Left, Haegue Yang, Coordinates of Speculative Solidarity, 2019. Digital color print on self-adhesive vinyl film; with Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame, 120 × 96 × 96 in.; and Emmett Moore, Exploded View: Coconut, 2023. Aluminum, corrugated steel, Dade County pine, expanded polystyrene (EPS) foam, concrete, upholstery and hardware. Top: Mark Handforth, Untitled (Silver Branch), 2016. Aluminum and streetlamp, lava rock, and travertine, 47 ¼ × 122 × 31 ½ in.

Haegue Yang, Coordinates of Speculative Solidarity, 2019. Digital color print on self-adhesive vinyl film; with Emmett Moore, Exploded View: Coconut, 2023. Aluminum, corrugated steel, Dade County pine, expanded polystyrene (EPS) foam, concrete, upholstery and hardware

Haegue Yang, Coordinates of Speculative Solidarity, 2019. Digital color print on self-adhesive vinyl film; with Emmett Moore, Exploded View: Coconut, 2023. Aluminum, corrugated steel, Dade County pine, expanded polystyrene (EPS) foam, concrete, upholstery and hardware. Back: Cerith Wyn Evans, Philosophy in the Boudoir—To Libertines’ by the Marquis de Sade (1795), 2004. Chandelier (Barovier and Toso), flat-screen monitor, Morse code unit and computer; and assume vivid astro focus (avaf), Chandelier (Venice), 2016. Digitally printed carpet, 66 × 46 ½ in.

Installation view, Social Assembly: Welcome to the Museum

Francesca DiMattio, Chandelabra II, 2015. Glaze and luster on porcelain and stoneware, epoxy and steel frame, 120 × 96 × 96 in.

Installation view, Social Assembly: Welcome to the Museum

Installation view, Social Assembly: Welcome to the Museum

Installation view, Social Assembly: Welcome to the Museum

Installation view, Social Assembly: Welcome to the Museum