy of the artists and Columbus College of Art &amp; Design</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522530524769-S3T5G8MJRP14NYUXR7QB/IMG_5063.JPG</image:loc>
      <image:title>Projects - Descent to Revolution</image:title>
      <image:caption>Learning Site, Audible Dwelling, 2009. Installation on Columbus College of Art &amp; Design campus. Courtesy of the artists and Columbus College of Art &amp; Design</image:caption>
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      <image:title>Projects - Descent to Revolution</image:title>
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      <image:title>Projects - Descent to Revolution</image:title>
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      <image:title>Projects - Descent to Revolution</image:title>
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      <image:title>Projects - Descent to Revolution</image:title>
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      <image:title>Projects - Descent to Revolution</image:title>
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      <image:title>Projects - Descent to Revolution</image:title>
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      <image:title>Projects - Descent to Revolution</image:title>
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      <image:title>Projects - Descent to Revolution</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524007574754-U2KOG3GHN2X8PF8QXXLD/office-of-collective-play-columbus-college-of-art--design-columbus-ohio_7407672794_o.jpg</image:loc>
      <image:title>Projects - Descent to Revolution</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524007581047-MSJHBNUEILTHPXKCBDBF/office-of-collective-play-columbus-college-of-art--design-columbus-ohio_7407685692_o.jpg</image:loc>
      <image:title>Projects - Descent to Revolution</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524007574965-Z903C3RUOF7E3QPRC82Q/office-of-collective-play-columbus-college-of-art--design-columbus-ohio_7407671812_o.jpg</image:loc>
      <image:title>Projects - Descent to Revolution</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524093392458-QIMLLWA6MR6NA7W8HKRC/BOC-Publication-Descent-cover.png</image:loc>
      <image:title>Projects - Descent to Revolution</image:title>
      <image:caption>Descent to Revolution, 2010, 8.25 x 5 inches.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-beneath-the-floor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/dea282da-e62b-49dc-99dd-1f16c5fef7d4/James-Voorhies-book-cover-of-purge.png</image:loc>
      <image:title>Projects - Beneath the Floors</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/of-other-spaces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662398647598-YZXY61QG5UCFSAGFAD40/Hofer-Biblioteca-300.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Candida Höfer, Biblioteca do Palacio dos Marquese de Fronteira Lisboa I, 2006. C-print, 100 × 81 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618264959-Z09FS36KSG22Q89BJMS2/.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Jane and Louise Wilson, Erewhon (Blue Skin Bay I), 2004. C-print on aluminum in plexi box. 70 x 70 in. Courtesy of the artists and 303 Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618717824-2ARI9CWEBBOCW0UCMCC6/_MG_0100.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Suzanne Silver, Kafka in Space (Parsing the Eruv), 2009. Wood, rubber, wallboard, plaster, metal, rope, canvas, metal leaf, chalk, tape, vinyl, neon, dimensions variable. Courtesy of the artist; Candida Höfer, Narodni knihovna Praha V, 2004. C-print, 72 × 88 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco; Gregory Crewdson, Untitled, 2001–02. Digital c-print, 48 × 60 in. Courtesy the Broad Art Foundation, Santa Monica, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618266149-RUVM5XQJHRTTH7M32NGV/_MG_0041.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Sarah Schönfeld, from the series Wende Gelände, 2007. C-print, 48 × 60 in. Courtesy of the artist and Kunstagenten, Berlin. Michael Brown, The People's Playground, 2008. Cast aluminum, 71 × 69 × 2 in. Courtesy of the artist and Yvon Lambert Paris, New York, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662399165788-B6AOWS7ENH3RIS4ITTK4/jane6.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Jane and Louise Wilson, Erewhon (Chisholm Ward), 2004. C-print on aluminum in Plexi box, 71 × 71 in. Courtesy of the artists and 303 Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618099393-P65F8613CRVU7A334NYC/_MG_0054.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618396820-PEA8B696CSTOO71XU9NZ/_MG_0058.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Mary Jo Bole, History of Penal Institution Sanitation, 2008. Chardon™ Kohler prison sink with fused-on silk screened decals. 15 × 18 × 15 in. Courtesy of the artist and John Michael Kohler Arts Center, Sheboygan, WI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618261435-7ACC8DKWXDXYF0DA1UAE/_MG_0085.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618543866-SOWJCZNB9N4VUB01LFNP/_MG_0098.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Suzanne Silver, Kafka in Space (Parsing the Eruv), 2009. Wood, rubber, wallboard, plaster, metal, rope, canvas, metal leaf, chalk, tape, vinyl, neon, dimensions variable. Courtesy of the artist; Candida Höfer, Narodni knihovna Praha V, 2004. C-print, 72 × 88 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618883579-9BZ53BYM8DA4VRPQZN4S/_MG_0122.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Alain Bublex, Untitled (TGV without windows), 2006. Mixed media (model of TGV, acrylic resin, adhesive), dimensions variable. Courtesy of the artist and Galerie Georges-Philippe &amp; Nathalie Vallois, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662396100999-JM8P9R7NT7SMD2F8UMG9/James+Voorhies+Candida+Hoefer.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Candida Höfer, Narodni knihovna Praha V, 2004. C-print; 72 × 88 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522621402734-CKO8P1XXGH9LB2HAX4VB/Matta-conical_2.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Gordon Matta-Clark, Conical Intersect, 1975. 16 mm film on video, color, without sound, 18:40 min. Courtesy of Electronic Arts Intermix (EAI), New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618871015-NKZC05N7WD0XLXXEOYEB/_MG_0111.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618398027-BDWCY5LKOVT9U3MAJJHA/_MG_0109.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Guillaume Leblon, Found Objects (Miami Beach), 2008. Mixed media, five elements: 7 x 6 in. each. Courtesy of the artist and Galerie Jocelyn Wolff, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522619028583-N5YI0J32UHCGT2CFBIOA/_MG_0160.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Laura Lisbon, Corner Set-up (Wall Displacement), 2009. Wood, paper, canvas, acrylic paint dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618718090-P0N63W0Q4L1NQV76H1DJ/_MG_0161.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522619028144-5873BO3Q0LMSJ95JW9XQ/_MG_0182.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Dan Graham, Serpentine II, 1995. Two-way mirror, transparent glass, punched aluminum, aluminum, 14 × 36 × 30 in. Courtesy of Marian Goodman Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719877170000-NL8B65K6B5YEE9FOJDDD/_MG_0262.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719876970433-GZLE0D8ES58UWWZH507A/_MG_0183.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719877004826-QU7F1P6Z5N3MJN16KCGP/_MG_0185.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Robert Buck, Constellation ("To find the Western Path, Right thro the Gates of Wrath"), 2008. Steel railing and artifacts (headstone, surveillance mirror, steer skull, 3D print, Tumi luggage bag, and barricade), 112 × 373 × 110 in. Courtesy of the artist; Stephen Friedman Gallery, London; CRG Gallery, New York; and Anthony Meier Fine Arts, San Francisco, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618862933-G2GOFXV09GDTY8P0FTDK/_MG_0167.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522619564350-VHPAQH07M7ZFM2XTNYS9/_MG_0194.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Gregory Crewdson, Untitled, 2001–02. Digital c-print, 48 × 60 in. Courtesy the Broad Art Foundation, Santa Monica, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618870830-DFMI0J3RLOID0X24MSLQ/_MG_0168.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522619019529-PEHIYKNCYYFND7SEKJVU/_MG_0172.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Maya Schweizer, Le Musée de Daniel, 2004. Photography installation and catalogue, dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522619426460-5LKDFKZNZ9Y5ECR5N00Z/_MG_0202.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522619854080-I4LZBNYZU74H3D54YLLQ/_MG_0219.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Christian Tomaszewski, PLAYTIME, 2009. Carpet, clear globe, two sofas, two chairs, one ashtray, one lamp, black mirror, fabric screen, three doors and sound (40 min.), 950 square feet. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522619998502-TAXX8BMETGBUUJ3QDIAS/_MG_0220.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522620382961-6Q40KFI3SI4F84432DJ0/mon_oncle_4.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Jacques Tati, My Uncle, 1958 (still)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522620382701-TCGBVUEV80BEIJX9SU7S/playtime_1.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Jacques Tati, Play Time, 1967 (still)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522620020588-ULWHZLY43XEX7FL964UV/_MG_0221.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522525227731-JIVZCLRNT93Q1VNW74C7/Meyer-shemight2-300.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Eva Meyer and Eran Schaerf, She Might Belong to You, 2007. Film, 37 min. Courtesy of the artists. As part of the exhibition, the film was screened at the film/video theater at Wexner Center for the Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522621488591-023UJ7551IVIB0KBAZ3L/Schweizer-china1-300.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Maya Schweizer and Clemens von Wedemeyer, Metropolis, Report from China, 2006. HD, 42 min. Courtesy of the artists.As part of the exhibition, the film was screened at the film/video theater at Wexner Center for the Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522525319492-96QLHILL2S1P5D7NDK47/Montaron-B-300.jpg</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Laurent Montaron, Will there be a sea battle tomorrow?, 2008. HD film, color, sound, 11:41 min. Courtesy of the artist and galerie schleicher &amp; lange, Paris. As part of the exhibition, the film was screened at the film/video theater at Wexner Center for the Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524093815028-BWJQ1A9YD3R0ZWQX9CEJ/BOC-Publication-Of-Other-Spaces-cover.png</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
      <image:caption>Of Other Spaces, 2009. 128 pages, 8.25 x 5 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/of-other-spaces-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661200748107-H4DS9167105W0J6HRBXO/James-Voorhies-book-cover-of-Of-Other-Spaces.png</image:loc>
      <image:title>Projects - Of Other Spaces</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/dewey-decimal-days</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662313756482-8QK50WC3AFIF1XLQB14T/Alain-Resnais-Tout-la-Memoire-du-Monde.jpg</image:loc>
      <image:title>Projects - Dewey Decimal Days</image:title>
      <image:caption>Alain Resnais, Toute la Mémoire du Monde, 1956, 22 min (still)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522615327540-8N36XQT4ANKVDV1CQD3H/Bookmark-example-BOC.jpg</image:loc>
      <image:title>Projects - Dewey Decimal Days</image:title>
      <image:caption>Reference Collection, a series of 42 portraits of librarians and library staff by 42 artists. Published as bookmarks; 20,000 freely distributed at libraries and other cultural outlets in downtown Columbus, OH</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/agency-for-small-claims</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522527329113-85FTV3RVZXTMH5ISZ3NW/TS-Install3.jpg</image:loc>
      <image:title>Projects - Agency for Small Claims</image:title>
      <image:caption>Temporary Services, Art Work: A National Conversation About Art, Labor, and Economics. 32-page newspaper and conversation series</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526417033-0KOGIE2L8SMBCTNWZVII/board-reinigung.jpg</image:loc>
      <image:title>Projects - Agency for Small Claims</image:title>
      <image:caption>REINIGUNGSGESELLSCHAFT, CHANGE REALITY! RENAMING THE STREETS OF ZAGREB, 2006. Agencies proposed new street names reflecting ideals fro better urban environment. Produced for UrbanFestival Zagreb/Croatia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526339596-AM19UPAOZZ0D5UDBZ3GL/IMG_3097.JPG</image:loc>
      <image:title>Projects - Agency for Small Claims</image:title>
      <image:caption>Chto delat/What is to be done?. English-Russian newspapers distributed freely, each edition addressed themes central to the intersections of politics with art, activism, philosophy and cultural theory</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526485774-985FPB9D1ELOAPK85OZ6/ThisisthePublicDomain_lrg_08.jpg</image:loc>
      <image:title>Projects - Agency for Small Claims</image:title>
      <image:caption>Amy Balkin, This is the Public Domain, 2003-ongoing. Located in Tehachapi, California, a 2.5 acre parcel, purchased to serve as a site for a proposed public domain</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522527103724-N5RL6UPZ71NTXR07SRK0/IMG_4323.JPG</image:loc>
      <image:title>Projects - Agency for Small Claims</image:title>
      <image:caption>the Think Tank that has yet to be named, 23 Readings on Art, Activism &amp; Education, 2008. Vol. 3, occasional series of educational readers, distributed freely</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526681786-FRBJWFITKTDF9SY6NVOS/BusStopOpera_2.jpg</image:loc>
      <image:title>Projects - Agency for Small Claims</image:title>
      <image:caption>Dawn Weleski, Bus Stop Opera, 2006. Public performances occurred along Pittsburgh area transit routes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526830255-9YUJCQTJU2HOW0WR4QCS/stealth-install1.jpg</image:loc>
      <image:title>Projects - Agency for Small Claims</image:title>
      <image:caption>STEALTH.unlimited (Ana Dzokic and Marc Neelen), [Open Futures, still here to be claimed], 2006. Photographs of large vacant urban areas in nine capitals of the Western Balkans</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526907185-B6IEFHNS5JN97QAE9MCY/00_screen_capture.jpg</image:loc>
      <image:title>Projects - Agency for Small Claims</image:title>
      <image:caption>Robin Hewlett and Ben Kinsley, Street With A View, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526976138-CKP6AKCD7MOHAIAYSY3J/IMG_1445.JPG</image:loc>
      <image:title>Projects - Agency for Small Claims</image:title>
      <image:caption>Department of Reading, turning language into objects, 2006–10. Paper toy and series by Sönke Hallmann, Magda Tyzlik-Carver and Paul Gangloff; designed to exlpore new forms of reading</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522527147012-DIGVSSNF42Y0CGRDII9A/IMG_4466.JPG</image:loc>
      <image:title>Projects - Agency for Small Claims</image:title>
      <image:caption>Temporary Travel Office, Parking Public, A Brief Tour into the Storage of Utopia, 2005–10</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522527257781-V3PZ1N55NWUIQ49F0NJC/ft-install1.JPG</image:loc>
      <image:title>Projects - Agency for Small Claims</image:title>
      <image:caption>Kate Rich, FERAL TRADE, 2003–10. A public experiment with trading goods over social networks through shared travel routes</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/exact-imagination-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661200894591-Q9GV5LVMS5M04FGC9KTQ/James-Voorhies-book-cover-of-Exact-Imagination.png</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/exact-imagination</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400756059-C3OY6RQQT4ZZI5Z7PR2J/Lawler-Big.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
      <image:caption>Louise Lawler, Big, 2002/2003. Cibachrome mounted on museum box, 52 x 46 in. Courtesy of Dominique Lévy and Dorothy Berwin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400756492-WTDR3K1RXOWULJOAUF93/Lawler-Conditions.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
      <image:caption>Louise Lawler, Conditions of Sale, 1988/1990. Black and white, photograph with printed mat, 16 × 22 inches (image), 28 x 32 in (mat). Courtesy of the artist and Metro Pictures, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662401793596-4DUQSRF9B4I49HD3LM9H/James+Voorhies+Exact+Imagination.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400768179-1L69GQXXQ5OSEMGABT9I/N55_MG_4798.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
      <image:caption>N55, Art and Reality, 1996. Site-specific installation cut vinyl text, 16 x 28 ft. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400769888-NZPUOGEVQ4MEPBQS77N8/N55_MG_4799.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400730199-RPOOWOI85LJX0VZ13AID/GG_MG_4698.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522446652500-RLJPP6L70IOCTFM4GWNC/Fraser-Vatican300.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
      <image:caption>Andrea Fraser, A Visit to the Sistine Chapel, 2005 (still). DVD, 12 min. Courtesy of the artist and Friedrich Petzel Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400751353-FPHNQWW5RRMCPC4RMEM2/IMG_1476_ready.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
      <image:caption>Gaylen Gerber with BANK, Andrea Fraser, David Ireland, Christian Jankowski, Louise Lawler, N55, David Ording and Red76, Backdrop/Exact Imagination, 2008.* Latex on canvas, various media dimensions variable. Courtesy of the artist. *Gerber’s Backdrops are not dates themselves but carry the date of the artwork installed in relation to it</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522446754063-6ATDMDBPBSBZC0N4SU1L/flock_5.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
      <image:caption>Christian Jankowski, Flock, 2002 (still). DVD, 10 min. Courtesy of the artist, Maccarone, Inc., New York, and Klosterfelde, Berlin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522446808762-NXYZB308DJF33U60QJ2D/BANK-White+Cube+detail300.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
      <image:caption>BANK, White Cube, NY, 1999. From The Bank Fax-Bak Service series (detail), ink on paper, 8 x 11 in. Courtesy of BANK archive, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400808119-A5LNY8MRUB5OYYRV37KY/Ording-After400.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
      <image:caption>David Ording, After, 2005–07. Oil on canvas, 7 × 10 ft. Courtesy of the artist and Bernard Toale Gallery, Boston</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400730450-C0W3018XWI1UMURO6X67/GG_MG_4688.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400798162-7TSX39COXYCXB6ZA1B2T/Ording-HORNER_BTG.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
      <image:caption>David Ording, After (40 Plates from Degas), 2004. Oil on canvas, 34 × 38 in. Courtesy of the artist and Bernard Toale Gallery, Boston</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400743782-EUZIMFP0YT063AQ3XJ8D/GG-4684.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
      <image:caption>Gaylen Gerber with BANK, Andrea Fraser, David Ireland, Christian Jankowski, Louise Lawler, N55, David Ording and Red76, Backdrop/Exact Imagination, 2008.* Latex on canvas, various media dimensions variable. Courtesy of the artist. *Gerber’s Backdrops are not dates themselves but carry the date of the artwork installed in relation to it</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400747912-WD9GW0VW0C6M07ADPZZD/IMG_1471_ready.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400788274-KU2Y93G476IZ8PY39WRY/red76_MG_4771.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
      <image:caption>Red76, Franklin’s VDC Copy Center, 2008. 1124 North High, Columbus, Ohio. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400801380-U4M2RMHHP3C4VVPTK1MK/red76_MG_4772.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
      <image:caption>Red76, Franklin’s VDC Copy Center, 2008. 1124 North High, Columbus, Ohio. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400801525-E6H4F7XYU0W6OUIC98CE/red76_MG_4779.jpg</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
      <image:caption>Red76, Franklin’s VDC Copy Center, 2008. 1124 North High, Columbus, Ohio. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524094131407-8VFTSCRLUQK93YD0I120/BOC-Publication-Exact-Imagination-cover.png</image:loc>
      <image:title>Projects - Exact Imagination</image:title>
      <image:caption>Exact Imagination, 2008. 60 pages, 8.25 x 5 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/taking-shelter-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661201036272-YSRN18ZNZFIFY1OCJF7J/James-Voorhies-book-cover-of-Taking-Shelter.png</image:loc>
      <image:title>Projects - Taking Shelter</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/taking-shelter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522720516748-TKSNM4UZG45VE6UB09O6/Calm-3.png</image:loc>
      <image:title>Projects - Taking Shelter</image:title>
      <image:caption>Jonathan Calm, Baruch Runoff #2, 2008. Pigment print, 40 × 50 in. Courtesy of the artist and Caren Golden Fine Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662402037328-99C7209NH4JSGIFXLJ45/JS_MG_4796.jpg</image:loc>
      <image:title>Projects - Taking Shelter</image:title>
      <image:caption>Jackie Sumell and Herman Wallace, The House That Herman Built, 2002. Wood installation replica of 6 × 9 ft. cell, print documentation, video with sound, posters, publication, and blueprints. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662402028615-5JQUSBI2DW4YEPJ6QSJE/JS_MG_4624.jpg</image:loc>
      <image:title>Projects - Taking Shelter</image:title>
      <image:caption>Jackie Sumell and Herman Wallace, The House That Herman Built, 2002. Wood installation replica of 6 × 9 ft. cell, print documentation, video with sound, posters, publication, and blueprints. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662402032453-Y13HD4ZSXVA4Z8AN5V4Z/JS_MG_4633.jpg</image:loc>
      <image:title>Projects - Taking Shelter</image:title>
      <image:caption>Jackie Sumell and Herman Wallace, The House That Herman Built, 2002. Wood installation replica of 6 × 9 ft. cell, print documentation, video with sound, posters, publication, and blueprints. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662402035123-4EAR3K0C46FNBYNYY7EK/JS_MG_4643.jpg</image:loc>
      <image:title>Projects - Taking Shelter</image:title>
      <image:caption>Jackie Sumell and Herman Wallace, The House That Herman Built, 2002. Wood installation replica of 6 × 9 ft. cell, print documentation, video with sound, posters, publication, and blueprints. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662402031944-ZZW414RSDM6RNFP84LBA/Hern-12_1_v8+Final.jpg</image:loc>
      <image:title>Projects - Taking Shelter</image:title>
      <image:caption>Anthony Hernandez, Landscapes for the Homeless #12, 1989–2007. Digital print on Endura paper, 50 × 63 in. Courtesy of Christopher Grimes Gallery, Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522710767324-W7NHIFLBICEIDY3BUCBW/PK-3.jpg</image:loc>
      <image:title>Projects - Taking Shelter</image:title>
      <image:caption>Patrick Killoran, Glass Outhouse, 2002. Unlimited edition of port-a-potty, 91 × 43 × 47 in. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522446462976-A0VMUI69I7UZAOL8HKDZ/Arajo_MG_4751.jpg</image:loc>
      <image:title>Projects - Taking Shelter</image:title>
      <image:caption>Eric Araujo, The House Project, 2008. Mixed media, dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522446174101-C9O552NIOICQIW9IMIB8/McCallumTarry-Gimp300.jpg</image:loc>
      <image:title>Projects - Taking Shelter</image:title>
      <image:caption>McCallum &amp; Tarry, Endurance, 2003. Video with sound, 130 minutes, C-prints, nine of twenty-five in series, all 50 × 40 in. Courtesy of the artists and Caren Golden Fine Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524093924392-6LKMI1HBB2SAA6NPA2Z4/BOC-Publication-Taking-Shelter-Cover.png</image:loc>
      <image:title>Projects - Taking Shelter</image:title>
      <image:caption>Taking Shelter, 2008. 40 pages, 8.25 x 5 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/consumption-junction-publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661201185777-AP4H2OLRPA4D49A1VH1N/James-Voorhies-book-cover-of-Consumption-Junction.png</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/consumption-junction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522438806091-VDOIS7MJBBRTJCTT5AY9/experienceLIFE-p-300.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Ester Partegàs, Experience Life, 2007. From the series We the People, 2006–07. Inkjet ultrachrome archival print, 44 × 50 in each. Courtesy of the artist and Foxy Production, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387535717-VV551MHGDAD03T37R042/James+Voorhies+Consumption+Junction+4.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Dan Graham, Death by Chocolate: West Edmonton Shopping Mall, (1986–2005), 2005. Video, 8 min., color, sound. Courtesy of Electronic Arts Intermix (EAI), New York; Ester Partegàs, We the People series, 2006–07. Inkjet ultrachrome archival print, 44 × 50 in. each. Courtesy of the artist and Foxy Production, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522438665333-3UVFCE9WYRUAH87SXQVM/graham_mall_5-300.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Dan Graham, Death by Chocolate: West Edmonton Shopping Mall, (1986–2005), 2005. Video, 8 min., color, sound. Courtesy of Electronic Arts Intermix (EAI), New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522438889782-U79PMMKCG0GO591W4F2E/19_santiago_mostyn_finley_mist.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>The Miss Rockaway Armada, 2006. Photograph by Santiago Mostyn, slide installation and photographs. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387536759-DKJRFU2CXIKJYGW13TFA/James+Voorhies+Consumption+Junction+7.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Nicola Lopez, White Noise, 2006. Ink, graphite on paper, 44 × 44 in. Courtesy of Caren Golden Fine Art, New York; The Miss Rockaway Armada, 2006. Photograph by Santiago Mostyn, slide installation and photographs. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522438748014-S4LSMS6J59E1HR260W3L/whiteNoise-cmyk.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Nicola Lopez, White Noise, 2006. Ink, graphite on paper, 44 × 44 in. Courtesy of Caren Golden Fine Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387536158-2N81OW4ROX8T3KXMPVWA/James+Voorhies+Consumption+Junction+5.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Nicola López, Strange Skies, 2005. Woodblock and silkscreen on paper and Mylar 84 × 96 in. Collection of Nancy and Stanley Singer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387535503-AZN936MXZOBZL1B2WLXG/James+Voorhies+Consumption+Junction+3.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Tim Rietenbach, Praying Hands, 2007. Mixed-media, site-specific installation dimensions variable. Courtesy of the artist; Guy Debord, The Society of the Spectacle, 1973. Downloaded from UbuWeb and transferred to DVD, 88 min.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522438603671-NPQ3WEUFQEXLGVJ9PIX6/debord+traffic1.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Guy Debord, The Society of the Spectacle, 1973. Downloaded from UbuWeb and transferred to DVD, 88 min.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387537950-322PSSS28BTU03ZD9PDX/James+Voorhies+Scott+Massey.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Scott Massey, 93B Avenue at 165th Street, 2006. From the series Crepuscule, fujiFlex print with UV lamination, 40 × 40 in. each; courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387535016-6OI4D02AM6SH9Q8UVH7J/James+Voorhies+Consumption+Junction+2.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Learning Group, [Collecting System] in Monterrey, Mexico, 2005, documentation of [Learning Book #001] and [Learning Poster #003]. Courtesy of the artists; Scott Massey, 93B Avenue at 165th Street, 2006. From the series Crepuscule, fujiFlex print with UV lamination, 40 × 40 in. each. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387537293-VQCC8JHTIR54PTBPN8SX/James+Voorhies+Learning+Group.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Learning Group, [Collecting System] in Monterrey, Mexico, 2005. Documentation of [Learning Book #001] and [Learning Poster #003}. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662399540782-8PTZYIEJUHQFESG47MYX/James+Voorhies+Komar+Melamid.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Komar &amp; Melamid, Architectural Fantasies, 1998. From the series Collaborations with Animals, computer print collages, 11 × 17 in. each. Courtesy of the former Komar &amp; Melamid Art Studio Archive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387537113-W6CBYD2NRQEF7EAK1HDL/James+Voorhies+Consumption+Junction+8.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Tim Rietenbach, Praying Hands, 2007. Mixed-media, site-specific installation dimensions variable. Courtesy of the artist; 5.5 Designers; Réanim, 2004. Mixed-media installation dimensions variable. Courtesy of the designers; Ester Partegàs, We the People series, 2006–07. Inkjet ultrachrome archival print, 44 × 50 in each. Courtesy of the artist and Foxy Production, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387533423-8W088B8DJWZMO27GW6E0/James+Voorhies+5.5+Designers+.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>5.5 Designers, Réanim, 2004. Mixed-media installation dimensions variable. Courtesy of the designers; Design Management AS, Trondheim, Norway, The Bicycle Lift Trampe, built 1993. Photo documentation and video. Courtesy of the designer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387538212-S80JMWVG2FXD2ZMJX3QY/James+Voorhies+Trampe+Trondheim.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Design Management AS, Trondheim, Norway, The Bicycle Lift Trampe, built 1993. Photo documentation and video. Courtesy of the designer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387534057-WNI9LQNML04FKBB5NDP6/James+Voorhies+Amy+Chan+2.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Amy Chan, Tallgrass Prairie, 2006. From the series New Ecosystems, gouache on panel, 20 × 26 in. each. Courtesy of the artist and Bernard Toale Gallery, Boston</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387534237-C69EH4UC6XGOKEMG0JU7/James+Voorhies+Amy+Chan.jpg</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Amy Chan, New Ecosystems, 2006, with Ohio Flood, 2007. Acrylic on wall site-specific installation dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524004642306-QBJS6TYPH6VO46GP3Y42/BOC-Publication-Consumption-Junction-Cover.png</image:loc>
      <image:title>Projects - Consumption Junction</image:title>
      <image:caption>Consumption Junction, 2007. 52 pages, 8.25 x 5 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/article-heilbrunn-timeline-of-art-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/9b31e1d8-6619-47c2-bbc4-e953f65e2185/James-Voorhies-book-cover-of-heilbrunn.png</image:loc>
      <image:title>Projects - The Metropolitan Museum of Art’s Heilbrunn Timeline of Art History</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/course-salon-des-refuss-to-sensation-a-survey-of-avant-garde-exhibitions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1671923419801-LWPTDL2TAVO98GYXFKY6/James-Voorhies-course-Salon-des-Refuses-to-Sensation--A-Survey-of-Avant-Garde-Exhibitions.png</image:loc>
      <image:title>Projects - Undergraduate Seminar - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/course-american-modernism-alfred-stieglitz-new-york-and-the-transatlantic-exchange</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1671923300651-A2DSMMBCICAAZOJGWNT7/James-Voorhies-course-American-Modernism--Alfred-Stieglitz%2C-New-York-and-the-Transatlantic-Exchange.png</image:loc>
      <image:title>Projects - Undergraduate Seminar - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/my-dear-stieglitz-letters-between-marsden-hartley-and-alfred-stieglitz-1912-1915</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/9b71829d-8379-4895-8519-979f0b81521d/James-Voorhies-book-cover-of-My-Dear-Stieglitz.png</image:loc>
      <image:title>Projects - My Dear Stieglitz: Letters Between Marsden Hartley and Alfred Stieglitz, 1912–1915</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/administrator-the-metropolitan-museum-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1672081908244-GLHJNJL6K467FNP0BV2D/James-Voorhies-Leadership-met.png</image:loc>
      <image:title>Projects - Collections Manager</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/curatorial-assistant-to-chief-curator-brooklyn-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1672081954533-13S9PQ6FNOA5QV99A9KN/James-Voorhies-Leadership-brooklyn-museum.png</image:loc>
      <image:title>Projects - Curatorial Assistant to Chief Curator</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/coursesurvey-of-western-art-neo-classicism-to-pop-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1671923188356-PNWOTXY0AAC8MF7A231T/James-Voorhies-course-Survey-of-Western-Art--Neo-Classicism-to-Pop-Art.png</image:loc>
      <image:title>Projects - Undergraduate Seminar - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/category/Project</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/category/Writing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/category/The+Bass</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/category/Publication</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/category/Institution</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/category/Teaching</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/category/Exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/tag/CCA</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/tag/Bass</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/tag/BC</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/tag/Set+1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/tag/Set+3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/tag/Set+2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/tag/TSF</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/tag/Set+4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/tag/CCAD-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/tag/CCAD</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/tag/HU</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/projects/tag/Met</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/phil-collins-a-learning-site-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415200193-EUQOICHTTU659XMUOZCJ/IMG_4005.JPG</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>“Class Pick.” Students in Harvard University course VES 105 identify publications in CRC/bookshop relevant to study of work by Phil Collins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415200193-EUQOICHTTU659XMUOZCJ/IMG_4005.JPG</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>“Class Pick.” Students in Harvard University course VES 105 identify publications in CRC/bookshop relevant to study of work by Phil Collins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599329492-CJ8YP9QM85WD6STDOHQR/1.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Phil Collins, the meaning of style, 2011. 16mm film transferred to HD digital video; color, sound, 4 min. 50 sec. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599328984-QAHCVIVQ3MF518Z1P93J/3.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Installation view, Carpenter Center for the Visual Arts, 2016. Phil Collins, the meaning of style, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599336630-B2TTOK75SNPWO95KFC39/4.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 1). Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599336916-MHNRP3UKJWZPZCUGTZFJ/5.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 1). Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016. Phil Collins, the louder you scream, the faster we go, 2005</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599337550-JC4MPEFOF482W6UTAIH5/6.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Phil Collins, the louder you scream, the faster we go, 2005 (still). Video, color, sound, 10 min</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599339100-NN3F4PPV6EH9CL66WT7Z/7.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Phil Collins, they shoot horses, 2004 (still). Two-channel synchronized video projection, color, sound, 420 min.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599365635-T6388EEYG89SDJRJ5SJA/8.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 1). Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599359567-O8FHKPEB1PUZT7RPGTSF/9.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Phil Collins, the world won’t listen, 2004–07. Synchronized three-channel video installation, color, sound, 56 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599367746-P5XVODVGMADQEDI6LNTE/10.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 1). Carpenter Center for the Visual Arts, Sert Gallery, Mar 24, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599374447-9EUKO7U1XY27IEH9H0UJ/11.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>“Class Pick.” Students in Harvard University course VES 105 identify publications in CRC/bookshop relevant to study of work by Phil Collins</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599371511-ZI8K70F3PXX0RDJRREWH/12.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Phil Collins. This Unfortunate Thing Between Us, 2011. Performance in two parts broadcast live on German public television, each 60 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599381186-07AGXDI8BQRA59ES1FI9/13.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Intermission for screening, Phil Collins, This Unfortunate Thing Between Us, 2011. Carpenter Center Lecture Hall, Mar 31, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599407504-0OOV5E2JZH5X5M0JFA0C/14.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Screening, Phil Collins, This Unfortunate Thing Between Us, 2011. Carpenter Center Lecture Hall,  Mar 31, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599395768-WM7TZ9QWDTG1T4WJAHLJ/15.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Bookmark publication series produced with quotes pulled from readings in the Harvard University course VES 105, taught by James Voorhies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599398427-ZMUJLXFO5XLFPXKXX8SS/16.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Phil Collins, Tomorrow Is Always Too Long, 2014 (still). HD digital video, Hi8 and VHS, olor, sound; 82 min. Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599438983-GPCODHBHQJAG5PI2B3BR/18.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599441348-8VQLCGSOJ4D9UWM44R1W/17.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599471118-CKLZZSPH5P4N7Q3CQAVA/19.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599472593-WCCVI5VA8W7IY4S2LMMX/20.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599509642-NFXQHHDPOQ9GF4TG57EG/21.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Screening + Talk, Phil Collins, Tomorrow Is Always Too Long, 2014. Carpenter Center Lecture Hall, Apr 7, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599480231-1TBYMS2QIJ19GJY4MYS9/22.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Phil Collins, Harvard University course VES  105, taught by James Voorhies, Carpenter Center for the Visual Arts, Level 4, Apr 4–8, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599486035-5IPR131KOG4K825BHC3L/23.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Phil Collins, I Fought The Law, L.A. Protests, 2000 (still). Courtesy Shady Lane Productions</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599493817-0RDXMF8DEER3XMAKT4V9/24.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Phil Collins, Sert Practitioner Residency, Radio Broadcast, WHRB 93.5 FM, Apr 4–8, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599500025-SG6X4E7B3WZVJGUI0BDM/25.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Phil Collins, Sert Practitioner Residency, Radio Broadcast, WHRB 93.5 FM, Apr 4–8, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599508606-Z8OJFCHF0ZBGFEEIDL6T/26.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599515225-A3UO8A04XZQNYA3UZK33/27.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599519427-DZGXQ2UPN0SZEW6DYIAA/28.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599524657-VTXP7MDDFO1CFFSWNVCW/29.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599530867-1VOX5OR7EWZB5CB45FJA/30.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599531908-VK1X47PX0V9Y7X5GVGBC/31.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016. Phil Collins, marxism today (prologue), 2010 (still)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599538598-3DKQRF2TWPP0L96VRGTW/32.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599541216-K99RXO3F8SMIMOR8M6ZH/33.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016. Phil Collins, marxism today (prologue), 2010 (still)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599545630-XFD5R7UZECOULFWSQ408/34.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Open Seminar: Phil Collins in Context (Part 2). Carpenter Center for the Visual Arts, Sert Gallery, Apr 21, 2016. Phil Collins, how to make a refugee, 1999</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522599543309-GN9M2ZXSV34WSW4FNWUE/35.jpg</image:loc>
      <image:title>Phil Collins</image:title>
      <image:caption>Phil Collins, how to make a refugee, 1999 (still). Courtesy Shady Lane Productions, Berlin and Tanya Bonakdar Gallery, New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/martin-beck-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665490128669-00WFAAA0U7MHLDSF41AO/IMG_7392+copy.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 10: Fifty Photographs (Level 3, July 7–September 24, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665490128669-00WFAAA0U7MHLDSF41AO/IMG_7392+copy.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 10: Fifty Photographs (Level 3, July 7–September 24, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665490134979-YY6PJQ63Y99WT7X0G2UE/IMG_7422+copy.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 10: Fifty Photographs (Level 3, July 7–September 24, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415847615-CPKTQSKVASPH4NGJ0FQ7/E10.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 10: Fifty Photographs (Level 3, July 7–September 24, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665492798403-7DICEUH3P7KQVZ6JWU55/On+Knowing.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 9: An Organized System of Instructions (Level 0, April 14, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665490120822-SWROFUJGMDEICHL60W1J/IMG_4731+copy.JPG</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 8: A Social Question (Level 1, January 21–31, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665490112300-O0V63KSUYSPO74TP8ZJH/IMG_4710+copy.JPG</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 8: A Social Question (Level 1, January 21–31, 2016) (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415832043-CPUZ784ND53G3LLWQTRP/E8.1+-+LEAD.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 8: A Social Question (Level 1, January 21–31, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415806056-448UPXQJWIAQ5PP6ZLHS/E8.2.JPG</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 8: A Social Question (Level 1, January 21–31, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415810020-ZXH1R9S345P0JIZA696K/E8.3.JPG</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 8: A Social Question (Level 1, January 21–31, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415860860-03A7NVDMNU2XP11TMWFV/E8.4.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 8: A Social Question (Level 1, January 21–31, 2016) (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415800307-JMDMSJ3LGPC6BV3SQMQ2/E7.3.JPG</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 7: The Limit of a Function (Level 3, October 2015–ongoing)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415792139-LAULUFHXE68O9GW814FH/E7.1.JPG</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 7: The Limit of a Function (Level 3, October 2015–ongoing)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415793863-JL9WK8YIASXRIGJ4CDZ2/E7.2.JPG</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 7: The Limit of a Function (Level 3, October 2015–ongoing)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415787898-RXKZ9ST7UJ9Q06QMZHQT/E6.1.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 6: Reality Is Invisible (Level 1 and Level 0, August 24–September 10, 2015)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415793425-8NEK7VR7JO1RYVA3XFCB/E5.3.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 5: Photography and the City (July 22–August 24, 2015) (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415786531-NPLRFG0OT12UR7V5TNEH/E5.1.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 5: Photography and the City (Level 1, July 22–August 24, 2015)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415774068-M6B67Z21CI4OZXRT4AAL/E4.1.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 4: A Report of the Committee (Level 3, February–May 2015)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415777135-AFJ6O9EM02OJ53DJXU5I/E4.2.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 4: A Report of the Committee (Level 3, February–May 2015)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415787165-5R64GA8BC2NXKHA2IE5W/E2.1.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 2: 1963</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415770856-8ZAPRJIQYK76RTDA26K7/E1.4.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 1: Removed and Applied, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415770445-WWCMPHOBR8OCDU977CFJ/E1.3.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 1: Removed and Applied, October 2014, installation in process</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415769948-AFJT5C2G75J4U96VQ1AH/E1.2.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 1: Removed and Applied, October 2014, installation in process</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522415769766-TGZMXDUGV0ZTK95UL1KX/E1.1.jpg</image:loc>
      <image:title>Martin Beck</image:title>
      <image:caption>Martin Beck: Program, Episode 1: Removed and Applied, October 2014, installation in process</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/straub-and-huillet-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437522030-LCORU95UI2KN5AJW53AV/01+-+LEAD.jpg</image:loc>
      <image:title>Straub and Huillet</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (CRC/bookshop)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437522030-LCORU95UI2KN5AJW53AV/01+-+LEAD.jpg</image:loc>
      <image:title>Straub and Huillet</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (CRC/bookshop)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437521427-NDXSGLZDDLXT6RPZDKZE/02.jpg</image:loc>
      <image:title>Straub and Huillet</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (CRC/bookshop)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437530771-8LAGTWTAFSC0MGRUGWHF/03.jpg</image:loc>
      <image:title>Straub and Huillet</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (CRC/bookshop)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437531381-B7J9Z8JMG5RRP3SYY7SI/04.jpg</image:loc>
      <image:title>Straub and Huillet</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (CRC/bookshop)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437536129-3JEY3WYPSEJUEJR2ZK6M/05.jpg</image:loc>
      <image:title>Straub and Huillet</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (CRC/bookshop)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437546088-2CBPFPH2BFIUX91APTO4/06.jpg</image:loc>
      <image:title>Straub and Huillet</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (Display Case)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437551863-49YFI4K3U32A6W86MTY6/07.jpg</image:loc>
      <image:title>Straub and Huillet</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (Display Case)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522437557242-Q74NRWZ4ULSK03PW62Q2/08.jpg</image:loc>
      <image:title>Straub and Huillet</image:title>
      <image:caption>Installation view, Jean-Marie Straub and Danièle Huillet: Three Works (Display Case)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/consumption-junction-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522438806091-VDOIS7MJBBRTJCTT5AY9/experienceLIFE-p-300.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Ester Partegàs, Experience Life, 2007. From the series We the People, 2006–07. Inkjet ultrachrome archival print, 44 × 50 in each. Courtesy of the artist and Foxy Production, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522438806091-VDOIS7MJBBRTJCTT5AY9/experienceLIFE-p-300.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Ester Partegàs, Experience Life, 2007. From the series We the People, 2006–07. Inkjet ultrachrome archival print, 44 × 50 in each. Courtesy of the artist and Foxy Production, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387535717-VV551MHGDAD03T37R042/James+Voorhies+Consumption+Junction+4.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Dan Graham, Death by Chocolate: West Edmonton Shopping Mall, (1986–2005), 2005. Video, 8 min., color, sound. Courtesy of Electronic Arts Intermix (EAI), New York; Ester Partegàs, We the People series, 2006–07. Inkjet ultrachrome archival print, 44 × 50 in. each. Courtesy of the artist and Foxy Production, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522438665333-3UVFCE9WYRUAH87SXQVM/graham_mall_5-300.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Dan Graham, Death by Chocolate: West Edmonton Shopping Mall, (1986–2005), 2005. Video, 8 min., color, sound. Courtesy of Electronic Arts Intermix (EAI), New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522438889782-U79PMMKCG0GO591W4F2E/19_santiago_mostyn_finley_mist.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>The Miss Rockaway Armada, 2006. Photograph by Santiago Mostyn, slide installation and photographs. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387536759-DKJRFU2CXIKJYGW13TFA/James+Voorhies+Consumption+Junction+7.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Nicola Lopez, White Noise, 2006. Ink, graphite on paper, 44 × 44 in. Courtesy of Caren Golden Fine Art, New York; The Miss Rockaway Armada, 2006. Photograph by Santiago Mostyn, slide installation and photographs. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522438748014-S4LSMS6J59E1HR260W3L/whiteNoise-cmyk.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Nicola Lopez, White Noise, 2006. Ink, graphite on paper, 44 × 44 in. Courtesy of Caren Golden Fine Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387536158-2N81OW4ROX8T3KXMPVWA/James+Voorhies+Consumption+Junction+5.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Nicola López, Strange Skies, 2005. Woodblock and silkscreen on paper and Mylar 84 × 96 in. Collection of Nancy and Stanley Singer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387535503-AZN936MXZOBZL1B2WLXG/James+Voorhies+Consumption+Junction+3.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Tim Rietenbach, Praying Hands, 2007. Mixed-media, site-specific installation dimensions variable. Courtesy of the artist; Guy Debord, The Society of the Spectacle, 1973. Downloaded from UbuWeb and transferred to DVD, 88 min.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522438603671-NPQ3WEUFQEXLGVJ9PIX6/debord+traffic1.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Guy Debord, The Society of the Spectacle, 1973. Downloaded from UbuWeb and transferred to DVD, 88 min.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387537950-322PSSS28BTU03ZD9PDX/James+Voorhies+Scott+Massey.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Scott Massey, 93B Avenue at 165th Street, 2006. From the series Crepuscule, fujiFlex print with UV lamination, 40 × 40 in. each; courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387535016-6OI4D02AM6SH9Q8UVH7J/James+Voorhies+Consumption+Junction+2.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Learning Group, [Collecting System] in Monterrey, Mexico, 2005, documentation of [Learning Book #001] and [Learning Poster #003]. Courtesy of the artists; Scott Massey, 93B Avenue at 165th Street, 2006. From the series Crepuscule, fujiFlex print with UV lamination, 40 × 40 in. each. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387537293-VQCC8JHTIR54PTBPN8SX/James+Voorhies+Learning+Group.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Learning Group, [Collecting System] in Monterrey, Mexico, 2005. Documentation of [Learning Book #001] and [Learning Poster #003}. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662399540782-8PTZYIEJUHQFESG47MYX/James+Voorhies+Komar+Melamid.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Komar &amp; Melamid, Architectural Fantasies, 1998. From the series Collaborations with Animals, computer print collages, 11 × 17 in. each. Courtesy of the former Komar &amp; Melamid Art Studio Archive</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387537113-W6CBYD2NRQEF7EAK1HDL/James+Voorhies+Consumption+Junction+8.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Tim Rietenbach, Praying Hands, 2007. Mixed-media, site-specific installation dimensions variable. Courtesy of the artist; 5.5 Designers; Réanim, 2004. Mixed-media installation dimensions variable. Courtesy of the designers; Ester Partegàs, We the People series, 2006–07. Inkjet ultrachrome archival print, 44 × 50 in each. Courtesy of the artist and Foxy Production, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387533423-8W088B8DJWZMO27GW6E0/James+Voorhies+5.5+Designers+.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>5.5 Designers, Réanim, 2004. Mixed-media installation dimensions variable. Courtesy of the designers; Design Management AS, Trondheim, Norway, The Bicycle Lift Trampe, built 1993. Photo documentation and video. Courtesy of the designer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387538212-S80JMWVG2FXD2ZMJX3QY/James+Voorhies+Trampe+Trondheim.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Design Management AS, Trondheim, Norway, The Bicycle Lift Trampe, built 1993. Photo documentation and video. Courtesy of the designer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387534057-WNI9LQNML04FKBB5NDP6/James+Voorhies+Amy+Chan+2.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Amy Chan, Tallgrass Prairie, 2006. From the series New Ecosystems, gouache on panel, 20 × 26 in. each. Courtesy of the artist and Bernard Toale Gallery, Boston</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662387534237-C69EH4UC6XGOKEMG0JU7/James+Voorhies+Amy+Chan.jpg</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Amy Chan, New Ecosystems, 2006, with Ohio Flood, 2007. Acrylic on wall site-specific installation dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524004642306-QBJS6TYPH6VO46GP3Y42/BOC-Publication-Consumption-Junction-Cover.png</image:loc>
      <image:title>Consumption Junction</image:title>
      <image:caption>Consumption Junction, 2007. 52 pages, 8.25 x 5 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/taking-shelter-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522720516748-TKSNM4UZG45VE6UB09O6/Calm-3.png</image:loc>
      <image:title>Taking Shelter</image:title>
      <image:caption>Jonathan Calm, Baruch Runoff #2, 2008. Pigment print, 40 × 50 in. Courtesy of the artist and Caren Golden Fine Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522720516748-TKSNM4UZG45VE6UB09O6/Calm-3.png</image:loc>
      <image:title>Taking Shelter</image:title>
      <image:caption>Jonathan Calm, Baruch Runoff #2, 2008. Pigment print, 40 × 50 in. Courtesy of the artist and Caren Golden Fine Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662402037328-99C7209NH4JSGIFXLJ45/JS_MG_4796.jpg</image:loc>
      <image:title>Taking Shelter</image:title>
      <image:caption>Jackie Sumell and Herman Wallace, The House That Herman Built, 2002. Wood installation replica of 6 × 9 ft. cell, print documentation, video with sound, posters, publication, and blueprints. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662402028615-5JQUSBI2DW4YEPJ6QSJE/JS_MG_4624.jpg</image:loc>
      <image:title>Taking Shelter</image:title>
      <image:caption>Jackie Sumell and Herman Wallace, The House That Herman Built, 2002. Wood installation replica of 6 × 9 ft. cell, print documentation, video with sound, posters, publication, and blueprints. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662402032453-Y13HD4ZSXVA4Z8AN5V4Z/JS_MG_4633.jpg</image:loc>
      <image:title>Taking Shelter</image:title>
      <image:caption>Jackie Sumell and Herman Wallace, The House That Herman Built, 2002. Wood installation replica of 6 × 9 ft. cell, print documentation, video with sound, posters, publication, and blueprints. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662402035123-4EAR3K0C46FNBYNYY7EK/JS_MG_4643.jpg</image:loc>
      <image:title>Taking Shelter</image:title>
      <image:caption>Jackie Sumell and Herman Wallace, The House That Herman Built, 2002. Wood installation replica of 6 × 9 ft. cell, print documentation, video with sound, posters, publication, and blueprints. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662402031944-ZZW414RSDM6RNFP84LBA/Hern-12_1_v8+Final.jpg</image:loc>
      <image:title>Taking Shelter</image:title>
      <image:caption>Anthony Hernandez, Landscapes for the Homeless #12, 1989–2007. Digital print on Endura paper, 50 × 63 in. Courtesy of Christopher Grimes Gallery, Los Angeles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522710767324-W7NHIFLBICEIDY3BUCBW/PK-3.jpg</image:loc>
      <image:title>Taking Shelter</image:title>
      <image:caption>Patrick Killoran, Glass Outhouse, 2002. Unlimited edition of port-a-potty, 91 × 43 × 47 in. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522446462976-A0VMUI69I7UZAOL8HKDZ/Arajo_MG_4751.jpg</image:loc>
      <image:title>Taking Shelter</image:title>
      <image:caption>Eric Araujo, The House Project, 2008. Mixed media, dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522446174101-C9O552NIOICQIW9IMIB8/McCallumTarry-Gimp300.jpg</image:loc>
      <image:title>Taking Shelter</image:title>
      <image:caption>McCallum &amp; Tarry, Endurance, 2003. Video with sound, 130 minutes, C-prints, nine of twenty-five in series, all 50 × 40 in. Courtesy of the artists and Caren Golden Fine Art, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524093924392-6LKMI1HBB2SAA6NPA2Z4/BOC-Publication-Taking-Shelter-Cover.png</image:loc>
      <image:title>Taking Shelter</image:title>
      <image:caption>Taking Shelter, 2008. 40 pages, 8.25 x 5 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/exact-imagination-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400756059-C3OY6RQQT4ZZI5Z7PR2J/Lawler-Big.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>Louise Lawler, Big, 2002/2003. Cibachrome mounted on museum box, 52 x 46 in. Courtesy of Dominique Lévy and Dorothy Berwin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400756059-C3OY6RQQT4ZZI5Z7PR2J/Lawler-Big.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>Louise Lawler, Big, 2002/2003. Cibachrome mounted on museum box, 52 x 46 in. Courtesy of Dominique Lévy and Dorothy Berwin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400756492-WTDR3K1RXOWULJOAUF93/Lawler-Conditions.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>Louise Lawler, Conditions of Sale, 1988/1990. Black and white, photograph with printed mat, 16 × 22 inches (image), 28 x 32 in (mat). Courtesy of the artist and Metro Pictures, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662401793596-4DUQSRF9B4I49HD3LM9H/James+Voorhies+Exact+Imagination.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400768179-1L69GQXXQ5OSEMGABT9I/N55_MG_4798.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>N55, Art and Reality, 1996. Site-specific installation cut vinyl text, 16 x 28 ft. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400769888-NZPUOGEVQ4MEPBQS77N8/N55_MG_4799.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400730199-RPOOWOI85LJX0VZ13AID/GG_MG_4698.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522446652500-RLJPP6L70IOCTFM4GWNC/Fraser-Vatican300.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>Andrea Fraser, A Visit to the Sistine Chapel, 2005 (still). DVD, 12 min. Courtesy of the artist and Friedrich Petzel Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400751353-FPHNQWW5RRMCPC4RMEM2/IMG_1476_ready.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>Gaylen Gerber with BANK, Andrea Fraser, David Ireland, Christian Jankowski, Louise Lawler, N55, David Ording and Red76, Backdrop/Exact Imagination, 2008.* Latex on canvas, various media dimensions variable. Courtesy of the artist. *Gerber’s Backdrops are not dates themselves but carry the date of the artwork installed in relation to it</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522446754063-6ATDMDBPBSBZC0N4SU1L/flock_5.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>Christian Jankowski, Flock, 2002 (still). DVD, 10 min. Courtesy of the artist, Maccarone, Inc., New York, and Klosterfelde, Berlin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522446808762-NXYZB308DJF33U60QJ2D/BANK-White+Cube+detail300.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>BANK, White Cube, NY, 1999. From The Bank Fax-Bak Service series (detail), ink on paper, 8 x 11 in. Courtesy of BANK archive, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400808119-A5LNY8MRUB5OYYRV37KY/Ording-After400.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>David Ording, After, 2005–07. Oil on canvas, 7 × 10 ft. Courtesy of the artist and Bernard Toale Gallery, Boston</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400730450-C0W3018XWI1UMURO6X67/GG_MG_4688.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400798162-7TSX39COXYCXB6ZA1B2T/Ording-HORNER_BTG.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>David Ording, After (40 Plates from Degas), 2004. Oil on canvas, 34 × 38 in. Courtesy of the artist and Bernard Toale Gallery, Boston</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400743782-EUZIMFP0YT063AQ3XJ8D/GG-4684.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>Gaylen Gerber with BANK, Andrea Fraser, David Ireland, Christian Jankowski, Louise Lawler, N55, David Ording and Red76, Backdrop/Exact Imagination, 2008.* Latex on canvas, various media dimensions variable. Courtesy of the artist. *Gerber’s Backdrops are not dates themselves but carry the date of the artwork installed in relation to it</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400747912-WD9GW0VW0C6M07ADPZZD/IMG_1471_ready.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400788274-KU2Y93G476IZ8PY39WRY/red76_MG_4771.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>Red76, Franklin’s VDC Copy Center, 2008. 1124 North High, Columbus, Ohio. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400801380-U4M2RMHHP3C4VVPTK1MK/red76_MG_4772.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>Red76, Franklin’s VDC Copy Center, 2008. 1124 North High, Columbus, Ohio. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662400801525-E6H4F7XYU0W6OUIC98CE/red76_MG_4779.jpg</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>Red76, Franklin’s VDC Copy Center, 2008. 1124 North High, Columbus, Ohio. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524094131407-8VFTSCRLUQK93YD0I120/BOC-Publication-Exact-Imagination-cover.png</image:loc>
      <image:title>Exact Imagination</image:title>
      <image:caption>Exact Imagination, 2008. 60 pages, 8.25 x 5 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/dewey-decimal-days-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522447910563-TNK87OC88L777849MH5J/P1120351.jpg</image:loc>
      <image:title>Dewey Decimal Days</image:title>
      <image:caption>Zine Summit Workshop; discussion about zines, as well as reading and perusing collections of local zines at Sporeprint Infoshop</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522447910563-TNK87OC88L777849MH5J/P1120351.jpg</image:loc>
      <image:title>Dewey Decimal Days</image:title>
      <image:caption>Zine Summit Workshop; discussion about zines, as well as reading and perusing collections of local zines at Sporeprint Infoshop</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662313756482-8QK50WC3AFIF1XLQB14T/Alain-Resnais-Tout-la-Memoire-du-Monde.jpg</image:loc>
      <image:title>Dewey Decimal Days</image:title>
      <image:caption>Alain Resnais, Toute la Mémoire du Monde, 1956, 22 min (still)</image:caption>
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      <image:title>Dewey Decimal Days</image:title>
      <image:caption>Reference Collection, a series of 42 portraits of librarians and library staff by 42 artists. Published as bookmarks; 20,000 freely distributed at libraries and other cultural outlets in downtown Columbus, OH</image:caption>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/to-whom-do-you-beautifully-belong-photography</loc>
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  <url>
    <loc>https://jamesvoorhies.com/of-other-spaces-photography</loc>
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    <lastmod>2024-09-15</lastmod>
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      <image:title>Of Other Spaces</image:title>
      <image:caption>Candida Höfer, Biblioteca do Palacio dos Marquese de Fronteira Lisboa I, 2006. C-print, 100 × 81 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco, CA</image:caption>
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    <image:image>
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      <image:title>Of Other Spaces</image:title>
      <image:caption>Candida Höfer, Biblioteca do Palacio dos Marquese de Fronteira Lisboa I, 2006. C-print, 100 × 81 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco, CA</image:caption>
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      <image:title>Of Other Spaces</image:title>
      <image:caption>Jane and Louise Wilson, Erewhon (Blue Skin Bay I), 2004. C-print on aluminum in plexi box. 70 x 70 in. Courtesy of the artists and 303 Gallery, New York</image:caption>
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      <image:title>Of Other Spaces</image:title>
      <image:caption>Suzanne Silver, Kafka in Space (Parsing the Eruv), 2009. Wood, rubber, wallboard, plaster, metal, rope, canvas, metal leaf, chalk, tape, vinyl, neon, dimensions variable. Courtesy of the artist; Candida Höfer, Narodni knihovna Praha V, 2004. C-print, 72 × 88 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco; Gregory Crewdson, Untitled, 2001–02. Digital c-print, 48 × 60 in. Courtesy the Broad Art Foundation, Santa Monica, CA</image:caption>
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      <image:caption>Christian Tomaszewski, PLAYTIME, 2009; carpet, clear globe, two sofas, two chairs, one ashtray, one lamp, black mirror, fabric screen, three doors; sound (40 minutes); 950 square feet; courtesy of the artist</image:caption>
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      <image:caption>Sarah Schönfeld, from the series Wende Gelände, 2007. C-print, 48 × 60 in. Courtesy of the artist and Kunstagenten, Berlin. Michael Brown, The People's Playground, 2008. Cast aluminum, 71 × 69 × 2 in. Courtesy of the artist and Yvon Lambert Paris, New York, London</image:caption>
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      <image:title>Of Other Spaces</image:title>
      <image:caption>Jane and Louise Wilson, Erewhon (Chisholm Ward), 2004. C-print on aluminum in Plexi box, 71 × 71 in. Courtesy of the artists and 303 Gallery, New York</image:caption>
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    <image:image>
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      <image:title>Of Other Spaces</image:title>
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      <image:title>Of Other Spaces</image:title>
      <image:caption>Mary Jo Bole, History of Penal Institution Sanitation, 2008. Chardon™ Kohler prison sink with fused-on silk screened decals. 15 × 18 × 15 in. Courtesy of the artist and John Michael Kohler Arts Center, Sheboygan, WI</image:caption>
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    <image:image>
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      <image:title>Of Other Spaces</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618543866-SOWJCZNB9N4VUB01LFNP/_MG_0098.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Suzanne Silver, Kafka in Space (Parsing the Eruv), 2009. Wood, rubber, wallboard, plaster, metal, rope, canvas, metal leaf, chalk, tape, vinyl, neon, dimensions variable. Courtesy of the artist; Candida Höfer, Narodni knihovna Praha V, 2004. C-print, 72 × 88 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco, CA</image:caption>
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    <image:image>
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      <image:title>Of Other Spaces</image:title>
      <image:caption>Alain Bublex, Untitled (TGV without windows), 2006. Mixed media (model of TGV, acrylic resin, adhesive), dimensions variable. Courtesy of the artist and Galerie Georges-Philippe &amp; Nathalie Vallois, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662396100999-JM8P9R7NT7SMD2F8UMG9/James+Voorhies+Candida+Hoefer.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Candida Höfer, Narodni knihovna Praha V, 2004. C-print; 72 × 88 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522621402734-CKO8P1XXGH9LB2HAX4VB/Matta-conical_2.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Gordon Matta-Clark, Conical Intersect, 1975. 16 mm film on video, color, without sound, 18:40 min. Courtesy of Electronic Arts Intermix (EAI), New York</image:caption>
    </image:image>
    <image:image>
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      <image:title>Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618398027-BDWCY5LKOVT9U3MAJJHA/_MG_0109.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Guillaume Leblon, Found Objects (Miami Beach), 2008. Mixed media, five elements: 7 x 6 in. each. Courtesy of the artist and Galerie Jocelyn Wolff, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522619028583-N5YI0J32UHCGT2CFBIOA/_MG_0160.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Laura Lisbon, Corner Set-up (Wall Displacement), 2009. Wood, paper, canvas, acrylic paint dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618718090-P0N63W0Q4L1NQV76H1DJ/_MG_0161.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522619028144-5873BO3Q0LMSJ95JW9XQ/_MG_0182.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Dan Graham, Serpentine II, 1995. Two-way mirror, transparent glass, punched aluminum, aluminum, 14 × 36 × 30 in. Courtesy of Marian Goodman Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719877170000-NL8B65K6B5YEE9FOJDDD/_MG_0262.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719876970433-GZLE0D8ES58UWWZH507A/_MG_0183.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719877004826-QU7F1P6Z5N3MJN16KCGP/_MG_0185.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Robert Buck, Constellation ("To find the Western Path, Right thro the Gates of Wrath"), 2008. Steel railing and artifacts (headstone, surveillance mirror, steer skull, 3D print, Tumi luggage bag, and barricade), 112 × 373 × 110 in. Courtesy of the artist; Stephen Friedman Gallery, London; CRG Gallery, New York; and Anthony Meier Fine Arts, San Francisco, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618862933-G2GOFXV09GDTY8P0FTDK/_MG_0167.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522619564350-VHPAQH07M7ZFM2XTNYS9/_MG_0194.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Gregory Crewdson, Untitled, 2001–02. Digital c-print, 48 × 60 in. Courtesy the Broad Art Foundation, Santa Monica, CA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522618870830-DFMI0J3RLOID0X24MSLQ/_MG_0168.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522619019529-PEHIYKNCYYFND7SEKJVU/_MG_0172.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Maya Schweizer, Le Musée de Daniel, 2004. Photography installation and catalogue, dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522619426460-5LKDFKZNZ9Y5ECR5N00Z/_MG_0202.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522619854080-I4LZBNYZU74H3D54YLLQ/_MG_0219.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Christian Tomaszewski, PLAYTIME, 2009. Carpet, clear globe, two sofas, two chairs, one ashtray, one lamp, black mirror, fabric screen, three doors and sound (40 min.), 950 square feet. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522619998502-TAXX8BMETGBUUJ3QDIAS/_MG_0220.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522620382961-6Q40KFI3SI4F84432DJ0/mon_oncle_4.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Jacques Tati, My Uncle, 1958 (still)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522620382701-TCGBVUEV80BEIJX9SU7S/playtime_1.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Jacques Tati, Play Time, 1967 (still)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522620020588-ULWHZLY43XEX7FL964UV/_MG_0221.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522525227731-JIVZCLRNT93Q1VNW74C7/Meyer-shemight2-300.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Eva Meyer and Eran Schaerf, She Might Belong to You, 2007. Film, 37 min. Courtesy of the artists. As part of the exhibition, the film was screened at the film/video theater at Wexner Center for the Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522621488591-023UJ7551IVIB0KBAZ3L/Schweizer-china1-300.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Maya Schweizer and Clemens von Wedemeyer, Metropolis, Report from China, 2006. HD, 42 min. Courtesy of the artists.As part of the exhibition, the film was screened at the film/video theater at Wexner Center for the Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522525319492-96QLHILL2S1P5D7NDK47/Montaron-B-300.jpg</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Laurent Montaron, Will there be a sea battle tomorrow?, 2008. HD film, color, sound, 11:41 min. Courtesy of the artist and galerie schleicher &amp; lange, Paris. As part of the exhibition, the film was screened at the film/video theater at Wexner Center for the Arts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524093815028-BWJQ1A9YD3R0ZWQX9CEJ/BOC-Publication-Of-Other-Spaces-cover.png</image:loc>
      <image:title>Of Other Spaces</image:title>
      <image:caption>Of Other Spaces, 2009. 128 pages, 8.25 x 5 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/agency-for-small-claims-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522527329113-85FTV3RVZXTMH5ISZ3NW/TS-Install3.jpg</image:loc>
      <image:title>Agency for Small Claims</image:title>
      <image:caption>Temporary Services, Art Work: A National Conversation About Art, Labor, and Economics. 32-page newspaper and conversation series</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522527329113-85FTV3RVZXTMH5ISZ3NW/TS-Install3.jpg</image:loc>
      <image:title>Agency for Small Claims</image:title>
      <image:caption>Temporary Services, Art Work: A National Conversation About Art, Labor, and Economics. 32-page newspaper and conversation series</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526417033-0KOGIE2L8SMBCTNWZVII/board-reinigung.jpg</image:loc>
      <image:title>Agency for Small Claims</image:title>
      <image:caption>REINIGUNGSGESELLSCHAFT, CHANGE REALITY! RENAMING THE STREETS OF ZAGREB, 2006. Agencies proposed new street names reflecting ideals fro better urban environment. Produced for UrbanFestival Zagreb/Croatia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526339596-AM19UPAOZZ0D5UDBZ3GL/IMG_3097.JPG</image:loc>
      <image:title>Agency for Small Claims</image:title>
      <image:caption>Chto delat/What is to be done?. English-Russian newspapers distributed freely, each edition addressed themes central to the intersections of politics with art, activism, philosophy and cultural theory</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526485774-985FPB9D1ELOAPK85OZ6/ThisisthePublicDomain_lrg_08.jpg</image:loc>
      <image:title>Agency for Small Claims</image:title>
      <image:caption>Amy Balkin, This is the Public Domain, 2003-ongoing. Located in Tehachapi, California, a 2.5 acre parcel, purchased to serve as a site for a proposed public domain</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522527103724-N5RL6UPZ71NTXR07SRK0/IMG_4323.JPG</image:loc>
      <image:title>Agency for Small Claims</image:title>
      <image:caption>the Think Tank that has yet to be named, 23 Readings on Art, Activism &amp; Education, 2008. Vol. 3, occasional series of educational readers, distributed freely</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526260237-7MVXJ5XJ2QZCHVVGR1D2/IMG_3097.JPG</image:loc>
      <image:title>Agency for Small Claims</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526681786-FRBJWFITKTDF9SY6NVOS/BusStopOpera_2.jpg</image:loc>
      <image:title>Agency for Small Claims</image:title>
      <image:caption>Dawn Weleski, Bus Stop Opera, 2006. Public performances occurred along Pittsburgh area transit routes</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526830255-9YUJCQTJU2HOW0WR4QCS/stealth-install1.jpg</image:loc>
      <image:title>Agency for Small Claims</image:title>
      <image:caption>STEALTH.unlimited (Ana Dzokic and Marc Neelen), [Open Futures, still here to be claimed], 2006. Photographs of large vacant urban areas in nine capitals of the Western Balkans</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526907185-B6IEFHNS5JN97QAE9MCY/00_screen_capture.jpg</image:loc>
      <image:title>Agency for Small Claims</image:title>
      <image:caption>Robin Hewlett and Ben Kinsley, Street With A View, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522526976138-CKP6AKCD7MOHAIAYSY3J/IMG_1445.JPG</image:loc>
      <image:title>Agency for Small Claims</image:title>
      <image:caption>Department of Reading, turning language into objects, 2006–10. Paper toy and series by Sönke Hallmann, Magda Tyzlik-Carver and Paul Gangloff; designed to exlpore new forms of reading</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522527147012-DIGVSSNF42Y0CGRDII9A/IMG_4466.JPG</image:loc>
      <image:title>Agency for Small Claims</image:title>
      <image:caption>Temporary Travel Office, Parking Public, A Brief Tour into the Storage of Utopia, 2005–10</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522527257781-V3PZ1N55NWUIQ49F0NJC/ft-install1.JPG</image:loc>
      <image:title>Agency for Small Claims</image:title>
      <image:caption>Kate Rich, FERAL TRADE, 2003–10. A public experiment with trading goods over social networks through shared travel routes</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/descent-to-revolution-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662723318556-YUPBRJRYMDPXVEJ93SKD/DSC02922.JPG</image:loc>
      <image:title>Descent to Revolution</image:title>
      <image:caption>REINIGUNGSGESELLSCHAFT, The Readymade Demonstration, 2009. Outdoor parade re-staging the East German peaceful revolution, October 2009. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662723318556-YUPBRJRYMDPXVEJ93SKD/DSC02922.JPG</image:loc>
      <image:title>Descent to Revolution</image:title>
      <image:caption>REINIGUNGSGESELLSCHAFT, The Readymade Demonstration, 2009. Outdoor parade re-staging the East German peaceful revolution, October 2009. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522530111263-O5H6S897VBCRSYWDVRQO/DSC02922.JPG</image:loc>
      <image:title>Descent to Revolution</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522530310876-Y878E2YXLABLO8X9LSNR/ClaireFountaine-WARM.jpg</image:loc>
      <image:title>Descent to Revolution</image:title>
      <image:caption>Claire Fontaine, WARM WAR, 2009. Neon: 8 × 34 × 4 in., solar panel: 39 × 193 × 20 in. Courtesy of the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522530413266-51OZDV6LCOE0D9KEQ3CJ/IMG_0440.JPG</image:loc>
      <image:title>Descent to Revolution</image:title>
      <image:caption>Red76, Surplus Seminar, Columbus, Ohio; A/AA (anywhere/anyplace academy), 2009. Courtesy of the artists and Columbus College of Art &amp; Design</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522530524769-S3T5G8MJRP14NYUXR7QB/IMG_5063.JPG</image:loc>
      <image:title>Descent to Revolution</image:title>
      <image:caption>Learning Site, Audible Dwelling, 2009. Installation on Columbus College of Art &amp; Design campus. Courtesy of the artists and Columbus College of Art &amp; Design</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/calling-beauty-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662809896901-TCX2E7JUY0TTLIOZ4SHU/Tanagram.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Anna Molska, Tanagram, 2006–07 (still). Video, transferred to DVD, 5:10 min. Courtesy of Foksal Gallery Foundation, Warsaw</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662809896901-TCX2E7JUY0TTLIOZ4SHU/Tanagram.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Anna Molska, Tanagram, 2006–07 (still). Video, transferred to DVD, 5:10 min. Courtesy of Foksal Gallery Foundation, Warsaw</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531298054-BWANAV7LJEYQ19MFZRDZ/tanagram+01.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Anna Molska, Tanagram, 2006–07 (still). Video, transferred to DVD, 5:10 min. Courtesy of Foksal Gallery Foundation, Warsaw</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662809940709-NNZD7R0S33AEWRA4YS0F/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407961036_o.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012627271-HMEYD4E8ERP0VQNJK6HG/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407954278_o.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531465336-U26HBUVZA7T8AM6YWLE5/Brinkmann+1.JPG</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Thorsten Brinkmann, Villa Silverbaum, from the series Portraits of a Serialsammler, 2005. 13 c-prints and installation. Courtesy of the artist and Galerie Kunstagenten, Berlin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012625299-J0CL8KHKIQ6SZ7XUS6ED/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407952176_o.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Thorsten Brinkmann, Villa Silverbaum, from the series Portraits of a Serialsammler, 2005. 13 c-prints and installation. Courtesy of the artist and Galerie Kunstagenten, Berlin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012634722-H8VYEMCNHT4SSET3V7JK/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407960754_o.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Thorsten Brinkmann, Villa Silverbaum, from the series Portraits of a Serialsammler, 2005. 13 c-prints and installation. Courtesy of the artist and Galerie Kunstagenten, Berlin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531373162-SL2AMO3JKW4RJPKMR0AI/DogRolls.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Eve Sussman and The Rufus Corporation, Dog Rolls, 2004 (still). Video still from 89 Seconds at Alcazar, 11 min. Courtesy of Eve Sussman and The Rufus Corporation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531719059-H7IP8HFW0HTCYC34UBZ8/Leiderstam+5.JPG</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Matts Leiderstam, Paris 1999-03-15, Returned, Parc des Buttes-Chaumont made after Nicolas Poussin’s Spring or The Earthly Paradise, 1660–1664, Rome, 2000–01. Installation with slide projection and wooden bench. Copy produced with permission of Moderna Museet, Stockholm. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012631064-7WE7XJ3Q855BJXO9ECIY/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407957408_o.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Matts Leiderstam, Paris 1999-03-15, Returned, Parc des Buttes-Chaumont made after Nicolas Poussin’s Spring or The Earthly Paradise, 1660–1664, Rome, 2000–01. Installation with slide projection and wooden bench. Copy produced with permission of Moderna Museet, Stockholm. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012631372-AS5U4Q6SOD81T79FJ50Z/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407957914_o.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Matts Leiderstam, Paris 1999-03-15, Returned, Parc des Buttes-Chaumont made after Nicolas Poussin’s Spring or The Earthly Paradise, 1660–1664, Rome, 2000–01. Installation with slide projection and wooden bench. Copy produced with permission of Moderna Museet, Stockholm. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012629521-SKLEN7S4WAD3MMDSRPQK/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407956316_o.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Darren Waterston, from the Tondo series, 2009. Monotype on Rives BFK Buff, 22 × 15 in., published by Smith Anderson Editions. Courtesy of the artist and Smith Anderson. Beata, 2008. Oil on wood panel, 47 × 36 in. Courtesy of the artist and Haines Gallery, San Francisco</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531543388-ZV2PXIOQM50005OTTQTX/dw.Beata.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012629137-86RNXFXC6DFVQYYAG4B1/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407956022_o.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531787142-MHVHQ1NQ6DEENUD4BW6Y/Davey+1.JPG</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Moyra Davey, Photographs from Paris, 2009. 16 c-prints, postage, tape, ink, 11 x 17 in. each. Courtesy of the artist and Murray Guy, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012625117-HGOFW7Y4SX2BDMAL2NJ6/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407952462_o.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662810990802-3WHU6OIETXF6NCXULSKC/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407952680_o.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Ellen Harvey, from the series My Collection Inadequately Documented, 2009. Oil on wood panel, 20 × 20 in. Courtesy of the artist and Meessen De Clercq, Brussels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531851237-PP7HJW2FXRXTSGZ3PMBL/RMBoyGirlBoyOnBoat.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Ryan McGinley, Marcel, Ann, Coley, 2007. C-print, 16 × 20 inches. Courtesy Mr. and Mrs. Charles Newman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012631938-TBFSMD4OJRUQ1EJTQ5HI/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407958178_o.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Ryan McGinley, Fireworks Hysteric, 2007–08. C-print, 40 × 30 inches. Courtesy Mark Fletcher and Tobias Meyer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012632497-HT9JR9VY7S3UTKGUK88C/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407958574_o.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522531624473-NKS0GT1P9RB1U5FBHLUF/gerdeman-install1.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Elizabeth Gerdeman, Grandeur: From Cole, Church, Bierstadt and Moran, 2010. Latex paint, site-based mural, 27 × 11 ft. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524012628868-9S5RBXU34ELVCXDN1QSP/calling-beauty-columbus-college-of-art--design-columbus-ohio_7407955602_o.jpg</image:loc>
      <image:title>Calling Beauty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524093596671-PUO8K4BAU77NF5ZY15AJ/BOC-Publication-Calling-Beauty-cover.png</image:loc>
      <image:title>Calling Beauty</image:title>
      <image:caption>Calling Beauty, 2010, 96 pages, 8.25 × 5 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/the-new-administration-of-a-fine-arts-education-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522532420957-8SVYAFKM57412QZ7FXX4/MM_Reading_the_Daily_News_IMG_1174.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
      <image:caption>Michael Mercil, Reading the Daily News, or 365 days for Lucio Pozzi, 2008. Physical and time dimensions vary, reader, newspaper, portable audio system. Courtesy the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522532420957-8SVYAFKM57412QZ7FXX4/MM_Reading_the_Daily_News_IMG_1174.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
      <image:caption>Michael Mercil, Reading the Daily News, or 365 days for Lucio Pozzi, 2008. Physical and time dimensions vary, reader, newspaper, portable audio system. Courtesy the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522532057080-QF8LU07M68TQ3U61LXPH/Mildred%27s+Lane+2.JPG</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
      <image:caption>J. Morgan Puett, Mildred's Lane, Beach Lake, PA, land and social experiments with alternative pedagogical platforms. Courtesy the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522532335386-2UK2LW7O9PXHZR7U7EIM/Rubin+Waffle+Shop.png</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
      <image:caption>Jon Rubin, The Waffle Shop (Talk Show), 2009–13, Pittsburgh, PA, a restaurant/classroom/talk show. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662847381599-9DKPM6CCCT4BT49TRJMO/jon-rubin-columbus-college-of-art--design-columbus-ohio_7407261080_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
      <image:caption>Jon Rubin, presented a talk on October 14, 2010, as part of his contribution to The New Administration of a Fine Arts Education, Columbus College of Art and Design, Columbus, OH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623606462-XQJ6ZSA14U3B2M574G2A/jon-rubin-columbus-college-of-art--design-columbus-ohio_7407273556_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623644017-4AG00MSWYKI4BFOSNE53/matthew-higgs-columbus-college-of-art--design-columbus-ohio_7407051972_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
      <image:caption>Matthew Higgs, presented a talk on November 17, 2010, as part of his contribution to The New Administration of a Fine Arts Education, Columbus College of Art and Design, Columbus, OH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623680482-L3NJ0X18APGHP7MF03SH/matthew-higgs-columbus-college-of-art--design-columbus-ohio_7407069774_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662847474794-5MP69HM36B52HBK8LFRF/matthew-higgs-columbus-college-of-art--design-columbus-ohio_7407083130_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623733728-OIW0VIZVQW24SFU47CYB/michael-mercil-columbus-college-of-art--design-columbus-ohio_7416344718_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
      <image:caption>Michael Mercil, presented a talk on February 2, 2011, as part of his contribution to The New Administration of a Fine Arts Education, Columbus College of Art and Design, Columbus, OH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623737656-Q948UTC21LG5JFWDO7UF/michael-mercil-columbus-college-of-art--design-columbus-ohio_7416347756_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623732406-GHYWFGJML1K5A5IX27OO/michael-mercil-columbus-college-of-art--design-columbus-ohio_7416343952_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623730727-0MD2BSKTTIB67KOXWOTO/michael-mercil-columbus-college-of-art--design-columbus-ohio_7416342614_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623734874-GQEMRU10DW4HUEZK86QE/michael-mercil-columbus-college-of-art--design-columbus-ohio_7416345506_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662847578860-1I85DLLQPWR66JBC9MX0/michael-mercil-columbus-college-of-art--design-columbus-ohio_7416346218_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623737917-IW2UIJSYBXVEK208ZC9I/morgan-puett-columbus-college-of-art--design-columbus-ohio_7407032916_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
      <image:caption>J. Morgan Puett, presented a talk on January 31, 2011, as part of her contribution to The New Administration of a Fine Arts Education, Columbus College of Art and Design, Columbus, OH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623739296-T0J2QH0COBJD5YGM0UXS/morgan-puett-columbus-college-of-art--design-columbus-ohio_7407033238_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623742851-UUYQLMBZRGWLLHMRUTZB/morgan-puett-columbus-college-of-art--design-columbus-ohio_7407035168_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623742487-B9QVZ3YLC4YE7M2JAE40/morgan-puett-columbus-college-of-art--design-columbus-ohio_7407034840_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522623744692-9FEPGYLQIXN9VFEBI9E7/morgan-puett-columbus-college-of-art--design-columbus-ohio_7407036318_o.jpg</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524093693618-C2PM7Q6ISAANL133SF2R/BOC-Publication-Fine-Arts-Education-cover.png</image:loc>
      <image:title>The New Administration of a Fine Arts Education</image:title>
      <image:caption>The New Administration of a Fine Arts Education, 2011. 60 pages, 8.25 x 5 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/on-symptoms-of-cultural-industry-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662898149951-XLRNZRUPQWMU77A96MDQ/Fog2.jpg</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
      <image:caption>Timothy Nazzaro, Untitled, 2010, gelatin silver print, dimensions variable. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662898149951-XLRNZRUPQWMU77A96MDQ/Fog2.jpg</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
      <image:caption>Timothy Nazzaro, Untitled, 2010, gelatin silver print, dimensions variable. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603263876-WOMD03ZEQLYOEO8SO6CQ/SOCIBOC.JPG</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
      <image:caption>Opening night performance There is only light: (We do not know what to do with other worlds) by Cassandra Troyan as part of On Symptoms of Cultural Industry, a social and economic portrait of the history of North Adams, MA. Former Sprague employees and their families who participated in the work were in attendance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522602620005-BQNQ79ZCMUEYNPZ9H3FC/BOC57.JPG</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603198737-YH5T8TDL91SM1JMHTEGZ/BOC57.JPG</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603225439-9OT7KS0ZZXU77G81ACF1/P7172104.JPG</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603251420-EXUUGS2WY9B251REPLWW/P7182136.JPG</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
      <image:caption>Installation views, On Symptoms of Cultural Industry, MASS MoCA, North Adams, MA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603211306-NWSQ3A015TMMEYA80L2V/P7172091.JPG</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603239386-PYQIB0Z2AEGPN08CWHOO/P7182128.JPG</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
      <image:caption>Photographs by Timothy Nazzaro.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603212379-YCKZ1OP26G20YT51VVTR/P7172095.JPG</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
      <image:caption>Videos of North Adams by Rachel Sherk.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662898149916-JOMF9DD11V6R8CSEIJHO/Bird%27s-eye_View_of_North_Adams%2C_MA.jpg</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
      <image:caption>Birds-eye, North Adams, MA, vintage postcard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603225868-4Y7FIUH8MYW8HDEBJV15/P7182120.JPG</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603237902-WA4WG9LP8U510KA8D0HR/P7182122.JPG</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
      <image:caption>Publication designed by Nate Padavick with photographs by Timothy Nazzaro and text by James Voorhies, distributed free as part of exhibition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603250341-LXJO0MGTT05FN7C441QT/P7182135.JPG</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603262177-GW09K4PPB5F2L3MIYE12/P7182145.JPG</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
      <image:caption>Projection of the performance There is only light: (We do not know what to do with other worlds) by Cassandra Troyan as part of On Symptoms of Cultural Industry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603264397-M918MXRM1NDP1B3A335T/P7182156.JPG</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
      <image:caption>Reproduction of script for the performance There is only light: (We do not know what to do with other worlds) based on an oral history with former employees of Sprague Electric, now MASS MoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662898229390-WWWTTSTX21D3L87ZCQ74/OSCI-sprague-web.jpg</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662898150451-K9M91Y3PSCC8RBE5NY31/Moca3.jpg</image:loc>
      <image:title>On Symptoms of Cultural Industry</image:title>
      <image:caption>Timothy Nazzaro, Untitled, 2011, gelatin silver print, dimensions variable. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/i-am-searching-for-field-character-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522606504634-T7L5SGW4ST9UGAAYRY9I/i-am-searching-for-field-character-mass-moca-north-adams-ma_7404348080_o.jpg</image:loc>
      <image:title>I Am Searching for Field Character</image:title>
    </image:image>
    <image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724849693-FQNZPWXH23KFLNPKV9HD/bureau-for-open-culture-siena-italy-public-seminar-economy_8446167799_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724844473-EUOXDQCNW2FU0IICJ17O/bureau-for-open-culture-siena-italy_8447261364_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724855113-96W2VT0301LMWAGZCKOA/bureau-for-open-culture-siena-italy-public-seminar-economy_8447252708_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724866094-JQ2ME1TOYC31MIQ7VSZD/bureau-for-open-culture-siena-seminar-alienation_8120066899_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724867805-DCF0R6PLL03HKJWR410H/bureau-for-open-culture-siena-seminar-alienation_8120067521_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724892393-97IP6KXQAB8L8RYJIEQW/bureau-for-open-culture-siena-seminar-alienation_8120069729_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724903872-V6X6S3GZ30F7F912PODM/bureau-for-open-culture-siena-seminar-alienation_8120078262_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724913928-ASDRC0SFO9R2FB5BJL00/bureau-for-open-culture-siena-seminar-alienation_8120091132_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724923060-H9UTWHYX0EUSQR846YCG/bureau-for-open-culture-siena-seminar-love_8181300165_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522533462205-BHQJ539IBW8065VAU9YD/San+Miniato2.JPG</image:loc>
      <image:title>L’ECLISSE redux</image:title>
      <image:caption>housing complex in San Miniato, Siena</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724944408-3F47HXTCY8NZX39H52DL/bureau-for-open-culture-siena-seminar-love_8181336654_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724947272-3EU2ZKHQ9DUQ8O70XSZE/bureau-for-open-culture-siena-seminar-love_8181344166_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724958374-Y0V22R9UUFQUB062QZIW/bureau-for-open-culture-siena-seminar-love_8181347186_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724964919-A3GDBDIL8FWWJZR5CHMG/bureau-for-open-culture-siena-seminar-urbanization_8181284731_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724982716-1CAVPM93IWQIOPE6RML1/bureau-for-open-culture-siena-seminar-urbanization_8181294123_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522724993971-E3PV0MAHP9FAL6JXNZQR/bureau-for-open-culture-siena-seminar-urbanization_8181295051_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522725006222-FCOHTRTWPNY9KJORHY14/bureau-for-open-culture-siena-seminar-urbanization_8181322112_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522725175092-HGUSB0FNTG9PZJ4JBKXN/introduction-to-bureau-for-open-culture-by-james-voorhies_8099263390_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522725098951-H5XY7ADKTRQV5YI43IVW/from-siena-art-institute_8181281735_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522725260081-EXJS7RNJ1NNDK57TVUZF/pb227717_8446170443_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522725285506-R1W8QVD7OD5ACCEQT3H9/piazza-del-campo_8120054245_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522725513543-PFVT4V70B1DMQBMO75J0/siena-in-representation-piazza-del-campo_8181318590_o.jpg</image:loc>
      <image:title>L’ECLISSE redux</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524094799613-25LPV708EU243LI5NDN8/BOC-Publication-i-was-happy-then-cover.png</image:loc>
      <image:title>L’ECLISSE redux</image:title>
      <image:caption>I was happy then, 2013, 160 pages, 8.25 x 5 inches.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/i-was-happy-then-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522534230587-8JJ9FKMD9P1O9C7IA8V0/Siena+stills8.jpg</image:loc>
      <image:title>I was happy then</image:title>
      <image:caption>I was happy then, impression</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522534230587-8JJ9FKMD9P1O9C7IA8V0/Siena+stills8.jpg</image:loc>
      <image:title>I was happy then</image:title>
      <image:caption>I was happy then, impression</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522534175151-PEC0IQSJC0VGIJ9YQ7VZ/Siena+stills8.jpg</image:loc>
      <image:title>I was happy then</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522534660674-W8BVTD76NKVUJ9HZIW3W/PB227725.JPG</image:loc>
      <image:title>I was happy then</image:title>
      <image:caption>Siena, impression</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522534597636-CRZ3Y4LI9BZ58S9DQSS8/PB227717.JPG</image:loc>
      <image:title>I was happy then</image:title>
      <image:caption>Siena, impression</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522534542067-7UR8U0H61RQOODB0UE3S/PB227713.JPG</image:loc>
      <image:title>I was happy then</image:title>
      <image:caption>Siena, impression</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522534303691-OVVCXEOMTLXS6FD3GVC6/Siena+stills17.jpg</image:loc>
      <image:title>I was happy then</image:title>
      <image:caption>I was happy then, impression</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524022020935-NL5ZGRVP1EWTUZ9TDUFM/17.png</image:loc>
      <image:title>I was happy then</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522534303335-BQD0MOTKZEA45MWKPQ7Y/Siena+stills12.jpg</image:loc>
      <image:title>I was happy then</image:title>
      <image:caption>I was happy then, impression</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524021994926-HZHRO4ZCGC8GI2CMKSC5/12.png</image:loc>
      <image:title>I was happy then</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524094690773-47GZ5F9CKE77MM3M26MV/BOC-Publication-i-was-happy-then-cover.png</image:loc>
      <image:title>I was happy then</image:title>
      <image:caption>I was happy then, Published by Bureau for Open Culture, 2013; designed by Nate Padavick; 160 pages; 8.25 x 5 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/last-year-at-marienbad-redux-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522542637352-Q4YMYI8XHM3555QV1VJN/KC_VideoArtManual1-low.jpg</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Keren Cytter, Video Art Manual, 2011. HD video, 14;43 min. Courtesy of the artist and Zach Feuer Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522542637352-Q4YMYI8XHM3555QV1VJN/KC_VideoArtManual1-low.jpg</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Keren Cytter, Video Art Manual, 2011. HD video, 14;43 min. Courtesy of the artist and Zach Feuer Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522541472821-60HWSVZNZP0Q53O6Q72H/10223837966_fa174a2e39_o.jpg</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Last Year at Marienbad redux with work by Tacita Dean in the background and photographs by David Maljković reflected in The Marienbad Sessions panels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522541651677-V2R9LQBU63RXF64P7CVL/Maljkovic%2C+DM+P-5.jpg</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>David Maljković, Recalling Frames, 2010. Black &amp; white photograph, 42 × 55 inches. Courtesy of the artist and Metro Pictures, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665067239106-HPC5KOB7GM7KGJUIF4WJ/2013.Last_Year_At_Marienbad_Redux-2+copy+2.jpg</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Last Year at Marienbad redux with work by Tacita Dean, Maya Schweizer, David Maljković, and Josh Tonsfeldt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522541772622-N8IK5BO2HULZZL58OKIK/42-36cm-wide..png</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Maya Schweizer, A Memorial, a Synagogue, a Bridge and a Church, 2012. HD video, 12 min. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522542009058-GRLI17TQLRZ416CS2YKW/9919933596_49a43a1430_o.jpg</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Last Year at Marienbad redux with work by Tacita Dean in the foreground, a video by Keren Cytter in the left background, and arrangements by Josh Tonsfeldt and work by Iman Issa on the right</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522542231911-PUSF99AAWNE62LB9GJZL/8451Dean2_NL.png</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Tacita Dean, Washington Cathedral, 2002. 130 found postcards, each 5.5 × 3.5 in. Courtesy of the artist and Marian Goodman Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522543055206-IPY3KEDEAHXQUOBCWBI7/DSC_0867.png</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Josh Tonsfeldt, Marian, 2013. Mixed media. Courtesy of the artist and Simon Preston Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522542363111-L08TFKZ9QX1M08XOOD0Q/2013.Last_Year_At_Marienbad_Redux-22+copy.jpg</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Iman Issa, Triptych #4, 2009. Photographs, text, notebooks, dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665067246196-8O01EUQLXXRW6JHKCWDS/2013.Last_Year_At_Marienbad_Redux-40+copy+2.jpg</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Last Year at Marienbad redux with work by Josh Tonsfeldt and Gordon Matta-Clark’s Fake Estates and Blast from the Past</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1665068010490-L6M01L43HSGZXA2Z2GZS/Blast+from+the+past.jpg</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Gordon Matta-Clark, Blast from the Past, 1970–72. Chromogenic print, 12 in. steel ruler, pencil on paper and floor sweepings, dimensions vary with installation. Courtesty of the Estate of Gordon Matta-Clark and David Zwirner, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522543206095-NVZA75LW2J7YHQEBG7ZH/9920081603_7e96c46dc4_o.jpg</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Last Year at Mariendbad redux, The Marienbad Sessions. In this view a video by Allan Sekula &amp; Noël Burch and a sculpture by Ján Mančuška</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522543261935-00NWIPXY05QLJRPBEFUB/Sekula_Reagan-Tape-2.png</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Allan Sekula &amp; Noël Burch, Reagan Tape, 1981. Single-channel video, color, sound, 10:39 min. Courtesy of the artists and Christopher Grimes Gallery, Santa Monica</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522543687824-X59NB8IO667XWFMS315N/JM11-002.2.png</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Ján Mančuška, Against Science, 2011. Mixed media (inverse film, Perspex box, light-box, metal construction) (detail). Courtesy of Andrew Kreps Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524095242501-6ZCUISKFJEEEP6PVXFM4/BOC-Publication-blast-from-the-past-cover.png</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Blast from the Past, 2013. 80 pages, 11 × 6 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524095151302-INB19D4JIH1YLPRJ5Z9M/BOC-Publication-last-year-at-marienbad-redux-cover.png</image:loc>
      <image:title>Last Year at Marienbad redux</image:title>
      <image:caption>Last Year at Marienbad redux, 2013. 80 pages, 11 × 6 in.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/agency-for-critical-inquiry-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522544484658-AJ6ZK6AFUI0AC1MILNFI/23366789972_a775158b7c_k.jpg</image:loc>
      <image:title>Agency for Critical Inquiry</image:title>
      <image:caption>Coinciding with a presentation of Karel Martens’s work in Display Case, the visiting designer offered an open seminar organized with Harvard University studio faculty, September 8, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522544484658-AJ6ZK6AFUI0AC1MILNFI/23366789972_a775158b7c_k.jpg</image:loc>
      <image:title>Agency for Critical Inquiry</image:title>
      <image:caption>Coinciding with a presentation of Karel Martens’s work in Display Case, the visiting designer offered an open seminar organized with Harvard University studio faculty, September 8, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1666443831997-T2LGK8G9WKF17L9EH9FX/IMG_4796.jpeg</image:loc>
      <image:title>Agency for Critical Inquiry</image:title>
      <image:caption>On the occasion of the release of an expanded edition of Blueprint for Counter Education, Harvard University professor Jeffrey Schnapp organized a week-long exhibition, a roundtable discussion, and a book presentation bringing together the authors Maurice Stein and Larry Miller in conversation with Schnapp and designer Adam Michaels, May 10, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522806005509-K6J4AMDVRAD0FGFAH6M8/IMG_4424.JPG</image:loc>
      <image:title>Agency for Critical Inquiry</image:title>
      <image:caption>Visiting artist Phil Collins worked with student-led Harvard University radio station to make a broadcast project called IFought the Law: _______________, April 2016</image:caption>
    </image:image>
    <image:image>
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      <image:title>Agency for Critical Inquiry</image:title>
      <image:caption>A conversation between Gloria Sutton and professor Carrie Lambert-Beatty occurred on the occasion of the release of Sutton’s book, The Experience Machine: Stan VanDerBeek’s Movie-Drome and Expanded Cinema (MIT Press), May 12, 2015</image:caption>
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      <image:title>Agency for Critical Inquiry</image:title>
      <image:caption>Don't Erase Till Monday was a program organized by students and faculty of MIT’s Center for Advanced Visual Studies bringing to the public realm the CAVS’s rich historical archive—directed by professors Bik Van der Pol, May 7, 2016</image:caption>
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      <image:title>Agency for Critical Inquiry</image:title>
      <image:caption>Damon Krukowski: NOT TO BE PLAYED, a multifaceted exhibition featuring archival materials, a performance, and a vinyl record publication that combined revived an obscure audio recording made by Ezra Pound at Harvard University in 1939, organized in collaboration with Woodberry Poetry Room, October 8–23, 2015</image:caption>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/simon-fuijiwara-three-easy-pieces</loc>
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    <lastmod>2024-09-15</lastmod>
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      <image:title>Simon Fuijiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Studio Pietà (King Kong Komplex), 2013. Mixed media installation with video projection, duration: 20:30 min., dimensions variable. Courtesy of the artist</image:caption>
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    <image:image>
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      <image:title>Simon Fuijiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Studio Pietà (King Kong Komplex), 2013. Mixed media installation with video projection, duration: 20:30 min., dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
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      <image:title>Simon Fuijiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Studio Pietà (King Kong Komplex), 2013. Mixed media installation with video projection, duration: 20:30 min., dimensions variable. Courtesy of the artist</image:caption>
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    <image:image>
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      <image:title>Simon Fuijiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Studio Pietà (King Kong Komplex), 2013. Mixed media installation with video projection, duration: 20:30 min., dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522545505979-E1SWQ3L2USBK3CSIKD68/26056301421_db1152aa70_k.jpg</image:loc>
      <image:title>Simon Fuijiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Studio Pietà (King Kong Komplex), 2013. Mixed media installation with video projection, duration: 20:30 min., dimensions variable. Courtesy of the artist</image:caption>
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    <image:image>
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      <image:title>Simon Fuijiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Studio Pietà (King Kong Komplex), 2013. Mixed media installation with video projection, duration: 20:30 min., dimensions variable. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
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      <image:title>Simon Fuijiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara: Three Easy Pieces, October 23–December 21, 2014. Carpenter Center for the Visual Arts</image:caption>
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    <image:image>
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      <image:title>Simon Fuijiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Rehearsal for a Reunion (with the father of pottery), 2011–13. Mixed media, installation with video projection, duration: 14:18 min, dimensions variable. Commissioned by MOT, Tokyo, 2011. Courtesy of Private Collection, Japan</image:caption>
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      <image:title>Simon Fuijiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Rehearsal for a Reunion (with the father of pottery), 2011–13. Mixed media, installation with video projection, duration: 14:18 min, dimensions variable. Commissioned by MOT, Tokyo, 2011. Courtesy of Private Collection, Japan</image:caption>
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    <image:image>
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      <image:title>Simon Fuijiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Rehearsal for a Reunion (with the father of pottery), 2011–13. Mixed media, installation with video projection, duration: 14:18 min, dimensions variable. Commissioned by MOT, Tokyo, 2011. Courtesy of Private Collection, Japan</image:caption>
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    <image:image>
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      <image:title>Simon Fuijiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Rehearsal for a Reunion (with the father of pottery), 2011–13. Mixed media, installation with video projection, duration: 14:18 min, dimensions variable. Commissioned by MOT, Tokyo, 2011. Courtesy of Private Collection, Japan</image:caption>
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    <image:image>
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      <image:title>Simon Fuijiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Letters from Mexico, 2010–11. Mixed media installation, dimensions variable. Courtesy of the artist</image:caption>
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    <image:image>
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      <image:title>Simon Fuijiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Letters from Mexico, 2010–11. Mixed media installation, dimensions variable. Courtesy of the artist</image:caption>
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    <image:image>
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      <image:title>Simon Fuijiwara: Three Easy Pieces</image:title>
      <image:caption>Simon Fujiwara, Letters from Mexico, 2010–11. Mixed media installation, dimensions variable. Courtesy of the artist</image:caption>
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  <url>
    <loc>https://jamesvoorhies.com/a-kind-of-forever-present-photography</loc>
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      <image:caption>Clement Greenberg speaking in 1961</image:caption>
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      <image:caption>a kind of forever present script publications, Salon für Kunstbuch 21er Haus, Vienna</image:caption>
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      <image:title>a kind of forever present</image:title>
      <image:caption>Bureau for Open Culture publications, Salon für Kunstbuch 21er Haus, Vienna</image:caption>
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      <image:title>a kind of forever present</image:title>
      <image:caption>A rehearsal dinner, Vienna, October 9, 2012</image:caption>
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      <image:title>a kind of forever present</image:title>
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      <image:title>a kind of forever present</image:title>
      <image:caption>21er Haus, today Belvedere 21, designed by Austrian architect Karl Schwanzer (1918–1975), Vienna, Austria</image:caption>
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      <image:title>a kind of forever present</image:title>
      <image:caption>a kind of forever present, 2011. 32 pages; 8.25 x 5 in.</image:caption>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/lorraine-ogrady-where-margins-become-centers-photography</loc>
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    <lastmod>2018-04-01</lastmod>
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      <image:title>Lorraine O’Grady: Where Margins Become Centers</image:title>
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      <image:title>Lorraine O’Grady: Where Margins Become Centers</image:title>
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  <url>
    <loc>https://jamesvoorhies.com/the-way-we-live-now-modernist-ideologies-at-work-photography</loc>
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    <lastmod>2024-09-15</lastmod>
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      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>R. H. Quaytman, Anne Tyng Pointing, 2001–11. Oil, silkscreen ink, gesso on wood, 20 × 32 in. Anne Tyng’s Bedroom, 2001. Oil, silkscreen ink, gesso on wood. 24 × 40 in. Courtesy the artist and Miguel Abreu Gallery, New York; Josiah McElheny, Bruno Taut’s Monument to Socialist Spirituality (After Mies van der Rohe), 2009. Handblown and molded glass modules, wood, and hardware, 105 × 75 × 55 in. Courtesy the artist and Andrea Rosen Gallery, New York</image:caption>
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      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>R. H. Quaytman, Anne Tyng Pointing, 2001–11. Oil, silkscreen ink, gesso on wood, 20 × 32 in. Anne Tyng’s Bedroom, 2001. Oil, silkscreen ink, gesso on wood. 24 × 40 in. Courtesy the artist and Miguel Abreu Gallery, New York; Josiah McElheny, Bruno Taut’s Monument to Socialist Spirituality (After Mies van der Rohe), 2009. Handblown and molded glass modules, wood, and hardware, 105 × 75 × 55 in. Courtesy the artist and Andrea Rosen Gallery, New York</image:caption>
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      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Thomas Ruff, w.h.s. 04, 2001. Chromogenic print with Diasec, 70 × 94 inches. Courtesy of David Zwirner, New York and London; SUPERSTUDIO, Life, Supersurface (from The Fundamental Acts), 1972 and Ceremony (from The Fundamental Acts), 1973. Color film transferred on digital support, produced by Marchi, 14 min. Courtesy SUPERSTUDIO and pinksummer, Genoa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601536413-MY8DMMQBVQ1MB7VIRY98/the-way-we-live-now_23722856109_o.jpg</image:loc>
      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Josiah McElheny, Bruno Taut’s Monument to Socialist Spirituality (After Mies van der Rohe), 2009. Handblown and molded glass modules, wood, and hardware, 105 × 75 × 55 in. Courtesy the artist and Andrea Rosen Gallery, New York; Thomas Ruff, h.t.b.. 05, 2000. Chromogenic print with Diasec, 37 × 43 in, and w.h.s. 04, 2001. Chromogenic print with Diasec, 70 × 94 in. Courtesy of David Zwirner, New York and London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601593593-SZMVF610RNE1O77D392Y/the-way-we-live-now_23723837059_o.jpg</image:loc>
      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>SUPERSTUDIO, Life, Supersurface (from The Fundamental Acts), 1972 and Ceremony (from The Fundamental Acts), 1973, color film transferred on digital support, produced by Marchi, 14 min. Courtesy SUPERSTUDIO and pinksummer, Genoa; Fernanda Fragateiro, (Not) Reading the Last Line, 2011. Book fragments and acrylic. 94 × 4 × 3 in. Private collection, New York</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Fernanda Fragateiro, (Not) Reading the Last Line, 2001. Book fragments and acrylic. 94 × 4 × 3 in. Private collection, New York; Josiah McElheny, Bruno Taut’s Monument to Socialist Spirituality (After Mies van der Rohe), 2009. Handblown and molded glass modules, wood, and hardware, 105 × 75 × 55 in. Courtesy the artist and Andrea Rosen Gallery, New York; R. H. Quaytman, Anne Tyng Pointing, 2001–11. Oil, silkscreen ink, gesso on wood, 20 × 32 in. Anne Tyng’s Bedroom, 2001. Oil, silkscreen ink, gesso on wood. 24 × 40 in. Courtesy the artist and Miguel Abreu Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601682802-PBXY198SGDCCLJVARHJC/the-way-we-live-now_23795945450_o.jpg</image:loc>
      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Martha Rosler, Vacuuming Pop Art, Escape Fantasy, and Family Portrait with Car from the series Body Beautiful, or Beauty Knows No Pain, c. 1966–72. Vacation Getaway and Balloons from the series House Beautiful: Bringing the War Home, c. 1967–72. Photomontages. Courtesy the artist and Mitchell-Innes &amp; Nash, New York. Brian Zink, Composition series, 2013. Each colored Plexiglas mounted on board, 30 × 30 in. Courtesy Fidelity Investments Corporate Art Collection</image:caption>
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    <image:image>
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      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Brian Zink, Composition series, 2013. Colored Plexiglas mounted on board, 30 × 30 in. Courtesy Fidelity Investments Corporate Art Collection. Martha Rosler, photomontages from the series House Beautiful: Bringing the War Home, c. 1967–72. Courtesy the artist and Mitchell-Innes &amp; Nash, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601625885-RN8ZMEIQL3S2PJIYIK8S/the-way-we-live-now_23794580730_o.jpg</image:loc>
      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Martha Rosler, How Do We Know What Home Looks Like?, 1993. Color video with sound, 31 min. Courtesy Electronic Arts Intermix (EAI), New York</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601969812-YCYAIHJDB6SX6LUMZ16U/the-way-we-live-now_24064152986_o.jpg</image:loc>
      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Gerard Byrne, Subject, 2009. Installation view, three-channel video shown on monitors and vinyl wall text. 27 × 32 ft. Commissioned by the Henry Moore Institute, Leeds, England. Courtesy the artist and Green on Red Gallery, Dublin</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601944333-MXD3VC69AD6IL2MXRKBE/the-way-we-live-now_24063582636_o.jpg</image:loc>
      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Gerard Byrne, Subject, 2009. Installation view, three-channel video shown on monitors and vinyl wall text. 27 × 32 ft. Commissioned by the Henry Moore Institute, Leeds, England. Courtesy the artist and Green on Red Gallery, Dublin</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Elizabeth Price, AT THE HOUSE OF MR X, 2007. Video, 20 min. Courtesy the artist and MOT International, London and Brussels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601832543-LOCS7S6ME31MUCV6O1WX/the-way-we-live-now_24006113081_o.jpg</image:loc>
      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Ulla von Brandenburg, Singspiel, 2009. Black-and-white 16 mm film, sound, 14:34 min. Courtesy the artist and Art: Concept, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601559837-5NZQYIXNWR7J5A1VNACX/the-way-we-live-now_23723371689_o.jpg</image:loc>
      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Fernanda Fragateiro, Double Recliner (after MvdR), 2014. Polished stainless steel, 172 × 23 × 25 in. Courtesy the artist. Ulla von Brandenburg, Singspiel, 2009. Black-and-white 16 mm film, sound, 14:34 min. Courtesy the artist and Art: Concept, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601323579-PM4UEGQXRUPF0HMERTTV/the-way-we-live-now_23461612783_o.jpg</image:loc>
      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Cerith Wyn Evans, Untitled (Column), 16, 2009. Wood, fluorescent tubes, and lamp fixtures, 138 × ø 22 in. Courtesy White Cube and Carpenter Center for the Visual Arts</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522601759572-6LUM8PBUFTW5LEU49G4B/the-way-we-live-now_23981249402_o.jpg</image:loc>
      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Amy Yoes, Re-Make/Re-Model, 2015. Wood and projections, 144 × 192 × 192 in. Courtesy the artist and Carpenter Center for the Visual Arts</image:caption>
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    <image:image>
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      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
      <image:caption>Amy Yoes, Re-Make/Re-Model, 2015. Wood and projections, 144 × 192 × 192 in. Courtesy the artist and Carpenter Center for the Visual Arts</image:caption>
    </image:image>
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      <image:title>The Way We Live Now, Modernist Ideologies at Work</image:title>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/summer-summits-notes-from-further-afield-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-04-01</lastmod>
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      <image:title>Summer Summits: Notes from further afield</image:title>
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      <image:title>Summer Summits: Notes from further afield</image:title>
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      <image:title>Summer Summits: Notes from further afield</image:title>
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      <image:title>Summer Summits: Notes from further afield</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603009615-43GRDPTYTXRV5JL9S0O9/summer-summits-notes-from-further-afield_20088647911_o.jpg</image:loc>
      <image:title>Summer Summits: Notes from further afield</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603015377-DG02SIIT3LLTQUOHP47Q/summer-summits-notes-from-further-afield_23072514996_o.jpg</image:loc>
      <image:title>Summer Summits: Notes from further afield</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/luther-price-light-windows</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603429066-2K2ZL07H7FQ6F5VFUW9N/Prcie%2C+Luther+1.jpg</image:loc>
      <image:title>Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, from the series Light Fractures, 2013–14. Recycled 35mm footage presented on handmade slide projection. Courtesy of the artist, and Callicoon Fine Arts, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603429066-2K2ZL07H7FQ6F5VFUW9N/Prcie%2C+Luther+1.jpg</image:loc>
      <image:title>Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, from the series Light Fractures, 2013–14. Recycled 35mm footage presented on handmade slide projection. Courtesy of the artist, and Callicoon Fine Arts, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603375639-JC7LXR97KPVGIYGKRVJG/L1020780.JPG</image:loc>
      <image:title>Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, Light Windows, interstitial presentation, January 26–February 1, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603385015-OS9QPJHQBMB3DR851KEV/L1020790.JPG</image:loc>
      <image:title>Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, Light Windows, interstitial presentation, January 26–February 1, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603475179-SM5CONSY4AF6BD4PW3AM/Price%2C+Luther+3.jpg</image:loc>
      <image:title>Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, from the series Light Fractures, 2013–14. Recycled 35mm footage presented on handmade slide projection. Courtesy of the artist, and Callicoon Fine Arts, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522604718848-MNOCJ9SORRQGBTNS53WM/4.JPG</image:loc>
      <image:title>Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, Light Windows, interstitial presentation, January 26–February 1, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603485719-64LNOR7CKZZJ8I1DWJAM/Price%2C+Luther+4.jpg</image:loc>
      <image:title>Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, from the series Light Fractures, 2013–14. Recycled 35mm footage presented on handmade slide projection. Courtesy of the artist, and Callicoon Fine Arts, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603444254-YOVFNWQJTGR3WBCTRSDN/Price%2C+Luther+2.jpg</image:loc>
      <image:title>Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, from the series Light Fractures, 2013–14. Recycled 35mm footage presented on handmade slide projection. Courtesy of the artist, and Callicoon Fine Arts, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522604743015-1RBBKHTYMECY27WH46OO/10.JPG</image:loc>
      <image:title>Luther Price: Light Windows</image:title>
      <image:caption>Luther Price, Light Windows, interstitial presentation, January 26–February 1, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522604748616-5WVQLAMFQZ7HEHT28ENK/11.JPG</image:loc>
      <image:title>Luther Price: Light Windows</image:title>
      <image:caption>Screening of films by Luther Price at Harvard Film Archive as part of Light Windows, an interstitial presentation, January 26–February 1, 2015</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/display-case-photography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522609736561-FUMHCLWGQE8HOTFFER9B/youth_page_08.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>K-Hole &amp; Box 1824, excerpt from YOUTH MODE: A REPORT ON FREEDOM, 2013, 40-page downloadable digital publication. Courtesy K-Hole &amp; Box 1824</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522609736561-FUMHCLWGQE8HOTFFER9B/youth_page_08.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>K-Hole &amp; Box 1824, excerpt from YOUTH MODE: A REPORT ON FREEDOM, 2013, 40-page downloadable digital publication. Courtesy K-Hole &amp; Box 1824</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605324093-VSUUOCB34UM5WK93QLNC/K+Hole+3.JPG</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>K-Hole &amp; Box 1824, YOUTH MODE: A REPORT ON FREEDOM, 2013. 40-page downloadable digital publication. Display Case presentation, September 2–December 21, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605320481-DNP9RU999L7M5KSB8ENJ/K+Hole+1.JPG</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>K-Hole &amp; Box 1824, YOUTH MODE: A REPORT ON FREEDOM, 2013. 40-page downloadable digital publication. Display Case presentation, September 2–December 21, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522609738216-8OR19HUYES5524O77PPX/youth_page_30-copy.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>K-Hole &amp; Box 1824, excerpt from YOUTH MODE: A REPORT ON FREEDOM, 2013. 40-page downloadable digital publication. Courtesy K-Hole &amp; Box 1824</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605311510-9UY3C0GHCTEUXQ5NR6GP/Fowler+004.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Eve Fowler, a spectacle and nothing strange, from a spectacle and nothing strange, 2011–12. Series of screen print posters, 28 x 22 in. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605323365-6D27UVZGC6FYPOZ4PXFI/K+Hole+2.JPG</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>K-Hole &amp; Box 1824, YOUTH MODE: A REPORT ON FREEDOM, 2013. 40-page downloadable digital publication. Display Case presentation, September 2–December 21, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605299226-A1C1J7UKRZJXFIT4650J/Fowler-1-slide.JPG</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Eve Fowler, a spectacle and nothing strange, 2011–12. Series of screen print posters, 28 x 22 in. Display Case presentation, January 6–March 1, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522607502098-BM00WD62DX0FZUPZ6ZXC/012.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Eve Fowler, rub her coke, from a spectacle and nothing strange, 2011–12. Series of screen print posters, 28 x 22 in. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605295882-YMZAX431LDINEPQEASXN/Fowler+3.JPG</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Eve Fowler, a spectacle and nothing strange, 2011–12. Series of screen print posters, 28 x 22 in. Display Case presentation, January 6–March 1, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605298186-FSTSVZ3IUJV3A8XMDCRJ/Fowler+2.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Eve Fowler, a sign of more, from a spectacle and nothing strange, 2011–12. Series of screen print posters, 28 x 22 in. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605251319-O2T2MG1B2WZKB99YY4R1/ALBUM-2-slide.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Eline Mugaas and Elise Storsveen, excerpt from ALBUM, 2008–ongoing. Courtesy of the artists, and Primary Information, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605250353-HBIOKP3XW00K7NW5HAQJ/ALBUM-1-slide.JPG</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Eline Mugaas and Elise Storsveen, ALBUM, 2008–ongoing. Display Case presentation, March 4–April 19, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522605249411-5PRU3YRVFS6OCH3G28VG/ALBUM+3.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Eline Mugaas and Elise Storsveen, excerpt from ALBUM, 2008–ongoing. Courtesy of the artists, and Primary Information, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603711740-JSW8CIRA8LX92LUARDFP/karel-martens-monoprints_22726587488_o.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Karel Martens, from the ongoing series of monoprints. Recycled printed matter. Courtesy of Karl Martens and Prem Krishnamurthy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603762858-OIWZH6I94EGSM0FOAYZB/karel-martens-monoprints_22752683809_o.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Karel Martens, Monoprints, ongoing. Recycled printed matter. Display Case presentation, September 1–November 23, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603829396-E4E7C295R3M9GRI0QOFW/karel-martens-monoprints_23130991912_o.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Karel Martens, from the ongoing series Monoprints. Recycled printed matter. Courtesy of Karl Martens and Prem Krishnamurthy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603755291-H025KQCWJSS7G4QDGQEJ/karel-martens-monoprints_22752678859_o.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Karel Martens, Monoprints, ongoing. Recycled printed matter. Display Case presentation, September 1–November 23, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603647659-LABFC9GOO2KCCWAQRKCC/margaret-lee-de-da-doda_23921501080_o.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Margaret Lee, de, da, do...da, 2016. Laser-cut, power-coated steel and polished stainless steel. Display Case presentation, January 6–April 10, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603666441-3Q5I55KUYOFY085MKAK8/margaret-lee-de-da-doda_24109031002_o.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Margaret Lee, de, da, do...da, 2016. Laser-cut, power-coated steel and polished stainless steel. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603672145-OO4U2TJYIC3082YEL6AT/margaret-lee-de-da-doda_24109030072_o.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Margaret Lee, de, da, do...da, 2016. Laser-cut, power-coated steel. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1522603689045-Z5JJQ39ZY8S8EY834LL9/margaret-lee-de-da-doda_24217087945_o.jpg</image:loc>
      <image:title>Display Case</image:title>
      <image:caption>Margaret Lee, de, da, do...da, 2016. Laser-cut, power-coated steel and polished stainless steel. Display Case presentation, January 6–April 10, 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/red-76</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006443797-OUE9AU7N6EBWUBC7OPNA/red76-descent-to-revolution-columbus-ohio_7408167696_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006443948-BIFQG6T273D5M900QO2R/red76-descent-to-revolution-columbus-ohio_7408168416_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006443797-OUE9AU7N6EBWUBC7OPNA/red76-descent-to-revolution-columbus-ohio_7408167696_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006450748-VYY8GK3IFJ96ZOUBIQGV/red76-descent-to-revolution-columbus-ohio_7408172326_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006453688-NYQNJXM5RA4CYLYLQURF/red76-descent-to-revolution-columbus-ohio_7408176048_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006456162-JASDRD1U7Z6VSSVXIGU4/red76-descent-to-revolution-columbus-ohio_7408179044_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006457234-S34BIN6LZ9BC92SZT5EK/red76-descent-to-revolution-columbus-ohio_7408179484_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006459588-4LATMIU2AHXKUI473CDI/red76-descent-to-revolution-columbus-ohio_7408182298_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006459583-FCHKKAMAPDFUOZKCN4Z2/red76-descent-to-revolution-columbus-ohio_7408182812_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006460541-9RY1O9HWWMQW5P1B6KPS/red76-descent-to-revolution-columbus-ohio_7408184010_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006461189-04MLMW8J6UGQIONYF80V/red76-descent-to-revolution-columbus-ohio_7408184720_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006461372-S1S7ZRE56W6P3BJBRMZL/red76-descent-to-revolution-columbus-ohio_7408185426_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006463554-O0OVISDXO7CMPLD28GRQ/red76-descent-to-revolution-columbus-ohio_7408187494_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006466250-L06NNTTLN7TA813K6L7S/red76-descent-to-revolution-columbus-ohio_7408191406_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662718413802-A861CBZWY2BB6G1RFUZW/r76-3.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006467821-7O640UO7AZX2A9E9H55T/red76-descent-to-revolution-columbus-ohio_7408194092_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006469799-GTFWNQR50E7EDFA6E20E/red76-descent-to-revolution-columbus-ohio_7408196492_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006468708-A7Y61HFREFVAG4GN1M30/red76-descent-to-revolution-columbus-ohio_7408194450_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006468455-KSSSO4B2ASR0NVGJJJV5/red76-descent-to-revolution-columbus-ohio_7408194856_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524006470106-S2953169Z17CSD3L5TLB/red76-descent-to-revolution-columbus-ohio_7408195776_o.jpg</image:loc>
      <image:title>Red 76</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/reinigunggesellschaft</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-09</lastmod>
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  <url>
    <loc>https://jamesvoorhies.com/seventh-dream-of-teenage-heaven-ccad</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Mark Leckey, Fiorucci Made Me Hardcore, 1999, DVD with sound, 15 minutes. Courtesy of the artist and Gavin Brown’s Enterprise, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662852937961-88US7XB2RR2CY1MRZE38/DSC_0398.JPG</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Mark Leckey, Fiorucci Made Me Hardcore, 1999, DVD with sound, 15 minutes. Courtesy of the artist and Gavin Brown’s Enterprise, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662852921959-06A99ATC0YUSRL7O88VR/DSC_0134.JPG</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Gerard Byrne, Images or Shadows of Divine Things, 2005–ongoing, selenium-toned silver gelatin print and vinyl text, 10 photographs 8 x 10 inches each. Pipilotti Rist, I’m a Victim Of This Song, 1995, video (still). Lara Kohl, Once Upon a Time, Yesterday, 2005, chest freezer, ice sculpture of Sleeping Beauty’s castle and songs written by the artist and recorded by Hide the Knives, 41 x 33 x 22 inches. Peter Dayton, Noland #12 “Draggin’ Wagon,” 2008, oil, acrylic, resin and paper decal on birch plywood, 96 x 36 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662852947626-X5F0N8PXSLURG0XF46JH/DSC_0603.JPG</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Gerard Byrne, Images or Shadows of Divine Things, 2005–ongoing, selenium-toned silver gelatin print and vinyl text, 10 photographs 8 x 10 inches each.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013057431-DEBBYWNGVHWJ0XGF471P/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407027342_o.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Peter Dayton, Noland #12 “Draggin’ Wagon,” 2008, oil, acrylic, resin and paper decal on birch plywood, 96 x 36 inches. Courtesy of Haro Keledjian. Malcolm Cochran, History Lessons, 2011, poplar, steel, stainless steel, whitewash, 8 x 6 x 10 feet. Courtesy of the artist; commissioned by Bureau for Open Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013062150-BWW8FDU5395SF0BQJCVT/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407029452_o.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Malcolm Cochran, History Lessons, 2011, poplar, steel, stainless steel, whitewash, 8 x 6 x 10 feet. Peter Dayton, Stella #22 “Lost World,” 2008 and Barnett Newman #1, “Onement One,” 2006, both 96 x 36 inches, oil, acrylic, resin and paper decal on birch plywood. Courtesy of the artist and James Salomon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013058510-CW1EMXH06GC8QLTPEEYI/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407027548_o.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Dayton, Stella #22 “Lost World,” 2008, 96 x 36 inches, oil, acrylic, resin and paper decal on birch plywood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013061747-PVL4VNJWRQLVVZJ20PHY/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407029218_o.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Malcolm Cochran, History Lessons, 2011, poplar, steel, stainless steel, whitewash, 8 x 6 x 10 feet. Peter Dayton, Barnett Newman #1, “Onement One,” 2006, 96 x 36 inches, oil, acrylic, resin and paper decal on birch plywood. Guy Ben-Nur, I'd give it to you but I borrowed it, 2007, single channel video with color and sound, 12 minutes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013067567-JQZJTI3YIB7GGOHBZI8A/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407032056_o.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Guy Ben-Nur, I'd give it to you but I borrowed it, 2007, single channel video with color and sound, 12 minutes. Jeffrey Vallance, Juliet’s Balcony, Verona, 2006, mixed media, 24.5 x 8.5 x 8.25 inches. Courtesy of the artist and Tanya Bonakdar Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013059217-I4HIDEZ4AO0XUAD6NHGJ/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407027874_o.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Jeffrey Vallance, Juliet’s Balcony, Verona, 2006, mixed media, 24.5 x 8.5 x 8.25 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013049780-50ZK3JGP0AVLKW7TBGMH/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407023620_o.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Jeffrey Vallance, Juliet’s Balcony, Verona, 2006, mixed media, 24.5 x 8.5 x 8.25 inches. Joachim Brohm, the Ohio series, 1983–1984, c-print, 20 x 24 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013059817-Q7N1GR4X9NTH3V2P312H/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407028070_o.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Joachim Brohm, the Ohio series, 1983–1984, c-print, 20 x 24 inches. Dennis McNulty, The Crash, with FACETIME, 2011, suspended ceiling elements, tiles and ratchet straps; dimensions variable; and poster, 33 x 40 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662852878503-NU9APZ9X60NOZTI4LZTT/dmn_ft_02_600.jpeg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Dennis McNulty, FACETIME, 2011, color laser printed poster. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524013049591-4Z1L6WQAKM4PS1FB7XTX/seventh-dream-of-teenage-heaven-columbus-college-of-art--design-columbus-ohio_7407023426_o.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Joachim Brohm, the Ohio series, 1983–1984, c-print, 20 x 24 inches. Cassandra Troyan, The Aftermath, 2011, photographic documentation, dimensions variable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662852953045-UBGVMDNXGHMCK12H37VH/DSC_0589.JPG</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Mark Leckey, Fiorucci Made Me Hardcore, 1999, DVD with sound, 15 minutes. Bureau for Open Culture, He Loved Big Brother, 2011, paperback copies of George Orwell’s 1984.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662852963416-EHM5KA7V5HHT9UNVZZLC/touchup-DSC_0112.jpg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Bureau for Open Culture, He Loved Big Brother, 2011, paperback copies of George Orwell’s 1984.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1662852928860-ARHD6H1VXJF00WYRFKK5/DSC_0253.jpeg</image:loc>
      <image:title>Seventh Dream of Teenage Heaven CCAD</image:title>
      <image:caption>Seven Dreams, afterparty with a fog of new wave, industrial, pop, screwed jams and a laser light show; live performances by Anna Ranger, DJ Scott Neimet, DJ Seabat and DJ Self Help. Skylab, Columbus, Ohio, January 27, 2011.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/seventh-dream-of-teenage-heaven-bennington</loc>
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    <priority>0.75</priority>
    <lastmod>2022-09-10</lastmod>
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      <image:title>Seventh Dream of Teenage Heaven Bennington</image:title>
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      <image:title>Seventh Dream of Teenage Heaven Bennington</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524094438158-VC29NNJK4UVD7Z8T4DKN/on-symptoms-of-cultural-industry-portland-oregon-open-engagement-2011_7419185894_o.jpg</image:loc>
      <image:title>On Symptoms of Cultural Industry, Portland</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524094439541-TEN8KY1KCQT9QWULYXVI/on-symptoms-of-cultural-industry-portland-oregon-open-engagement-2011_7419188320_o.jpg</image:loc>
      <image:title>On Symptoms of Cultural Industry, Portland</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524094442806-JZB8QQO78LHAR5MVEI5G/on-symptoms-of-cultural-industry-portland-oregon-open-engagement-2011_7419190702_o.jpg</image:loc>
      <image:title>On Symptoms of Cultural Industry, Portland</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524094444793-8XDPOR47DJ8121IH8HJT/on-symptoms-of-cultural-industry-portland-oregon-open-engagement-2011_7419192910_o.jpg</image:loc>
      <image:title>On Symptoms of Cultural Industry, Portland</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524094444683-XNC0V8LVV3DCJQQL4L3D/BOC-Publication-on-symptoms-of-Cultural-industry-cover.png</image:loc>
      <image:title>On Symptoms of Cultural Industry, Portland</image:title>
      <image:caption>On Symptoms of Cultural Industry, published by Bureau for Open Culture, 2011; designed by Nate Padavick; 32 pages; 8.25 x 5 inches</image:caption>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/critical-theory</loc>
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    <priority>0.75</priority>
    <lastmod>2018-04-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524510356360-NBW4RN9M4GB7DA4VSUNF/Placeholderbooks1.jpg</image:loc>
      <image:title>Critical Theory - AND, Phenomology of the End</image:title>
      <image:caption>by Samir Kassir A passionate meditation on contemporary Arab identity. Before his assassination in 2005, Samir Kassir was one of Lebanon’s foremost public intellectuals. In Being Arab, a thought-provoking assessment of Arab identity, he calls on the people of the Middle East to reject both Western double standards and Islamism in order to take the future into their own hands. Passionately written and brilliantly argued, this rallying cry for change has now been heard by millions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524510356360-NBW4RN9M4GB7DA4VSUNF/Placeholderbooks1.jpg</image:loc>
      <image:title>Critical Theory - AND, Phenomology of the End</image:title>
      <image:caption>by Samir Kassir A passionate meditation on contemporary Arab identity. Before his assassination in 2005, Samir Kassir was one of Lebanon’s foremost public intellectuals. In Being Arab, a thought-provoking assessment of Arab identity, he calls on the people of the Middle East to reject both Western double standards and Islamism in order to take the future into their own hands. Passionately written and brilliantly argued, this rallying cry for change has now been heard by millions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524494868321-CQMJCURD9WDXOPI9W0K3/IMG_3648.JPG</image:loc>
      <image:title>Critical Theory - POP</image:title>
      <image:caption>Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524510446227-XED73MW8CR1IAKAFFPD6/Placeholderbooks3.jpg</image:loc>
      <image:title>Critical Theory - Carmen Beuchat, Modernismo y Vanguardia</image:title>
      <image:caption>Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524510579342-WE8DXP4VNU9R0PF0AW0O/Placeholderbooks4.jpg</image:loc>
      <image:title>Critical Theory - Unsettled Landscapes</image:title>
      <image:caption>Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524510555912-NYQR7Q5SKJ51C9NGXAHJ/Placeholderbooks6.jpg</image:loc>
      <image:title>Critical Theory - How Extraordinary that the World Exists!</image:title>
      <image:caption>Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/companion-planting</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-07-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524529396111-45H1TCBZOSNJXPG5NAMV/IMG_3844.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Salmon Creek Farm, Albion, California.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524529396111-45H1TCBZOSNJXPG5NAMV/IMG_3844.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Salmon Creek Farm, Albion, California.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204758539-5SRKO6XWGX111PWIK96W/1.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Introduction to Companion Planting, Fire Ring, the Orchard, Salmon Creek Farm, June 7, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524529361020-6S0GXJCYM7D7HXWX4D1P/IMG_3093.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Launch of Companion Planting: A Prologue, Friday, February 2, Salmon Creek Farm, Albion, California</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530285457640-Z74Q4AI30S2PSP41Y7JF/2.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Companion Planting: A Manual for the Ecology of a New Art. Program Agenda. Salmon Creek Farm, June 7–10, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530285517054-NX5S0X1NR3EJY7VBT2IW/3.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Companion Planting: A Manual for the Ecology of a New Art. Program Agenda with essay “A New Art?” by James Voorhies. Salmon Creek Farm, June 7–10, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204788469-KUG3WO5UDSZ8JS5ROTVX/4.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Calvin Rocchio provides a tour of grounds at Salmon Creek, visiting several cabins sited across the land, June 8, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530285584507-BQPTQWB7J5FI2MAI5L7N/5.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Companion PlantingMad Lib: “The Year is 2048 and the ___________ bubble has burst.” Salmon Creek Farm, June 7–10, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204816101-558XTA2BSTWNK2Z05H21/6.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>The crew of Companion Plantingduring a walk around the land, June 8, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204801589-CRJQB9BZ86ZQMROWP85L/7.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>The Artist As, edited by Aileen Burns, John Lundh, and Tara McDowell (Berlin: Sternberg and Melbourne: Institute of Modern Art and Monash University, Faculty of Art, Design and Architecture, 2018).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204813777-4OM0ZRMMUQZ2FVVX2JRF/8.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Art and the F Word: Reflections on the Browning of Europe, edited by Maria Lind and What, How &amp; for Whom/WHW (Berlin: Sternberg and Stockholm: Tensta konsthall, 2014).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204844702-U33AI47GBS6KCE7DELGH/9.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>River Cabin, Salmon Creek Farm, California, June 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204826383-2C9YKN8KGPR0SSEIFRNZ/10.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Contemporary Art and Its Commercial Markets: A Report on Current Conditions and Future Scenarios, edited by Maria Lind and Olav Velthuis (Berlin: Sternberg and Stockholm: Tensta konsthall, 2012).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204865489-OFE5O62616FID5KKR4GY/11.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>River Cabin, tour of Salmon Creek Farm, June 8, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204863376-6S9FO0Q39AYLO7UE25QH/12.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Dinner with participants and Fritz Haeg in Dawn Cabin, the communal locus of Salmon Creek Farm, June 8, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204882159-F3F8LTH61JFBFTPYXN1N/13.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Companion Planting. Module: Artists, led by Kim Nguyen and Ryan Peter, Dawn Cabin, June 8, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204885232-HB4PPKHF0BLHGARIRI83/14.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>“In Jeopardy.” Module: Artists, led by Kim Nguyen and Ryan Peter, Dawn Cabin, June 8, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204897808-KYYMUN4L39KFXHDZG7KI/15.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>The Anti-Museum, edited by Mathieu Copeland and Balthazar Lovay (London: Koenig Books, 2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204895425-R5EHU20LE75ZDN6E4VSL/16.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>The Undercommons: Fugitive Planning and Black Study, by Fred Moten and Stefano Harney (New York: Minor Compositions, 2013).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204913219-RYFZD6JRD8B6WWWXCMFF/17.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Companion Planting. Module: Economics, led by Agnieszka Gratza, screening of Museum Futures: Distributed, a film by Marysia Lewandowska commissioned by Moderna Museet Stockholm, Sweden, on the occasion of the museum’s 50th anniversary in 2008.Dawn Cabin, June 8, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204925832-25AK41ONXOVDLTZQ3FXM/18.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>View of Orchard Cabin, Salmon Creek Farm, June 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204945343-KR1O0UEJQBVPSL53W5PF/19.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Companion Planting. Module: Institutions, led by Nate Padavick, Calvin, Rocchio, and James Voorhies. Installation of posters of photographs of books and related quotes reflecting modes of visionary challenges to institution practice. River Cabin, Salmon Creek Farm, June 9, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204943725-Q9V11JD0E9UWJKTN9VGD/20.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Duty Free Art: Art in the Age of Planetary Civil War, by Hito Steyerl (New York: Verso, 2017).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204972997-SCKHU03MF5TMSXNTCOBJ/21.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Companion Planting. Module: Audiences, led by Shannon Jackson. Reading of two pieces “Don’t get me wrong, I love art” and “Ten Things that Bother Me about the Audience Question.” Salmon Cabin deck, Salmon Creek Farm, June 9, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204976615-ZDKEPA2VZPH7NTZVAZ4K/22.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Companion Planting. Module: Institutions, led by Nate Padavick, Calvin, Rocchio, and James Voorhies. Posters of photographs of books and related quotes reflecting modes of visionary challenges to institution practice. River Cabin, Salmon Creek Farm, June 9, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204998737-7ASL3IUDTAXDATV6BBHD/23.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Companion Planting. Module: Institutions, led by Nate Padavick, Calvin, Rocchio, and James Voorhies. Detail of photographs of books and related quotes reflecting modes of visionary challenges to institution practice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530204990078-WWXW3NGPYKHBTO1KDC17/24.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Distributed, edited David Blamey and Brad Haylock (London: Open Editions, 2018).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530205015257-SEF24G1Q8Z9KWJHJ1H36/25.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Companion Planting. Module: Institutions, led by Nate Padavick, Calvin, Rocchio, and James Voorhies. Detail of photographs of books and related quotes reflecting modes of visionary challenges to institution practice. Quote by Martine Syms, “Sitting with Difference,” Martine Syms and Pip Wallis in Distributed, edited by David Blamey and Brad Haylock. River Cabin, Salmon Creek Farm, June 9, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530205024064-AQ1XJ2S6EXBO6X5YCTQG/26.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Companion Planting. Module: Institutions, led by Nate Padavick, Calvin, Rocchio, and James Voorhies. Audition-reading by group of script made with quotes pulled from pictured publications. Posters of photographs of books and the quotes reflect modes of visionary challenges to institution practice. River Cabin, Salmon Creek Farm, June 9, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530205038795-C839N616L4M9UG03FYVT/27.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Dawn Cabin, Salmon Creek Farm, June 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530205047676-MLKGEN6C52ICGT7GGG27/28.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Round-up Roundtable of Companion Planting, deck of Dawn Cabin, June 9, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530205067568-MXD1XZ0G1R06LZSUYRWC/29.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Pre-dinner drinks at Fire Ring, the Orchard, Salmon Creek Farm, June 9, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530205074902-C85A13A77FK5RLBVPG87/30.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Nate Padavick and Agnieszka Gratza, Fire Ring, the Orchard, Salmon Creek Farm, June 9, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530205098133-W2AF8AAGP857H27P107Q/31.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Pre-dinner drinks at Fire Ring, the Orchard, Salmon Creek Farm, June 9, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530205096206-Y8RBNLXW2HHSHF73TPEV/32.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Concluding dinner, Companion Planting, Dawn Cabin, Salmon Creek Farm, June 9, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1530205105224-9XDYQEVHXJK4XJVXFHUJ/33.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Salmon Creek Farm, California, June 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524613866504-QD6L54LZH59GAYEAB95K/IMG_3844.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>View of Orchard Cabin, Salmon Creek Farm, February 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524529363421-JTTKPGPWE5GZRNDZW0FK/IMG_3119.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Carpenter’s Cabin, Salmon Creek Farm, February 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1524529376114-OK73QT6ZK4C31P6CHJQ1/IMG_3129.JPG</image:loc>
      <image:title>Companion Planting</image:title>
      <image:caption>Interior, River Cabin, Salmon Creek Farm, February 2018.</image:caption>
    </image:image>
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      <image:caption>Convening on deck of Salmon Cabin. Companion Planting: A Prologue, Salmon Creek Farm, February 3, 2018.</image:caption>
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      <image:caption>Companion Planting: A Prologue, Big River Beach, Mendocino, California, February 3, 2018.</image:caption>
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      <image:caption>Exterior of Dawn Cabin, Salmon Creek Farm, February 2018.</image:caption>
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      <image:caption>2018 Spring Season Launch. Dawn Cabin, Salmon Creek Farm, March 24, 2018.</image:caption>
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      <image:title>Curatorial Research Bureau</image:title>
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  <url>
    <loc>https://jamesvoorhies.com/100-books</loc>
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    <lastmod>2019-11-06</lastmod>
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      <image:title>100 Books</image:title>
      <image:caption>100 Books, Curatorial Research Bureau, September 2019.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1573067460993-LPF3IXEC6NGW6A88B4IR/1.jpeg</image:loc>
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      <image:caption>100 Books, Curatorial Research Bureau, September 2019.</image:caption>
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      <image:title>100 Books</image:title>
      <image:caption>100 Books, online shop, September 2019.</image:caption>
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      <image:title>100 Books</image:title>
      <image:caption>Curator Ute Meta Bauer, Curatorial Research Bureau, September 26, 2019. Bauer talks about her work as director of the Centre for Contemporary Art at Nanyang Technological University in Singapore in conjunction with a review of important art spaces in Southeast Asia. The talk was part of a lecture series by CCA’s Graduate Program in Curatorial Practice and departed from the book SouthEastAsia Spaces of the Curatorial, which she edited with Brigitte Oetker in 2016, published by Sternberg Press.</image:caption>
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      <image:title>100 Books</image:title>
      <image:caption>100 Books, online shop, providing copies of SouthEastAsia: Spaces of the Curatorial, eds., Ute Meta Bauer, Brigitte Oetker (Berlin: Sternberg Press, 2016). This inventory corresponded with the visit and talk by Bauer, Curatorial Research Bureau, September 26, 2019.</image:caption>
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      <image:title>100 Books</image:title>
      <image:caption>Curator Ute Meta Bauer, Curatorial Research Bureau, September 26, 2019. Bauer talks about her work as director of the Centre for Contemporary Art at Nanyang Technological University in Singapore in conjunction with a review of important art spaces in Southeast Asia. The talk was part of a lecture series by CCA’s Graduate Program in Curatorial Practice and departed from the book SouthEastAsia Spaces of the Curatorial, which she edited with Brigitte Oetker in 2016, published by Sternberg Press.</image:caption>
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      <image:caption>100 Books, online shop, September 2019.</image:caption>
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      <image:caption>100 Books, Curatorial Research Bureau, September 2019.</image:caption>
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      <image:title>100 Books</image:title>
      <image:caption>100 Books, online shop, September 2019.</image:caption>
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  <url>
    <loc>https://jamesvoorhies.com/readings-sep-7</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-08-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630086473692-3JIHG9I75C1DHBX4D45J/image-asset.jpeg</image:loc>
      <image:title>Readings Sep 7 - Specters of Provenance</image:title>
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      <image:title>Readings Sep 7 - Specters of Provenance</image:title>
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    <image:image>
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      <image:title>Readings Sep 7 - Art in the Knowledge-based Polis</image:title>
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    <image:image>
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      <image:title>Readings Sep 7 - Letter to Bettina Funcke</image:title>
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  <url>
    <loc>https://jamesvoorhies.com/readings-sep-14</loc>
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    <lastmod>2021-08-27</lastmod>
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      <image:title>Readings Sep 14 - Postcolonial Constellation</image:title>
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      <image:title>Readings Sep 14 - Towards the Exhibition as Research</image:title>
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    <loc>https://jamesvoorhies.com/readings-sep-21</loc>
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    <lastmod>2021-09-19</lastmod>
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      <image:title>Readings Sep 21 - How a Tadpole Becomes a Frog</image:title>
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      <image:title>Readings Sep 21 - The First documenta, 1955</image:title>
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    <loc>https://jamesvoorhies.com/readings-oct-5</loc>
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    <lastmod>2021-08-30</lastmod>
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      <image:title>Readings Oct 5 - Bio-Politics, Human Rights</image:title>
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      <image:title>Readings Oct 5 - Bio-Politics, Human Rights</image:title>
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      <image:title>Readings Oct 5 - What about Collecting?</image:title>
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      <image:title>Readings Oct 5 - Letter to Jane</image:title>
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    <loc>https://jamesvoorhies.com/readings-oct-12</loc>
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    <lastmod>2021-08-30</lastmod>
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      <image:title>Readings Oct 12 - The Curatorial</image:title>
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      <image:title>Readings Oct 12 - The Expanding Field</image:title>
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    <loc>https://jamesvoorhies.com/readings-oct-19</loc>
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    <lastmod>2021-10-13</lastmod>
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      <image:title>Readings Oct 19 - The Book of Drafts</image:title>
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      <image:title>Readings Oct 19 - Constellations and Transpositions</image:title>
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      <image:title>Readings Oct 19 - World Platforms</image:title>
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      <image:title>Readings Oct 19 - Why Mediate Art?</image:title>
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    <loc>https://jamesvoorhies.com/readings-oct-26</loc>
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    <lastmod>2021-10-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087102048-CWK1S0WI0GI36TFMOWFF/oct+19%2C+Chong.png</image:loc>
      <image:title>Readings Oct 26 - The Book of Drafts</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087102048-CWK1S0WI0GI36TFMOWFF/oct+19%2C+Chong.png</image:loc>
      <image:title>Readings Oct 26 - The Book of Drafts</image:title>
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    <image:image>
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      <image:title>Readings Oct 26 - The Library of Unread Books</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087287174-H3HRV0N65M51ZXWE3BQ7/Untitled-1.png</image:loc>
      <image:title>Readings Oct 26 - Making as Translation</image:title>
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  <url>
    <loc>https://jamesvoorhies.com/readings-nov-2</loc>
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    <priority>0.75</priority>
    <lastmod>2021-10-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630955202196-UW0DFXLEC3UWW0YS6ATK/image-asset.jpeg</image:loc>
      <image:title>Readings Nov 2 - Filling the Void</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630955202196-UW0DFXLEC3UWW0YS6ATK/image-asset.jpeg</image:loc>
      <image:title>Readings Nov 2 - Filling the Void</image:title>
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      <image:title>Readings Nov 2 - Stirring the Smooth Surfaces</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630354531789-C7POJOVRH32MZ3JIEZD9/image-asset.png</image:loc>
      <image:title>Readings Nov 2 - Archive Mania</image:title>
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  <url>
    <loc>https://jamesvoorhies.com/readings-nov-9</loc>
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    <priority>0.75</priority>
    <lastmod>2021-08-30</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087397561-79W7NBN7STYYZWM84FYB/Untitled-1.png</image:loc>
      <image:title>Readings Nov 9 - Contemporary art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087397561-79W7NBN7STYYZWM84FYB/Untitled-1.png</image:loc>
      <image:title>Readings Nov 9 - Contemporary art</image:title>
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      <image:title>Readings Nov 9 - The Fiction of Contemporary Art</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087435969-32MBZJMEJNBLWNM50Q87/Untitled-1.png</image:loc>
      <image:title>Readings Nov 9 - Irit Rogoff, interviewed</image:title>
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  <url>
    <loc>https://jamesvoorhies.com/readings-nov-16</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087573836-O3N83EYDEOH9U13PI8SZ/Untitled-1.png</image:loc>
      <image:title>Readings Nov 16 - On not Having an Idea</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087573836-O3N83EYDEOH9U13PI8SZ/Untitled-1.png</image:loc>
      <image:title>Readings Nov 16 - On not Having an Idea</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087547615-EZQ7P9EMSMA74QUB2MME/Untitled-1.png</image:loc>
      <image:title>Readings Nov 16 - Back to Contemporary</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087594838-KZP78M4UN521I9S8JZ8B/Untitled-1.png</image:loc>
      <image:title>Readings Nov 16 - Who Cares a Lot?</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087522201-OW1RKWSS4CW30Y33U8B2/Untitled-1.png</image:loc>
      <image:title>Readings Nov 16 - Ruangrupa</image:title>
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  <url>
    <loc>https://jamesvoorhies.com/readings-nov-23</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087882349-2NGUV4ZMMY4P1XY83298/Untitled-1.png</image:loc>
      <image:title>Readings Nov 23 - Situating the Curatorial</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087882349-2NGUV4ZMMY4P1XY83298/Untitled-1.png</image:loc>
      <image:title>Readings Nov 23 - Situating the Curatorial</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087638793-SZGX386USE44WFVC4BB8/Untitled-1.png</image:loc>
      <image:title>Readings Nov 23 - What Is Not Contemporary?</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630087709456-LOM4EGRLLLOBW27EAJWX/Untitled-1.png</image:loc>
      <image:title>Readings Nov 23 - ruangrupa</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1630090902145-2N1MUF6ZHJ4BBMSTT58O/image-asset.png</image:loc>
      <image:title>Readings Nov 23 - Simply Stories</image:title>
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      <image:title>Readings Nov 23 - ruangrupa</image:title>
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  <url>
    <loc>https://jamesvoorhies.com/matrix-on-the-art-of-tom-burr-torkwase-dyson-and-tony-smith</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
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      <image:title>Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661950055154-9OENKD4GSRBHL5WF7PI1/Wadsworth%2C+In+Dialogue+9+copy.jpg</image:loc>
      <image:title>Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661950053785-L9TS34MWW0Z7J1D6TQ3V/Wadsworth%2C+In+Dialogue+8+copy.jpg</image:loc>
      <image:title>Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661950039568-OBMSYVVPH2I5LR9YWE88/Wadsworth%2C+In+Dialogue+6+copy.jpg</image:loc>
      <image:title>Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661950025451-29O4WECM9JYQ49QL7OKY/Wadsworth%2C+In+Dialogue+1+copy.jpg</image:loc>
      <image:title>Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661950045297-ET4ZGN0YCRMJ6JSRJH98/Wadsworth%2C+In+Dialogue+2+copy.jpg</image:loc>
      <image:title>Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661957330408-Q4N5QNECZK7BFVYYIE11/image-asset.jpeg</image:loc>
      <image:title>Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
      <image:caption>Tom Burr, Sam-I-Am, 2019. Plywood, paint, hinges, mirror, photographs and printed material, steel push pins, in MATRIX 182 / Hinged Figures, Wadsworth Atheneum, June 6–September 18, 2019. Courtesy Wadsworth Atheneum, Hartford, Connecticut</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661957387291-FOKY689YGDSP8IZWVVI7/Torkwase-Dyson.jpg</image:loc>
      <image:title>Matrix: On the Art of Tom Burr, Torkwase Dyson, and Tony Smith</image:title>
      <image:caption>Torkwase Dyson, 1994 (Rate of Transformation #Scale), 2018. Acrylic, graphite, string, steel and wood, dimensions variable, with I Can Feel You Now (Accumulation/Distribution), 2018, acrylic, string and steel on canvas, 10 x 12 ft., and Up South 3 (Water Table) and Up South 3 (Water Table), each 2018. Acrylic on canvas, 60 in. diameter, in Scaler, Suzanne Lemberg Usdan Gallery, Bennington College, Bennington, Vermont, September 18–December 15, 2018. Courtesy of Usdan Gallery, Bennington College, Vermont</image:caption>
    </image:image>
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  <url>
    <loc>https://jamesvoorhies.com/na-kimset-v19-graphic</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951685740-5AV14Z8M9YYRPPUIK6PR/na-kimset-crb-8.jpg</image:loc>
      <image:title>Na Kim—SET v.19: graphic</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951685740-5AV14Z8M9YYRPPUIK6PR/na-kimset-crb-8.jpg</image:loc>
      <image:title>Na Kim—SET v.19: graphic</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951686938-CZU1ES5DO9IGPQBWZVFV/na-kimset-crb-9.jpg</image:loc>
      <image:title>Na Kim—SET v.19: graphic</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951674581-BNJDF163XMI9MTC0DGIX/na-kimset-crb-2.jpg</image:loc>
      <image:title>Na Kim—SET v.19: graphic</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951677231-ZTC26L7QTUS88RWGA3SG/na-kimset-crb-3.jpg</image:loc>
      <image:title>Na Kim—SET v.19: graphic</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951679179-BRGDX1LCR0WOYZE5VFDZ/na-kimset-crb-4.jpg</image:loc>
      <image:title>Na Kim—SET v.19: graphic</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951682196-4Y6UP8RV58DVU1CMI19D/na-kimset-crb-6.jpg</image:loc>
      <image:title>Na Kim—SET v.19: graphic</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951683256-FXBHW3PYZA0YB4PWDS9D/na-kimset-crb-7.jpg</image:loc>
      <image:title>Na Kim—SET v.19: graphic</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951674734-GZK912C1WSW1AUCLL6O3/na-kimset-crb-1.jpg</image:loc>
      <image:title>Na Kim—SET v.19: graphic</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951679623-LQHLIRIDXQCIJYHKMEIX/na-kimset-crb-5.jpg</image:loc>
      <image:title>Na Kim—SET v.19: graphic</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1661951688646-XJ8L0IS7WXHCL4NJV35B/na-kimset-crb-10.jpg</image:loc>
      <image:title>Na Kim—SET v.19: graphic</image:title>
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  </url>
  <url>
    <loc>https://jamesvoorhies.com/nam-june-paik</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698524014544-WMHV4VBOXGBC89R7IADD/image-asset.jpeg</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Brian Smith, Nam June Paik, in Miami FL, 1990</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698524014544-WMHV4VBOXGBC89R7IADD/image-asset.jpeg</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Brian Smith, Nam June Paik, in Miami FL, 1990</image:caption>
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      <image:title>Nam June Paik</image:title>
      <image:caption>Nam June Paik: The Miami Years, The Bass, Miami Beach, FL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511947940-2HSJXE9GQ3HSK495VYH0/IMG_3421.JPG</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Installation view, introduction to Paik’s TV Cello, 2003 with photographs of Charlotte Moorman and Paik taken by Peter Moore in the late 1960s and early 70s</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511942468-ZJL48L9EHVX81VL8D9LA/IMG_3420.JPG</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Installation view, Nam June Paik and Jud Yalkut, TV Cello Premiere, 1971, 16 mm film (on video), color, silent, 7:25 min. Courtesy of Electronic Arts Intermix (EAI), New York; Nam June Paik, TV Cello, 2003, single-channel video (color, sound), LCD monitors, CRT monitor, acrylic paint, Plexiglas, metal, wood, rubber cables, solid-state media player, remote, power converter, adapter, power amplifier and speakers. Collection of The Bass, purchased through the John and Johanna Bass Acquisition Fund.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511926961-NYBJCZVQSUBFP590C3TV/IMG_3289.JPG</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Nam June Paik, Lucy, 1992. Aluminum frame, neon, oil paint, electrical wires, five TV sets, LaserDiscs, circuit boards, keyboards, typewriter, plastic, metal and electrical elements, 63 × 61 × 30 1/4 in. Collection of Cathy Vedovi; with Paik’s series of newspaper interventions from the late 1990s and early 2000s and a large-scale photograph by Brian Smith, Nam June Paik, in Miami Beach, FL, 1990</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511960317-IXFEHH1MAXJRO7NMUOJS/IMG_3441.JPG</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Background, TV Miami and TV Wing, 1990. Video footage from the original artworks. Three channels of analog standard definition NTSC video from LaserDisc presented in 4K UHD. Courtesy of Nam June Paik. Estate and Miami-Dade County Art in Public Places Trust, Public Art Collection; center, Paik’s Lucy, 1992 with Bakelite Robot, 2002</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511927291-OZ4V2Q1HZ3EBI5M5ZF7S/IMG_3288.JPG</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Nam June Paik, Bakelite Robot, 2002. Single-channel video installation with five 5.6 in. LCD monitors and two 4 in. LCD monitors, electric lights and oil marker, 50 × 54 5/8 × 7 1/2 in. Courtesy of Nam June Paik Estate, with Nam June Paik, Miami International Airport annotated construction blueprint for TV Wing, 1990. Miami-Dade County Art in Public Places Trust, Public Art Collection</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511948518-DM3RXZRYNFW6VTN73VVL/IMG_3424.JPG</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Installation view, Nam June Paik, Internet Dweller, 1994. Vintage TV sets with light fixtures 52 × 50 × 24 in. in the foreground. Courtesy of Art Bridges</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511954274-IU87PMKH6JGMMUS58O89/IMG_3430.JPG</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Background photostat, Nam June Paik, TV Miami, 1990. Miami International Airport installation, color photograph. Miami-Dade County Art in Public Places Trust, Public Art Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511929751-XVJPNRDPH46WVU0GB4CM/IMG_3308.JPG</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Installation view, archival materials related to Paik’s TV Miami and TV Wing, commissioned by Miami-Dade County Art in Public Places Trust in 1985. Right, video footage from the original artworks, 1990. Three channels of analog standard definition NTSC video from LaserDisc presented in 4K UHD. Courtesy of Nam June Paik. Estate and Miami-Dade County Art in Public Places Trust, Public Art Collection</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511930931-4H0DBQSM3401SSI27ZCI/IMG_3318.JPG</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Archival materials, photographs of Paik and friends in Miami Beach, in the late 1990s and early 2000s. Courtesy of Jon Huffman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511953926-WSC0RQBBMNRG5N3QWAOX/IMG_3425.JPG</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Archival materials, Miami-Dade County Art in Public Places Trust, Public Art Collection; Dade County Aviation Department; and Miami-Dade Public Library System, Special Collections &amp; Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511961213-K205MMU5NYT57FJ8JC5X/IMG_3437.JPG</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Archival materials, Miami-Dade County Art in Public Places Trust, Public Art Collection; Dade County Aviation Department; and Miami-Dade Public Library System, Special Collections &amp; Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511920442-6KDU4WXSUDTIU36Q06YX/IMG_2307.jpeg</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>John Hanhardt and James Voorhies, Curating Nam June Paik: The Miami Years, public program, The Bass, Miami Beach, October 7, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511938649-107G9L2FWIGGF2SGGT3H/IMG_3369.JPG</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Amanda Kim, director of Nam June Paik: Moon Is the Oldest TV, 2023. Live video program following screening of film, O Cinema, Miami Beach, October 6, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511934394-WIWKXJS01MI0ERZC0KZO/IMG_3367.jpg</image:loc>
      <image:title>Nam June Paik</image:title>
      <image:caption>Nam June Paik’s apartment, from 1988 to 2006, Ocean Drive, Miami Beach, FL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698511920627-G8Z62KDXBW2HKYG5GBJR/IMG_3098.JPG</image:loc>
      <image:title>Nam June Paik</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/hernan-bas</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905369035-SU0XR6JLP9FFAAIPTLT9/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+2.JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905369035-SU0XR6JLP9FFAAIPTLT9/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+2.JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698697107021-F0D43CTYYF7QYFJJ7INH/Conceptual+artist+%237.jpg</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Conceptual artist #7 (a Warhol enthusiast, his 26th studio mate completes the story), 2022. Acrylic, genuine silver and metal leaf, ink transfer, silkscreen, and Dr. Ph. Martin’s Radiant Concentrated Watercolor on linen. Diptych, each panel: 8 × 7 ft. Courtesy of Simon Nixon and Family.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905407802-CHYJ9WB9GTGDRZZMFLKQ/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+13.JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698697107126-I3JPLTJW2VA0KM5LUCCD/Conceptual+artist+%2313.jpg</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Conceptual artist #13 (founder and sole member of the BUZZ OFF INITIATIVE, he spends his nights mailing everyone in his zip code a single dead fly), 2022. Acrylic on linen, 6 × 5 ft. Courtesy of Lu Cai. Photo: Silvia Ros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905450877-YXGXVJQ9TL0HMDHSPRDL/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+14.JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698704239271-4CZL6R8TBNSR4N155B2O/HBA_A061045_393075_HD.jpg</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Conceptual artist #2 (the ice sculptor: he exclusively carves objects which hold ice), 2021. Acrylic on linen, 6 x 5 ft. Courtesy of Maurice &amp; Paul Marciano / Maurice &amp; Paul Marciano Art Foundation. Photo: Silvia Ros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905485170-GPQK9BMF9C5HI7W7GOLF/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+1..JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905509616-BOCOUN2L4NRWXLNHCFIH/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+3.JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698697108167-D5V34T2B3LMBLWRO1HFR/Conceptual+artist+%2315.jpg</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Conceptual artist #15 (performance based, along with a troop of hired actors he takes residence in “fixer upper” homes and feigns nefarious occult activity to stir up the neighbors), 2022. Acrylic on linen, 6 × 5 ft. Private Collection. Photo: Silvia Ros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905547041-C8F1YUNG7O14L7SC1OSM/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+5.JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905578334-S7L0DDD3U5AQAO8J3BSW/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+6.JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698697108709-91UNZ4ZO3Y17TYKCZU7O/Conceptual+artist+%2319.jpg</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Conceptual artist #19 (a child of the 80’s, he places his Polaroid self-portraits in a familiar spot whenever he’s feeling lost), 2023, Acrylic on linen, 6 × 5 ft. Courtesy of Lindemann Collection, Miami Beach. Photo: Silvia Ros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905602357-45U5VR8PN632QC6JP0WR/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+8.JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905641090-IDNQPZI9BKXJYVBFLLLI/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+9.JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698697110337-0CSOUVLYLD9M07LDHTHF/Conceptual+artist+%2320.jpg</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Conceptual artist #20 (performance based; acting as his own receiver, he’s been seeking a signal from the airwaves for over a decade), 2023. Acrylic on linen, 6 × 5 ft. Courtesy of Maurice &amp; Paul Marciano / Maurice &amp; Paul Marciano Art Foundation. Photo: Silvia Ros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698697110765-RETIJTC3UPU3A8MVW4Y9/Conceptual+artist+%2327.jpg</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Conceptual artist #27 (his 'snow devils' tinted with stage blood leave a conspicuous silhouette long after they're covered), 2023. Acrylic and oil stick on linen, 7 × 6 ft. Private Collection. Photo: Silvia Ros</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905675575-D51B84E971BEAS6MIKKW/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+11.JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905732726-2EKT0T2UI0BDPPX75UFH/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+10.JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905794658-505FBG1S3VRSP872JXHN/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+12.JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905830163-1PI6148HWN3PQL7UDF9C/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+7.JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702905857730-O0SSH74IQQ61QCBNOIV6/Hernan+Bas+The+Conceptualists+at+The+Bass+Museum%2C+installation+view+4.JPG</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Installation view, Hernan Bas: The Conceptualists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1698697112518-1KYDM8P8G6UBP40TC7I7/Conceptual+artist+%2332.jpg</image:loc>
      <image:title>Hernan Bas</image:title>
      <image:caption>Conceptual Artist #32 (A conceptual purist, his work requires a willing ear to evidence the ideas he conjures at the Absinthe Bar), 2023. Acrylic and water-based oils on linen, 9 × 14 ft. Courtesy Ostillo Art Foundation, Austin, Texas. Photo: Silvia Ros</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/etel-adnan</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909321553-7GVICLPUPIAPR27ED739/Adnan+1.JPG</image:loc>
      <image:title>Etel Adnan</image:title>
      <image:caption>Etel Adnan, Untitled, 2023. Ceramic mural, 165 tiles, 16 × 16 in. each; 173 × 260 in. overall. Conceived in conjunction with artist’s sketch, 2020. Collection of The Bass, purchased through the John and Johanna Bass Acquisition Fund</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909321553-7GVICLPUPIAPR27ED739/Adnan+1.JPG</image:loc>
      <image:title>Etel Adnan</image:title>
      <image:caption>Etel Adnan, Untitled, 2023. Ceramic mural, 165 tiles, 16 × 16 in. each; 173 × 260 in. overall. Conceived in conjunction with artist’s sketch, 2020. Collection of The Bass, purchased through the John and Johanna Bass Acquisition Fund</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909427390-U8TLLHBEXLQJURZ6530N/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-02.JPG</image:loc>
      <image:title>Etel Adnan</image:title>
      <image:caption>Installation view, Etel Adnan: Painting into Space</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1703784500029-G9W4U17STMA8O4V9WUNG/Adnan%2B2.jpg</image:loc>
      <image:title>Etel Adnan</image:title>
      <image:caption>Etel Adnan, Untitled, 2020. Crayon on paper, 8 × 12 in. Sketch for a ceramic mural, catalogue raisonné number D98. Courtesy of the estate of the artist and Sfeir-Semler Gallery Beirut/Hamburg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909426785-AYVECKPM0QVDKYMJK8Q6/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-03.JPG</image:loc>
      <image:title>Etel Adnan</image:title>
      <image:caption>Installation view, Etel Adnan: Painting into Space</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909429601-GA2QJIHZ7K8YTGLE95T3/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-04.JPG</image:loc>
      <image:title>Etel Adnan</image:title>
      <image:caption>Etel Adnan, Untitled, 2015. Oil on canvas, 16 1/8 × 13 in. Collection of Mr. and Mrs. John L. Townsend, III</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909430101-FKG0JTYJ12FOSYETE52N/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-05.JPG</image:loc>
      <image:title>Etel Adnan</image:title>
      <image:caption>Etel Adnan, Untitled, 2017. Oil on canvas, 21 5/8 × 18 1/8 in. Collection of Mr. and Mrs. John L. Townsend, III; Untitled, 1965–70. Oil on canvas, 15 × 14 in. Collection of Oscar and Carole Seikaly</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909432657-M8K20C5STC4R6IVTJ9VG/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-06.JPG</image:loc>
      <image:title>Etel Adnan</image:title>
      <image:caption>Etel Adnan, Untitled, 1965–70. Oil on canvas, 15 × 14 in. Collection of Oscar and Carole Seikaly; Untitled, 2014. Oil on canvas, 9 1/2 × 12 in. Collection of Mr. and Mrs. John L. Townsend, III</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909432398-FS2NNOBYITZJBIDQZJMJ/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-07.JPG</image:loc>
      <image:title>Etel Adnan</image:title>
      <image:caption>Untitled, 2014. Oil on canvas, 11 3/4 × 9 5/8 in. Collection of A.W. McNulty; Untitled, 1989. Oil on canvas, 15 7/8 × 19 7/8 in. Collection of Beth Rudin DeWoody</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909438011-98FNL1BLJ2XQ8R50YE8N/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-08.JPG</image:loc>
      <image:title>Etel Adnan</image:title>
      <image:caption>Etel Adnan, Untitled, 2010. Oil on canvas, 9 1/2 × 12 in; Untitled, 2013. Oil on canvas, 9 1/2 × 12 in. Collection of Mr. and Mrs. John L. Townsend, III; Accompanied by a quote by Simone Fattal from her essay “On Perception: Etel Adnan’s Visual Art"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909438753-PG3VWVAR0DA3OSU2OT7V/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-09.JPG</image:loc>
      <image:title>Etel Adnan</image:title>
      <image:caption>Installation view, Etel Adnan: Painting into Space</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1703784536961-Z1MDIZ6T66VE9KS1IM26/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-12.JPG</image:loc>
      <image:title>Etel Adnan</image:title>
      <image:caption>Etel Adnan, Al Hajj, 2013. Leporello: ink, watercolor and pencil on paper. 20 folded pages: 7 × 12 in. each; max. extension: 94 ½ in. Collection of Oscar and Carole Seikaly</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1702909440685-NTJE9VROVKLW5RERTGBO/Etel+Adnan%2C+The+Bass+Museum%2C+installation+view-10.JPG</image:loc>
      <image:title>Etel Adnan</image:title>
      <image:caption>Installation view, Etel Adnan: Painting into Space</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/anne-duk-hee-jordan</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921507071-CHALKMK5PTWLC92O540A/1_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-08305-LR.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921507071-CHALKMK5PTWLC92O540A/1_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-08305-LR.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921509777-OZCRP3XVVZ2MXZBLWZU6/2_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-08308-LR.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1701039661537-EKO1ID26V0ZFIH4U02VZ/image_5.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Anne Duk Hee Jordan, I will always weather with you, 2023. 3-channel color video, 4-channel sound, 17:20 minutes (still). Video scenography by Simone Serlenga and overlapping. Visual research by Pauline Doutreluingne. Sound composition by Perera Elsewhere. Sound mix by Giovanni Conti. Commissioned by The Bass. Courtesy of the artist and alexander levy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921486764-E5TA2BHLUJQMX5XB2SLT/3_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-LR-08503.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921501996-37YMNLSN9YN5AK4AAEP9/4_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-08338-LR.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921494751-A3S44X6KA95EHFGQLYOB/5_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-LR-08320.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1701039663197-KAXLPP743T0726R0DCM2/4.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Anne Duk Hee Jordan, I will always weather with you, 2023. 3-channel color video, 4-channel sound, 17:20 minutes (still)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921486895-0H60U3WVYAZFGGKRYN8W/6_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-LR-08480.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921513026-RTC9JTEOWOKVBDKYNBA3/7_2023-12-3-The_Bass_Museum-Hernan_Bas-Art_Basel-Photo-by-Zaire-Aranguren-00360-LR.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921497229-6VZ1D8WL21K4GCJ2U4IU/8_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-08350-LR.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1701039659188-X56X20CMW2SLSWTRPLFW/2.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Anne Duk Hee Jordan, I will always weather with you, 2023. 3-channel color video, 4-channel sound, 17:20 minutes (still)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921490514-EHSYATPPQ4TQASQF7VGG/9_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-LR-08406.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921504558-9XPGDP640DZYQJYVE3L9/11_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-4-LR.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1701039659367-ABDD6FNZ4N4N5JIUBYE2/3.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Anne Duk Hee Jordan, I will always weather with you, 2023. 3-channel color video, 4-channel sound, 17:20 minutes (still)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921490413-0H0YE15FSHZS8TRLITZJ/10_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-LR-08416.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1716921498515-W5SIKLETZFUWC73FEWMX/12_2024-03-The_Bass_Museum_Anne_duk_Hee-Photo_By_Zaire_Aranguren-08510-LR.jpg</image:loc>
      <image:title>Anne Duk Hee Jordan</image:title>
      <image:caption>Installation view: Anne Duk Hee Jordan: I will always weather with you, 2023. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/social-assembly</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706794451100-KRLTDZDB5HYJFOSI1L7C/IMG_5051.JPG</image:loc>
      <image:title>Social Assembly</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706794451100-KRLTDZDB5HYJFOSI1L7C/IMG_5051.JPG</image:loc>
      <image:title>Social Assembly</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706967146399-YFVLXS8PQ68CELDAJDYW/1.JPG</image:loc>
      <image:title>Social Assembly</image:title>
      <image:caption>Left, Haegue Yang, Coordinates of Speculative Solidarity, 2019. Digital color print on self-adhesive vinyl film; with Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame, 120 × 96 × 96 in.; and Emmett Moore, Exploded View: Coconut, 2023. Aluminum, corrugated steel, Dade County pine, expanded polystyrene (EPS) foam, concrete, upholstery and hardware. Top: Mark Handforth, Untitled (Silver Branch), 2016. Aluminum and streetlamp, lava rock, and travertine, 47 ¼ × 122 × 31 ½ in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878894281-K6N7U9MZ90SXVW3D5168/2.JPG</image:loc>
      <image:title>Social Assembly</image:title>
      <image:caption>Haegue Yang, Coordinates of Speculative Solidarity, 2019. Digital color print on self-adhesive vinyl film; with Emmett Moore, Exploded View: Coconut, 2023. Aluminum, corrugated steel, Dade County pine, expanded polystyrene (EPS) foam, concrete, upholstery and hardware</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878899855-VVARR5V4ZGHMCR1TPYJ3/3.JPG</image:loc>
      <image:title>Social Assembly</image:title>
      <image:caption>Haegue Yang, Coordinates of Speculative Solidarity, 2019. Digital color print on self-adhesive vinyl film; with Emmett Moore, Exploded View: Coconut, 2023. Aluminum, corrugated steel, Dade County pine, expanded polystyrene (EPS) foam, concrete, upholstery and hardware. Back: Cerith Wyn Evans, Philosophy in the Boudoir—To Libertines’ by the Marquis de Sade (1795), 2004. Chandelier (Barovier and Toso), flat-screen monitor, Morse code unit and computer; and assume vivid astro focus (avaf), Chandelier (Venice), 2016. Digitally printed carpet, 66 × 46 ½ in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878900433-RBANDL3E1LAU2GHK8SGR/4.JPG</image:loc>
      <image:title>Social Assembly</image:title>
      <image:caption>Installation view, Social Assembly: Welcome to the Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878905367-E8IMQ5GFX9Y4ONS0LTDG/5.JPG</image:loc>
      <image:title>Social Assembly</image:title>
      <image:caption>Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame, 120 × 96 × 96 in.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878906645-L88OEMJOC697U2DF5U8Q/6.JPG</image:loc>
      <image:title>Social Assembly</image:title>
      <image:caption>Installation view, Social Assembly: Welcome to the Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878910511-JOZGUHURIEYPGWPTHV6E/7.JPG</image:loc>
      <image:title>Social Assembly</image:title>
      <image:caption>Installation view, Social Assembly: Welcome to the Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878914228-IGNC2QCMUYIH36Q4QGPD/8.JPG</image:loc>
      <image:title>Social Assembly</image:title>
      <image:caption>Installation view, Social Assembly: Welcome to the Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1706878915062-221AOSQI5TVR3BGGQNRJ/9.JPG</image:loc>
      <image:title>Social Assembly</image:title>
      <image:caption>Installation view, Social Assembly: Welcome to the Museum</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/lahorde</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732626993644-EXCH0LGMJ40B17UK3JHG/2024-11-La-Horde-The-Bass-Museum-Photo_By_Zaire_Aranguren-056-HR.jpg</image:loc>
      <image:title>(LA)HORDE</image:title>
      <image:caption>Installation view, (LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes. Courtesy of New Galerie, Paris. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732626993644-EXCH0LGMJ40B17UK3JHG/2024-11-La-Horde-The-Bass-Museum-Photo_By_Zaire_Aranguren-056-HR.jpg</image:loc>
      <image:title>(LA)HORDE</image:title>
      <image:caption>Installation view, (LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes. Courtesy of New Galerie, Paris. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5a99ddbff93fd4aee71457de/667b5bccf326184b00de18fa/667b5bd5e2f9ff648a36bdc4/1732627543674/</image:loc>
      <image:title>(LA)HORDE</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1726414182029-6SYTNZB5YPNOPNE015RM/%28LA%29HORDE%2C+The+Bass%2C+Voorhies+2.png</image:loc>
      <image:title>(LA)HORDE</image:title>
      <image:caption>(LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes (still). Courtesy of New Galerie, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732626990080-1DC9ZKS2OHHH7IT0I7ZT/2024-11-La-Horde-The-Bass-Museum-Photo_By_Zaire_Aranguren-040-HR.jpg</image:loc>
      <image:title>(LA)HORDE</image:title>
      <image:caption>Installation view, (LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes. Courtesy of New Galerie, Paris. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732627037834-OL2DY0Z1PX85Z68P8WSR/%28LA%29HORDE+-+Bondy+-+2017+-+still+2+-+Courtesy+of+%28LA%29HORDE+and+New+Galerie%2C+Paris.png</image:loc>
      <image:title>(LA)HORDE</image:title>
      <image:caption>(LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes (still). Courtesy of New Galerie, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732627043368-VINIOVDL59Y2QEFOV9RN/%28LA%29HORDE+-+Bondy+-+2017+-+still+4+-+Courtesy+of+%28LA%29HORDE+and+New+Galerie%2C+Paris.png</image:loc>
      <image:title>(LA)HORDE</image:title>
      <image:caption>(LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes. (still). Courtesy of New Galerie, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732626991921-6MFBPK702GHXGQRMOSN3/2024-11-La-Horde-The-Bass-Museum-Photo_By_Zaire_Aranguren-HR-065.jpg</image:loc>
      <image:title>(LA)HORDE</image:title>
      <image:caption>Installation view, (LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes. Courtesy of New Galerie, Paris. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732626987834-ZHQV6HWAEAVT5CTU0ZJV/2024-11-La-Horde-The-Bass-Museum-Photo_By_Zaire_Aranguren-073-HR.jpg</image:loc>
      <image:title>(LA)HORDE</image:title>
      <image:caption>Installation view, (LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes. Courtesy of New Galerie, Paris. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732626988750-RQ4PV2NZ8XN7PIE667T2/2024-11-La-Horde-The-Bass-Museum-Photo_By_Zaire_Aranguren-012-HR.jpg</image:loc>
      <image:title>(LA)HORDE</image:title>
      <image:caption>Installation view, (LA)HORDE, HEUREUX SOUS SON OMBRE, 2024. Fence panel and LED lights. 72 x 144 inches. Courtesy of New Galerie, Paris. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719360489591-ULVJIOCHKVGCL4G0PYXS/%28LA%29HORDE+-+Bondy+-+still+1.jpg</image:loc>
      <image:title>(LA)HORDE</image:title>
      <image:caption>(LA)HORDE, Bondy, 2017. HD multi-format color video with sound, 15:53 minutes (still). Courtesy of New Galerie, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1732626990323-AYZBHM06Y27AGB9DQQK7/2024-11-La-Horde-The-Bass-Museum-Photo_By_Zaire_Aranguren-007-HR.jpg</image:loc>
      <image:title>(LA)HORDE</image:title>
      <image:caption>(LA)HORDE: Heureux sous son ombre. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/performing-perspectives-a-collection-in-dialogue</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957312777-5A2I68SN8PA310K85BC9/Performing+Perspectives+curated+by+James+Voorhies++IMG_8890.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Francesco Botticini (1446–1497), Portrait of a Young Man, ca. 15th century. Oil on panel; Alex Israel, Self Portrait, 2012. Acrylic and Bondo on fiberglass</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957312777-5A2I68SN8PA310K85BC9/Performing+Perspectives+curated+by+James+Voorhies++IMG_8890.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Francesco Botticini (1446–1497), Portrait of a Young Man, ca. 15th century. Oil on panel; Alex Israel, Self Portrait, 2012. Acrylic and Bondo on fiberglass</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957328784-QQSH33M5XGE3MMQEXTNQ/Performing+Perspectives+curated+by+James+Voorhies+IMG_8927.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Nam June Paik (1932–2006), Lucy, 1992. Aluminum frame, neon, oil paint, electrical wires, five TV sets, LaserDiscs, circuit boards, keyboards, typewriter, plastic, metal and electrical elements. Collection of Cathy Vedovi; Alex Israel, Self Portrait, 2012. Acrylic and Bondo on fiberglass; Pedro Reyes, Sin titulo (capula), 2005, vinyl cords over stainless steel structure; Kota Ezawa, Lennon, Sontag and Beuys, 2004. Single-channel video with sound, 2:10 min.; Farley Aguilar, Boy with Flag, 2018. Oil, charcoal and graphite on canvas; Andy Warhol (1928–1987), Red Book (Prefix ‘F014’), 1969. Photographs (Polacolor Type 108) in red booklet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957330708-M5ZSSIVJXG5C3N6L7USX/Performing+Perspectives+curated+by+James+Voorhies+IMG_8931.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with archival photostat of The Bass exterior, ca. 1989; Nam June Paik (1932–2006), Lucy, 1992. Aluminum frame, neon, oil paint, electrical wires, five TV sets, LaserDiscs, circuit boards, keyboards, typewriter, plastic, metal and electrical elements. Collection of Cathy Vedovi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957327953-POXB4TEL9OBY1EXK1ALY/Performing+Perspectives+curated+by+James+Voorhies+IMG_8922.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Nam June Paik (1932–2006), Lucy, 1992. Aluminum frame, neon, oil paint, electrical wires, five TV sets, LaserDiscs, circuit boards, keyboards, typewriter, plastic, metal and electrical elements. Collection of Cathy Vedovi; Kota Ezawa, Lennon, Sontag and Beuys, 2004. Single-channel video with sound, 2:10 min.; Farley Aguilar, Boy with Flag, 2018. Oil, charcoal and graphite on canvas; Pedro Reyes, Sin titulo (capula), 2005. Vinyl cords over stainless steel structure; Hyacinthe Rigaud and Workshop, (1659–1743), Hans William Bentinck, Earl of Portland, K.G. (1649–1709), ca. 1698. Oil on canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957316616-XYHRQNDIFWALMQB5QQPP/Performing+Perspectives+curated+by+James+Voorhies++IMG_8893.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Pedro Reyes, Sin titulo (capula), 2005. Vinyl cords over stainless steel structure; Hyacinthe Rigaud and Workshop, (1659–1743), Hans William Bentinck, Earl of Portland, K.G. (1649–1709), ca. 1698. Oil on canvas; Berenice Abbott (1898–1991), Newsstand, East 32nd Street and Third Avenue, Manhattan, November 19, 1935, and East Side Portrait, 1938. Gelatin silver prints; Andy Warhol (1928–1987), Red Book (Prefix ‘F014’), 1969. Photographs (Polacolor Type 108) in red booklet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957330679-NNZJUYBG1ZV8V004JAU8/Performing+Perspectives+curated+by+James+Voorhies+IMG_8932.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Workshop of Anthony van Dyck (1599–1641), Francis Howard, Duchess of Lenox and Richmond, ca.1577–1639. Oil on canvas; Pascale Marthine Tayou, Poupée Pascale (Hong Kong), 2018. Crystal and mixed media; Farley Aguilar, Boy with Flag, 2018. Oil, charcoal and graphite on canvas; Nan Goldin, Yogo Putting on Powder, Second Trip, Bangkok, 1992, chromogenic print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957312525-VBZ8E2OKFQWUQ5IDMZ53/Performing+Perspectives+curated+by+James+Voorhies++IMG_8886.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Danh Võ, We the People (detail), 2010–12. Copper; Hyacinthe Rigaud and Workshop, (1659–1743), Hans William Bentinck, Earl of Portland, K.G. (1649–1709), ca. 1698. Oil on canvas; Nate Lowman, Untitled (Map), 2022. Oil, acrylic, alkyd, latex, dirt and nylon thread on canvas; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957316164-WXH3MUIOO4QOO0X9L2AY/Performing+Perspectives+curated+by+James+Voorhies++IMG_8895.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Genieve Figgis, Equal Rights, 2021. Acrylic on panel; Kathleen Gilje, Het Pelsken, Restored, 2001. Oil on wood; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957308138-41ZAEH56Q12766J2ZL5Q/Performing+Perspectives+curated+by+James+Voorhies++IMG_8877.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Danh Võ, We the People (detail), 2010–12. Copper; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges; Nate Lowman, Untitled (Map), 2022. Oil, acrylic, alkyd, latex, dirt and nylon thread on canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957324920-KM02KWB3VFP5BUMQQ4R3/Performing+Perspectives+curated+by+James+Voorhies+IMG_8911.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Tony Oursler, Control/Focus, 1997. Video projector, two cloth dolls, wood shelf and media player with USB drive; Nate Lowman, Untitled (Map), 2022. Oil, acrylic, alkyd, latex, dirt and nylon thread on canvas; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges; Workshop of Anthony van Dyck (1599–1641), Francis Howard, Duchess of Lenox and Richmond, ca.1577–1639. Oil on canvas; Pascale Marthine Tayou, Poupée Pascale (Hong Kong), 2018. Crystal and mixed media</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957320126-QGRZDARWKQ59O0KG02WX/Performing+Perspectives+curated+by+James+Voorhies+IMG_8881.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame; Nate Lowman, Untitled (Map), 2022. Oil, acrylic, alkyd, latex, dirt and nylon thread on canvas; Nam June Paik (1932–2006), Internet Dweller, 1994. Vintage TV sets with light fixtures. Courtesy of Art Bridges; Zanele Muholi, Phumula, Paris, France, 2019. Gelatin silver print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957324440-UYSWQ3OJ3E8SIMR8KF30/Performing+Perspectives+curated+by+James+Voorhies+IMG_8910.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Nam June Paik (1932–2006), TV Cello, 2003. Single-channel video (color, sound), LCD monitors, CRT monitor, acrylic paint, Plexiglas, metal, wood, rubber cables, solid-state media player, remote, power converter, adapter, power amplifier and speakers; Peter Moore, Charlotte Moorman and Nam June Paik performing John Cage’s 26′1.1499″ for A String Player (“Human Cello”), Channel 13 TV studio, May 27, 1971, 1971, and Charlotte Moorman wearing Nam June Paik's “TV Bra for Living Sculpture,” 1969. Gelatin silver prints. Archival photostat of The Bass interior, ca. 1960s; Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame; Kathleen Gilje, Untitled (Doug and Sutton), 2004, oil on linen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957332049-K35HONRTZT201LDFQEW7/Performing+Perspectives+curated+by+James+Voorhies.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Francesca DiMattio, Chandelabra II,2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame; Kathleen Gilje, Untitled (Doug and Sutton), 2004. Oil on linen; Jan Weenix (1642–1719), Lady Playing the Viola, ca. 1713–19. Oil on canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957323208-A69F290ICGK7HTR11C6E/Performing+Perspectives+curated+by+James+Voorhies+IMG_8884.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Jan Weenix (1642–1719), Lady Playing the Viola, ca. 1713–19. Oil on canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957308133-PAUIB2BQUVRADZYYIWDP/Performing+Perspectives+curated+by+James+Voorhies++IMG_8885.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Nam June Paik (1932–2006), TV Cello, 2003. Single-channel video (color, sound), LCD monitors, CRT monitor, acrylic paint, Plexiglas, metal, wood, rubber cables, solid-state media player, remote, power converter, adapter, power amplifier and speakers; Peter Moore, Charlotte Moorman and Nam June Paik performing John Cage’s 26′1.1499″ for A String Player (“Human Cello”), Channel 13 TV studio, May 27, 1971, 1971, and Charlotte Moorman wearing Nam June Paik's “TV Bra for Living Sculpture,” 1969. Gelatin silver prints. Archival photostat of The Bass interior, ca. 1960s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957325864-DS1I4URWT2IN2WWVKQLY/Performing+Perspectives+curated+by+James+Voorhies+IMG_8912.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Ellen Harvey, The Nudist Museum, 2010. Oil on gesso-board panels, vintage frames, paper printouts; Nam June Paik (1932–2006), TV Cello, 2003. Single-channel video (color, sound), LCD monitors, CRT monitor, acrylic paint, Plexiglas, metal, wood, rubber cables, solid-state media player, remote, power converter, adapter, power amplifier and speakers; Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957323477-A9HGHFOKCXPCPIF455J6/Performing+Perspectives+curated+by+James+Voorhies+IMG_8909.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Ellen Harvey, The Nudist Museum, 2010. Oil on gesso-board panels, vintage frames, paper printouts; Nam June Paik (1932–2006), TV Cello, 2003. Single-channel video (color, sound), LCD monitors, CRT monitor, acrylic paint, Plexiglas, metal, wood, rubber cables, solid-state media player, remote, power converter, adapter, power amplifier and speakers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957327002-ZNPUY7B72NY8PB08UHZR/Performing+Perspectives+curated+by+James+Voorhies+IMG_8913.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame; Zanele Muholi, Phumula, Paris, France, 2019. Gelatin silver print; Ellen Harvey, The Nudist Museum, 2010. Oil on gesso-board panels, vintage frames, paper printouts</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957320102-9XBD3BKDUS1TC2U45SJE/Performing+Perspectives+curated+by+James+Voorhies+IMG_8882.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with Danh Võ, We the People (detail), 2010–12, copper; Zanele Muholi, Phumula, Paris, France, 2019. Gelatin silver print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724957329153-HIJZHB8AMQUT9WV5OK48/Performing+Perspectives+curated+by+James+Voorhies+IMG_8930.jpeg</image:loc>
      <image:title>Performing Perspectives: A Collection in Dialogue</image:title>
      <image:caption>Installation view with archival photostat of The Bass exterior, ca. 1989, with vintage seating from Miami Beach Cinematheque.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/rachel-feinstein-the-miami-years</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603797050-PE8EBUWPTM7V3CC3B13A/1+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years, with Old Cutler, 2024. Charcoal on prepared paper, dimensions variable. Courtesy of the artist and Gagosian. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603797050-PE8EBUWPTM7V3CC3B13A/1+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years, with Old Cutler, 2024. Charcoal on prepared paper, dimensions variable. Courtesy of the artist and Gagosian. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603796824-SLF4BN81GTAJ0CTTRC42/2+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719360939592-1D4OZTFNAE0VBEKCYT1P/3+Sce%CC%80nes+de+Jardins.png</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Rachel Feinstein, Scènes de Jardins, 2018. Oil and enamel on mirror, 48 × 106 in. Collection of Heidi Steiger</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603797978-VYJ0K8NRBAALXK2HR56D/3+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603798148-4WFRVHQ71I9OPW8AQZ4U/4+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years, with Feathers, 2018, from the series Secrets. Hand-applied resin over foam with wooden base, 77 x 37 1/2 x 29 1/2 in. Courtesy of the artist and Gagosian. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603799065-1B2FUMGXNVTN04ZGUQNG/5+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years, Rachel and John’s Wedding, Parrot Jungle, 1998. 8 mm film transferred to digital video, 6:35 minutes. Courtesy of the artist. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603799380-FMXECW31BPSN2UN184U7/6+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years. Courtesy of the artist. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719360944570-YUCFM6JXDGCT7ZS04T77/7+Forest+Flat.jpeg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Rachel Feinstein, Forest Flat, 1999. Wood, enamel and blue photo paper, 72 × 78 × 30 in. Mima &amp; César Reyes Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719360936573-PIQ51UYLW78JHP3QTAVD/1+Mirrored+Ball.jpeg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Rachel Feinstein, Mirrored Ball, 1998. Plaster, mirror, paint, 36 × 30 × 12 in. Holzer Family Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719360936331-RPRUL11XNAEZN9C8RGFQ/2+Jazz+Brunch.jpeg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Rachel Feinstein, Jazz Brunch, 1998. Enamel on wood, 96 × 48 × 25 1/2 in. Collection of RISD Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603800077-WKDX16QAMSK16PGGAP3I/7+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years. Courtesy of the artist. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719360939608-L3K1VLAGSUV6N0ONFJM8/4+Model.jpeg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Rachel Feinstein, Model, 2000. Mirrors, wood, plaster and enamel, 90 3/4 × 40 1/2 × 52 in. Courtesy of the artist and Gagosian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603800335-8IYGYVH8MHTG07PP4JF8/8+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years. Courtesy of the artist. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719360946063-508I9YLH06FXQOBBIOKS/9+Hawaiian+Wedding.jpeg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Rachel Feinstein, Hawaiian Wedding, 1999. Plaster, enamel, plastic beads, felt and velvet, 72 × 36 × 42 in. Collection of the Rubell Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1728603800993-LOI7ZCWG916APSXPHIZO/9+Rachel+Feinstein+Bass+James+Voorhies.jpg</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Installation view, Rachel Feinstein: The Miami Years, with Panorama of Miami, 2024 (detail). Enamel on mirror, 5 panels, 60 × 72 × 2 in. each panel. Commissioned by The Bass. Courtesy of the artist and Gagosian. Photography by Zaire Aranguren. Image courtesy of The Bass, Miami Beach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1726412508243-L2A5SIYGG6K78Q2N4WQ6/Feinstein%2C+Panorama+of+Miami+%28detail%29.png</image:loc>
      <image:title>Rachel Feinstein: The Miami Years</image:title>
      <image:caption>Rachel Feinstein, Panorama of Miami, 2024 (detail). Enamel on mirror, 5 panels, 60 × 72 × 2 in. each panel. Commissioned by The Bass. Courtesy of the artist and Gagosian</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/ulla-von-brandenburg-in-dialogue</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724961883686-KE7FAU3UMXTDJZDG2QJE/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8974.jpeg</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Installation view, Ulla von Brandenburg: In Dialogue, with Etel Adnan, Untitled, 2023. Ceramic mural, 14 × 21 ft. Collection of The Bass, purchased through the John and Johanna Bass Acquisition Fund; and Ulla von Brandenburg, Things Are Thoughts, Day and Night, 2024. Two textile paintings, cut-out and painted cotton, both 19 × 17 ft. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724961883686-KE7FAU3UMXTDJZDG2QJE/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8974.jpeg</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Installation view, Ulla von Brandenburg: In Dialogue, with Etel Adnan, Untitled, 2023. Ceramic mural, 14 × 21 ft. Collection of The Bass, purchased through the John and Johanna Bass Acquisition Fund; and Ulla von Brandenburg, Things Are Thoughts, Day and Night, 2024. Two textile paintings, cut-out and painted cotton, both 19 × 17 ft. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724961880355-H389R4STSN8RWBWM43TK/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8957.jpeg</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, drawings from the series Things Are Thoughts, 2024. Each Japanese ink on paper; Model 1–3, 2023. Wood and oil paint, with three films from the series La fenetre s’ouvre comme une orange (The window opens like an orange), 2022. Super 16 mm film transferred to HD video, color, silent, 12:23 min. All courtesy of the artist and Pilar Corrias, London; Etel Adnan, Untitled, 2023. Ceramic mural, 14 × 21 ft. Collection of The Bass, purchased through the John and Johanna Bass Acquisition Fund</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719361150432-CNB33ALHWPSKQ4J9MZZ8/BRAN+2024005+Things+are+Thoughts+6+%28margin%29.jpg</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724961880971-92OQMF8BG46MCRMPZTJ3/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8963.jpeg</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, Model 1–3, 2023. Each wood and oil paint; three films from the series La fenetre s’ouvre comme une orange (The window opens like an orange), 2022. Super 16 mm film transferred to HD video, color, silent, 12:23 min. Courtesy of the artist and Pilar Corrias, London. Etel Adnan, Untitled, 2020. Crayon on paper, sketch for a ceramic mural, catalogue raisonné number D98. Courtesy of the estate of the artist and Sfeir-Semler Gallery Beirut/Hamburg; Etel Adnan, Untitled, 2023. Ceramic mural, 14 × 21 ft. Collection of The Bass, purchased through the John and Johanna Bass Acquisition Fund</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724961881379-DFGX800VLQ06O1OP55IW/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8965.jpeg</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, drawings from the series Things Are Thoughts, 2024. Each Japanese ink on paper, courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719361222654-YJ1UN0QUFVC160MMJ0TE/BRAN+2024024+Things+are+Thoughts+7+%28margin%29.jpg</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, Things Are Thoughts 7, 2024. Japanese ink on paper. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724961882387-E4ZQ1GSGLT7OZSG1ZV51/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8966.jpeg</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, three films from the series La fenetre s’ouvre comme une orange (The window opens like an orange), 2022. Super 16 mm film transferred to HD video, color, silent, 12:23 min. All courtesy of the artist and Pilar Corrias, London; Etel Adnan, Untitled, 2020. Crayon on paper, sketch for a ceramic mural, catalogue raisonné number D98. Courtesy of the estate of the artist and Sfeir-Semler Gallery Beirut/Hamburg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719835613590-O9YBGJVXRW84TGSZK9TU/Ulla+von+Brandenburg%2C+Model+III%2C+2024.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Etel Adnan, Model 3, 2023. Wood and oil paint. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719835105812-ZZNAVARW6FV813L2THAH/Ulla+von+Brandenburg+-+La+fene%CC%82tre+s%E2%80%99ouvre+comme+une+orange+%28danse+abstraction%29+%28The+window+opens+like+an+orange+%5Bdance+abstraction%5D%29%2C+film+still%2C+2022.+Courtesy+of+the+artist.png</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, La fenêtre s’ouvre comme une orange (danse abstraction), 2022. Super 16 mm film transferred to HD video, color, silent, 12:23 min. Produced with the support of XNL / Fondazione di Piacenza e Vigevano. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1719837168915-HNG6LRU59FCYPR1WYSHS/Adnan%2B2.jpg</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Etel Adnan, Untitled, 2020. Crayon on paper, sketch for a ceramic mural, catalogue raisonné number D98. Courtesy of the estate of the artist and Sfeir-Semler Gallery Beirut/Hamburg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724961879707-JIGS5A7KKAOZVTT40BAJ/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8955.jpeg</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Installation view, Ulla von Brandenburg: In Dialogue, with Etel Adnan, Untitled, 2023. Ceramic mural, 14 × 21 ft. Collection of The Bass, purchased through the John and Johanna Bass Acquisition Fund; and Ulla von Brandenburg, Things Are Thoughts, Day and Night, 2024. Two textile paintings, cut-out and painted cotton, both 19 × 17 ft. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724962081505-JCZNILKX3J23NUGRUTDV/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8982.jpeg</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, Things Are Thoughts, Day and Night, 2024. Textile paintings, cut-out and painted cotton, each 19 × 17 ft. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724962081539-PT40XBV3WJS3UEY5K41V/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8985.jpeg</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, Things Are Thoughts, Night and Night, 2024. Textile paintings, cut-out and painted cotton, each 19 × 17 ft. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1724962084223-LK2QQE3NSF7HOSJ8TQ6J/Ulla+Von+Brandenburg+and+Etel+Adnan+at+The+Bass+Musesum+curated+by+James+Voorhies+-+IMG_8986.jpeg</image:loc>
      <image:title>Ulla von Brandenburg: In Dialogue</image:title>
      <image:caption>Ulla von Brandenburg, Things Are Thoughts, Day, 2024. Textile paintings, cut-out and painted cotton, each 19 × 17 ft. Courtesy of the artist and Pilar Corrias, London</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/faire-foyer-sarah-crowner-in-dialogue-with-etel-adnan</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930585953-WIC0POKLI53ZYQH3BHP2/Etel+Adnan+and+Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+installation+full.JPG</image:loc>
      <image:title>Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
      <image:caption>Installation view, Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930585953-WIC0POKLI53ZYQH3BHP2/Etel+Adnan+and+Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+installation+full.JPG</image:loc>
      <image:title>Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
      <image:caption>Installation view, Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930577910-9O3XZBL3NG7UTI2WST2D/Etel+Adnan+and+Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+installation+3.JPG</image:loc>
      <image:title>Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930579476-6QZJNQ57D7MVNZAJIZ8R/Etel+Adnan+and+Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+installation+2.JPG</image:loc>
      <image:title>Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930591178-L1Q6IDQKWOSDW1PEAV74/Etel+Adnan+and+Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+installation+of+photographs.JPG</image:loc>
      <image:title>Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930592618-X3NRV6WOB562A9SU9XXD/Etel+Adnan+at+The+Bass+Museum+curated+by+James+Voorhies+-+photograph.JPG</image:loc>
      <image:title>Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930588340-VL47YUVFMQXOX5YJQXC4/Etel+Adnan+and+Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+installation+1+.JPG</image:loc>
      <image:title>Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930583329-O59LRW6QVLT9KR9FBUYJ/Etel+Adnan+and+Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+installation+4.JPG</image:loc>
      <image:title>Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759931353344-WY9R58LIS5NTKP0TFZKK/IMG_6300.jpeg</image:loc>
      <image:title>Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759930575432-7XU0UM3YAAZ7URJGFUZP/Sarah+Crowner+at+The+Bass+Museum+curated+by+James+Voorhies+-+sculpture.jpeg</image:loc>
      <image:title>Faire Foyer: Sarah Crowner in Dialogue with Etel Adnan</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://jamesvoorhies.com/jack-pierson-the-miami-years</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-08</lastmod>
    <image:image>
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      <image:title>Jack Pierson: The Miami Years</image:title>
      <image:caption>Installation view, Jack Pierson: The Miami Years, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759932144268-ENDZ335C2XVS3Y6WMXJ9/Installation+view+of+Jack+Pierson+curated+by+James+Voorhies+at+The+Bass+Museum+-+13.jpeg</image:loc>
      <image:title>Jack Pierson: The Miami Years</image:title>
      <image:caption>Installation view, Jack Pierson: The Miami Years, 2025.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759932145236-9F3INB4RPBLRMX3YRVRX/Installation+view+of+Jack+Pierson+curated+by+James+Voorhies+at+The+Bass+Museum+-+14.jpeg</image:loc>
      <image:title>Jack Pierson: The Miami Years</image:title>
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      <image:title>Jack Pierson: The Miami Years</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a99ddbff93fd4aee71457de/1759932139896-1ZHAE58QB21EV3JT9OS6/Installation+view+of+Jack+Pierson+curated+by+James+Voorhies+at+The+Bass+Museum+-+9.jpeg</image:loc>
      <image:title>Jack Pierson: The Miami Years</image:title>
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      <image:title>Jack Pierson: The Miami Years</image:title>
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      <image:title>Jack Pierson: The Miami Years</image:title>
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      <image:title>Jack Pierson: The Miami Years</image:title>
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      <image:title>Jack Pierson: The Miami Years</image:title>
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      <image:title>Jack Pierson: The Miami Years</image:title>
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      <image:title>Jack Pierson: The Miami Years</image:title>
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      <image:title>Jack Pierson: The Miami Years</image:title>
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      <image:title>Jack Pierson: The Miami Years</image:title>
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      <image:title>Jack Pierson: The Miami Years</image:title>
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      <image:title>Jack Pierson: The Miami Years</image:title>
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      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
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      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
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      <image:caption>Josephine Halvorson, Ground Register: Spiral / North, 2019. Gouache and site material on panel, 42 × 32 in.; Ground Register: First Frost, 2018. Gouache, screen print, and site material on panels, 42 × 32 in.; Ghost, 2017. Oil on linen, 23 × 15 in.</image:caption>
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      <image:caption>Installation view, Relational Landscapes, Spritz3000, Catskill, New York</image:caption>
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      <image:caption>Simone Forti, Weeding: Steve and Lisa’s Garden 1, 2019. Digital video, 18 min., uneditioned; Saw Horse and Plank, 1961/2022. Unpainted pine, 120 × 9 × 5 in.</image:caption>
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      <image:caption>Simone Forti, Tree Drawing: I Stand Where a Bear Stood Recently, Clawing This Tree, 2010. Pen, pencil, marker on paper, 14 1/2 × 11 1/2 × 1 3/4 in.</image:caption>
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